Peter Charney’s review published on Letterboxd:
Hooptober 11 #14 of 31
While I love this premise, The Hands of Orlac exemplifies my common criticism of non-comedy silent films, taking far too much time to communicate each new action of storytelling. Still, it’s occasionally nice to visit movies that are this expressive, not only in performances communicated through gesture, but also in shot composition, production design, and lighting. The simplicity is refreshing, and the more time that passes through the progression of the medium, the more hauntingly atmospheric a 100-year-old ghost of a film like this becomes.
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