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What started as a simple filler for my Hooptober watchlist might just turn out to be one of its most pleasant surprises. I went into Cemetery Man knowing nothing about it—based on the poster, I assumed it was made a couple of decades earlier. But from the start, I was captivated by its eclectic blend of genres: zombie horror meets Italian neo-realism, with a dash of neo-noir narration. Few films manage to explore the intersection of life and death as effectively, using horror as a vehicle for philosophical reflection. The lines blur as the titular cemetery man navigates the limbo between existence and oblivion. While the plot sometimes veers in directions I wasn’t entirely on board with, the screenplay remains consistently funny, and the production design fully embraces its surreal, fantastical elements.
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