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Concludes a loose trilogy started by Non Fiction and Bergman Island while forming a neat duet with Nü Irma Vep, by which tokens alone it's not minor. And mostly a delight all its own, with potential faults or outside criticisms part and parcel of its construction. People in lockdown make hay of minor conflicts and excessively speak thoughts aloud? Wasn't me!
I could write about this playing way more towards docufiction than anybody let on, with a lot of productive tension between Assayas' first-person voiceover and a more omnipotent perspective afforded by this fictionalized rendition, or how the film articulates rather honestly the ways lockdown was a wonderful time to be alive if you just knew how to center your own neuroses and flare-ups — with a nod towards the specifics of a personal life I do much to keep offline — but it's almost Christmas.
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