Jane Schoenbrun's I Saw the TV Glow is a mesmerizing journey into the realms of nostalgia, identity, and the eerie allure of escapism. Through the lens of two troubled young friends, brilliantly portrayed by Justice Smith and Brigette Lundy-Paine, Schoenbrun weaves a tale that's part psychological horror, part poignant drama, and wholly captivating.

From the opening scenes, suffused with an industrial, sweet-and-sour neon haze, the film exudes a toxic yet irresistible allure, reminiscent of a Hans Christian Andersen fairy tale. Schoenbrun deftly explores themes of queer identity, particularly the experience of finding solace and identity in pop culture when real-life models are lacking. This exploration adds layers of depth to the characters' struggles and the consequences of repression they face as the story unfolds.

The curated soundtrack, featuring ethereal yet unsettling original music, enhances the film's hypnotic atmosphere, while Schoenbrun's mastery of aesthetic and style shines through. The lo-fi and lonely vibrancy of the film, reminiscent of Schoenbrun's previous work in We're All Going to the World's Fair, is spellbinding, drawing viewers deeper into its world with each scene.

One of the film's standout aspects is its practical effects, which perfectly embody the balance between cheesy nightmare fuel and genuine terror. From the surreal landscapes of The Pink Opaque to the haunting visions experienced by the characters, the practical effects lend an authenticity to the film's otherworldly elements.

I Saw the TV Glow is a film that begs for multiple viewings, each revealing new layers of meaning and nuance. As the story unfolds, it leaves a lingering impression, prompting reflection on its themes long after the credits roll. With its blend of nostalgia, psychological depth, and haunting visuals, this is a film that is sure to resonate with audiences for years to come.