Neil Bahadur’s review published on Letterboxd:
The banality of terror/the sheer terror of banality. A film about the people who create ideas, and because it is a Tourneur film the only ideas are how to manipulate. The claustrophobia of all these manipulative character relations overtake the claustrophobia of all the closed spaces in this film. Paranoia and bitterness dominate the damaged psyche of Dana Andrews' returning POW/Buisnessman. In fact, almost everyone in this movie is a buisnessman. So it's no wonder there is so much talk of "public opinion." Because for them, public opinion only exists so it can be controlled. No nightmares or superstition here, because reality itself is a nightmare: quintessentially Tourneur, we have absolutely no control. The monsters in our dreams have nothing on the ones which lurk in our waking moments.
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