Neil Bahadur’s review published on Letterboxd:
Probably more later - but anyways, while I liked it initially, it's still far more clever than I (and many others) gave it credit for. The fact that Killmonger gets as significant of a platform as he does speaks to this - he makes a better case for his position better than any of the films characters do! It's not like the audience was leaving the theatre going off on the wonders of monarchy and the democratic republic...
And that Afro-futurist aesthetic is beautiful.
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