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Its central premise—that even the darkest forms of evil can be unexpectedly mundane in everyday life — is simple but incredibly, incredibly powerful (not to mention important) if articulated well. This articulation is done very, very well. The dramatic irony of these bougie, self-centered, social climbing racists puttering about with their petty grudges while industrial genocide churns along day and night next door is appalling and disturbing in a way that other, more monstrous portrayals of Nazism can't touch. On top of it all, Glazer directs with both a uniquely discordant artistic sensibility and, somehow, renders it all with shockingly recognizable, relatable, contemporary relevance.
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