Kern’s review published on Letterboxd:
Pretty much a masterpiece, except for the brief moments where Van Sant feels the need to punctuate his experimental anti-character study with traditional scenes/moments (e.g. Kim Gordon's scene, the rare times he cuts to a close up instead of staying in a long shot). Still, the ratio of transcendent to traditional is overwhelmingly in favor of the former. A hypnotic odyssey into a destitute party house—places in which we've all longed for seclusion, maybe even to the point of death.
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