Jordan Kaminski’s review published on Letterboxd:
Doing a reverse jump scare by going silent instead of loud noise is genius, honestly more effective than the traditional, the bus scene felt very reminiscent of Perfect Blue.
It started to lose me for a bit in the second half but than reeled me right back in when it almost turns into an Iannucci or Kaurismäki-esque satire which took me by complete surprise.
Also sidenote, no way a kid threw half of a fucking engine into the second floor window from outside and if like me you don't know what "Ratel" means, it means honey badger.
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