Jakub Flasz’s review published on Letterboxd:
[Saltburn]'s ire is hollow. Its expression is merely an interpretative dance about eating the rich. In a way, it is however a fascinating study because the subject matter of the movie – an impostor creeping into the lives of its wealthy benefactors to slowly subject them to terminal necrosis – mirrors what the movie is itself. It isn’t anywhere near as classy or iconoclastic as it makes it look. It’s all wind and no trousers because once Barry Keoghan finishes his dance and the adrenaline following what I can only call a bout of semi-cannibalistic cunnilingus finally subsides, there isn’t much Saltburn has to say. Much like Promising Young Woman was a TED Talk about the patriarchy, this movie is an eat-the-rich tattoo – intricate, ornate, utterly cliché and mindbogglingly useless.
Read my full review over at Flasz on Film.
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