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I can’t remember the last time I saw such a stark case of one actor carrying a film. Josh Hartnett is this movie. Either he’s put all his comeback chips on this particular table, or Shyamalan did so on his behalf, believing that the return of a well-liked but recently down-on-his-luck movie star to a leading role would help sell tickets. In any event, Hartnett should easily be able to capitalize on this performance, because he is outstanding here.
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