Synopsis
A series of ghost-like vehicles drive by.
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Pan 700
Director
Genre
Releases by Date
Premiere
-
USA
Carnegie Museum of Art
Releases by Country
USA
13 Feb 1974
- Premiere Carnegie Museum of Art
Popular reviews
More-
Remember those old Forza games where you could race against a ghost car that you could never make contact with because it was only a hollow outline of another racer? That’s exactly what this short reminded be of, and for all of the bullshit Pan films ranging from stupid to gross that I’ve had to endure, this is one of only two that was actually conceptually intriguing and technically impressive.
I wouldn’t say this series went out with a bang, more like a crackle, but I’ll take what I can get.
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Ok, I actually REALLY enjoy this one. Probably the only one of these I would recommend to others.
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So far the only Frampton related thing I like. The eerie ghost cars with no human being in sight clashing against dilapidated urban project buildings is a haunting image. It reminds me of the cover to Nas's Illmatic, there is just something so offputting about superimposing something transparent and innocuous over the weathered towers complete with decrepit windows, broken ladders, and barren rooftops.
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An Odyssey, ft. Hollis Frampton (20/24)
Oh thank god, this is the last Pan.
Pan 700 is yet again a very simple sequence that has some inklings of an idea, a morsel of something to keep it from being insufferable, but it's still not really enough to be anything more than "uninteresting". A static, one-minute shot of a street scene, where cars drive on in their normal business and typical days, is accentuated a little bit through the use of double-exposure, making the cars appears transparent and specters of the day, driving alongside empty streets in a dilapidated area of the city, and again turning something seemingly simple into an abstract variation based on its presentation. But is there a…
Translated from en by Google -
Pensive, a bit whimsical, feels like the kind of thought that pops into your head when you sit on a bench in the city and just look around. Mundane and humane in a way that feels surprisingly unpretentious.
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Takes the image overlay effect used in Pan 4 to greater impact with the cars' ghost-like haze and odd rhythm in their movement.
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Numbers on the boards
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The Criterion Channel wouldn’t let my watch Pan so I had to improvise
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The first Ghostbusters.
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This pan doesn’t match the level of pan 3 something was definitely missing. I’m crashing out
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This one's pretty great!
Translated from en by Google