Edgar Cochran ✝️’s review published on Letterboxd:
If you combine Bergman and some of Bresson's metaphysical elements with the subsequent fantasy touches of Pasolini in 1974 and the random horror/fantasy insanity that Raimi popularized so much with his NC-17 classics, you get Viy, a groundbreaking glimpse into the collision between the impossible magic of celluloid and a "Tarkovskian" struggle of faith against demons. Unique and influential masterpiece that opened new boundaries for camp fun in the most artistic way possible.
99/100
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