Le Doulos

Le Doulos

This film has every ingredient of a razor-sharp noir – a convoluted plot, shifty characters, and postwar dubiety all fusing to produce a world built almost entirely out of backstabbing and betrayal.

There’s a bottomless richness to Nicolas Hayer’s cinematography, his blacks grainy and inky, the light delicately bouncing off the dark and the fog elegantly streaking across the screen.

One other interesting point about the flim: Les doulos is Tarantino’s favorite storyline and Scorsese’s favorite gangster film. Quite an impressive influence, eh?

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