Daniel Bayer’s review published on Letterboxd:
Gibson has enough roguish charm to pull this off, and it pretty much works right up until the point where it doesn’t, which thankfully is right at the very end. It’s just… really hard to get over a movie with this title that doesn’t give its female lead any real inner life (Hunt is maybe too good of a casting choice, as she just comes across as too intelligent to want to have anything to do with this guy after he comes clean to her).
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