CalvinLaw’s review published on Letterboxd:
2022 Ranking
Pretty much just as enthusiastic about this on rewatch, which is a good thing. So many top tier Spielberg sequences, and perhaps appreciated the darker, messier elements lying under the surface all the more. I think one thing this film does so well is make the adult intrusions into Sammy's life quite unsettling at points - Mitzi's dance scene and Reggie's reactions to it in retrospect, Boris' forcefulness is pretty off-putting at points, Benny's farewell scene is genuinely quite uncomfortable to watch even though it is very moving too - that I think makes the escapism of Sammy's filmmaking all the more potent.
Still not crazy about the California high school stuff, but that's easy enough to brush aside as less a flaw and more something I'm just not as interested in, and to be quite frank I can't exactly imagine the film without them either, it's all part of the package. I do still think the humour in these sequences is not my cup of tea, in contrast to the humour of, say, the Fabelman dinner gatherings.
Can't believe we're at a point where a Paul Dano nomination is in question. Firmly my second favourite Supporting Actor performance of the year - in fact, maybe a career-best?
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