Jonathan Berk’s review published on Letterboxd:
Director Christopher Nolan blasts back onto the big screen with Oppenheimer, a film bursting with so much talent that audiences will be pondering “who was that?” as actors come and go as they leave lasting impressions. In true Nolan fashion, he opts not to tell this story from beginning to end, but rather through two perspectives - one in color, and the other in black and white, a call back to his early film Memento - that bounce around in time. The effect it has on the story of J. Robert Oppenheimer and the film's three-hour runtime is keeping the audience pulled in by maintaining the tension and intrigue at high gear. Nolan’s detractors often cite his expositional dialogue as a flaw, but this story lends itself to the smart people in the room, explaining things to those not yet there.
Continue reading at Berkreviews.com
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