Reactions visible to anyoneReactions visible to owner’s Close FriendsReactions only visible to youDraft entryVisible to anyone (with link)Visible to the member’s friends (with link)Only visible to you
interrogating the contradictory-conjunct dialectic between, as nolan puts it, "subjectivity" and "objectivity"; the b&w scenes being shot from the omniscient perspective of History (thus rendering them "objective") and the in-color ones being from the perspective of our various agents of the Nuclear Future (primarily from oppy's pov - thus rendering them "subjective").. what makes these distinctions significant is oppenheimer's selective revealing of information in scattered pepperings; the viewer is subject to a grand collision of past and present-future, making for a picture that is by turns profoundly horrifying and deeply beautiful
Letterboxd is an independent service created by a small team, and we rely mostly on the support of our members to maintain our site and apps. Please consider upgrading to a Pro account—for less than a couple bucks a month, you’ll get cool additional features like all-time and annual stats pages (example), the ability to select (and filter by) your favorite streaming services, and no ads!