Samuel Barber, imago Caroli van Vechten anno 1944 e collectione Van Vechten Collection in Bibliotheca Congressionali Civitatum Foederatarum.
Samuel Barber (natus die 9 Martii 1910 in West Chester Pennsilvaniae; mortuus in Urbe Novo Eboraco die 23 Ianuarii 1981) fuit compositor Americanus.
- Dover Beach (Medium voice and string quartet) (Op. 3, 1931)
- The School for Scandal (Overture) (Op. 5, 1931)
- Cello Sonata (Op. 6, 1932)
- Music for a Scene from Shelley (Op. 7, 1933)
- (First) Symphony in One Movement (Op. 9, 1936)
- Adagio for Strings (arr. of String Quartet, movement 2) (Op. 11, 1938)
- Essay for Orchestra (Op. 12, 1937)
- Violin Concerto (Op. 14, 1939)
- Reincarnations for mixed chorus, (Op. 16, 1939–1940);
- Second Essay for Orchestra (Op. 17, 1942)
- Excursions (Op. 20, 1942–44)
- Capricorn Concerto (Op. 21, 1944)
- Cello Concerto (Op. 22, 1945)
- Medea (ballet) (Op. 23, 1946)
- Knoxville: Summer of 1915 (Soprano & Orchestra) (Op. 24, 1948)
- Nuvoletta (for voice and piano)[1] (Op. 25, 1948)
- Sonata for Piano (Op. 26, 1949)
- Hermit Songs (Op. 29, 1953)
- Prayers of Kierkegaard (Soprano, Choir & Orchestra) (Op. 30, 1954)
- Summer Music for Wind Quintet (Op. 31, 1956)
- Vanessa (opera) (Op. 32, 1957)
- Nocturne (Homage to John Field) (Piano) (Op. 33, 1959)
- A Hand of Bridge (Chamber opera) (Op. 35, 1959)
- Toccata Festiva (Organ and Orchestra) (Op. 36, 1960)
- Piano Concerto (Op. 38, 1962)
- Antony and Cleopatra[2] (Op. 40, opera, 1966, rev. 1974)
