‘I still have red dust on my motion base’
The practical and digital effects that made sandworm riding possible in 'Dune: Part Two'.
How DNEG crafted the troll and the Eregion battle in s2 of ‘The Rings of Power’
Including a whole heap of before/after imagery.
How DNEG made Venom dance
Plus, DNEG’s visual effects for Venom Horse and the Venom vs Xenophage airplane fight in ‘Venom: The Last Dance’.
The visual effects of ‘Dune: Part Two’
An exclusive interview with visual effects supervisor Paul Lambert.
Watch DNEG’s VFX breakdown for s2 of ‘The Rings of Power’
Including the major battle, and the Troll.
Issue #23 of the print mag is a FULL issue on the VFX of ‘Dune: Part Two’
Yep, a full issue all about the making of the film.
Mike Ehrmantraut from ‘Breaking Bad’ was the inspiration for the Hill-Troll in ‘The Rings of Power’ siege
Behind the visual effects of the battle in episode 207, with VFX supervisor Jason Smith.
In the volume with gladiators, chariots and horses
A round-table discussion on the virtual production challenges of Those About to Die. An excerpt from befores & afters magazine.
Dimension, DNEG 360 and Projectal: A Partnership Driving Efficiency and Creativity
Dimension and DNEG 360 have partnered with Projectal, the leading project management and workflow platform for creative studios.
‘It’s like a constantly evolving three-dimensional puzzle’
The VFX of ‘Furiosa: A Mad Max Saga’, incl the crazy War Rig scenes, impressive wasteland, immense rotoscoping, and how Anya Taylor-Joy’s
Issue #18 of the mag is out! Learn all about big creature anim
Covering creature animation, with in-depth analysis of Fallout, YuYu Hakusho, Spaceman, and Damsel, and a print edition version of the history of
‘For Godzilla’s walk, we put a speedometer on his feet just to see how fast they go’
DNEG delves into its sequences on ‘Godzilla x Kong: The New Empire,’ which also included Kong’s tooth extraction, and the enormous crystal
‘We asked ourselves at the beginning, do we go for something that feels right, or that is right?’
The virtual production and visual effects art and tech that brought authenticity to ‘Masters of the Air.’
There’s no CGI in ‘Oppenheimer’, but there are so many stunning effects
Hugo and Ian discuss Chris Nolan's 'Oppenheimer' in the latest VFX Notes podcast.
The crazy, intricate work behind DNEG’s VFX for ‘NYAD’
Water sims, incredible body tracking and matchmove, and insane comp.
DNEG builds a beautiful broken world in HBO’s ‘The Last of Us’ with MattePaint
The highly anticipated HBO adaptation of The Last of Us video game transport viewers into a beautiful post-apocalyptic world. DNEG faced the
‘The water needed to have a performance’
How the ‘NYAD’ visual effects team helped turn Annette Bening into an open ocean endurance swimmer.
A giant penis, flaming body, and blood shards that kill
All in a days work for the 'Gen V' effects team.
‘Make them go F.A.S.T.’
How visual effects in 'Gran Turismo' helped tell this real-world gaming story.
DNEG breaks down its use of Houdini on ‘The Last of Us’
DNEG CG Supervisor Melaina Mace discusses environment work for different cities and the use of SideFX's Houdini on 'The Last of Us',
Spinning beads, cloud tanks and crucibles of molten thermite
The practical photographic element shoots and the digital compositing work done to bring the subatomic and large scale explosive effects of ‘Oppenheimer’
Interview: DNEG visual effects supervisor Andy Lockley on ‘The Flash’
The VFX studio talks three key sequences: Metropolis destruction, young Barry’s power test run, and visiting the Batcave.
How that crazy nunchuck helicopter sequence in ‘Fast X’ was pulled off
A deep dive into the on-location chopper flying, bluescreen shooting, and final digital VFX work by DNEG for this and many other
Why the animated feature Nimona could not have been achieved without compositing
Also, the scene that almost gave one of the film’s VFX supervisors a heart attack.
Behind the shoot and VFX for that dynamic train opener to ‘Citadel’
Behind the background plate and bluescreen train carriage shoots.
Effects of heaven and earth: a more grounded Monkey King story
Behind the VFX of ‘American Born Chinese.’ American Born Chinese, now streaming on Disney+, is an adaptation of Gene Luen Yang’s graphic
A visual journey into DNEG’s dragon, unicorn and Tree of Life in ‘Fury of the Gods’
Go behind the scenes of these specific elements in the film.