Famous poet /?-1951  •  Ranked #155 in the top 500 poets

Marriott Edgar

Marriott Edgar was a British poet and humorist whose work continues to resonate with audiences today, particularly through his enduringly popular comic monologue, "The Lion and Albert."

Edgar's poetry is characterized by its accessibility and wit, often employing a conversational style and regional dialect to capture the everyday humor of Northern England. He embraced a narrative form of poetry, crafting humorous tales that resonated with the common person's experience. His poems are typically characterized by their whimsical storytelling, vivid characters, and unexpected punchlines.

Writing in the early to mid 20th century, Edgar's work reflects the social and cultural landscape of his time, capturing the spirit of pre-war Britain with its warmth, humor, and resilience. He shared a similar sensibility with other contemporary humorists like P.G. Wodehouse and Jerome K. Jerome, who also excelled in crafting witty narratives that captured the quirks of British society.

Edgar's legacy as a humorist is significant, with "The Lion and Albert" remaining a beloved piece performed by numerous artists and adapted for various mediums. His work continues to entertain and amuse audiences, proving the enduring appeal of his approachable style and timeless comedic narratives.

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The Lion and Albert

There's a famous seaside place called Blackpool,
That's noted for fresh air and fun,
And Mr and Mrs Ramsbottom
Went there with young Albert, their son.

A grand little lad was young Albert,
All dressed in his best; quite a swell
With a stick with an 'orse's 'ead 'andle,
The finest that Woolworth's could sell.

They didn't think much to the Ocean:
The waves, they was fiddlin' and small,
There was no wrecks and nobody drownded,
Fact, nothing to laugh at at all.

So, seeking for further amusement,
They paid and went into the Zoo,
Where they'd Lions and Tigers and Camels,
And old ale and sandwiches too.

There were one great big Lion called Wallace;
His nose were all covered with scars —
He lay in a somnolent posture,
With the side of his face on the bars.

Now Albert had heard about Lions,
How they was ferocious and wild  —
To see Wallace lying so peaceful,
Well, it didn't seem right to the child.

So straightway the brave little feller,
Not showing a morsel of fear,
Took his stick with its 'orse's 'ead 'andle
And pushed it in Wallace's ear.

You could see that the Lion didn't like it,
For giving a kind of a roll,
He pulled Albert inside the cage with 'im,
And swallowed the little lad 'ole.

Then Pa, who had seen the occurrence,
And didn't know what to do next,
Said 'Mother! Yon Lion's 'et Albert',
And Mother said 'Well, I am vexed!'

Then Mr and Mrs Ramsbottom —
Quite rightly, when all's said and done —
Complained to the Animal Keeper,
That the Lion had eaten their son.

The keeper was quite nice about it;
He said 'What a nasty mishap.
Are you sure that it's your boy he's eaten?'
Pa said "Am I sure? There's his cap!'

The manager had to be sent for.
He came and he said 'What's to do?'
Pa said 'Yon Lion's 'et Albert,
'And 'im in his Sunday clothes, too.'

Then Mother said, 'Right's right, young feller;
I think it's a shame and a sin,
For a lion to go and eat Albert,
And after we've paid to come in.'

The manager wanted no trouble,
He took out his purse right away,
Saying 'How much to settle the matter?'
And Pa said "What do you usually pay?'

But Mother had turned a bit awkward
When she thought where her Albert had gone.
She said 'No! someone's got to be summonsed' —
So that was decided upon.

Then off they went to the P'lice Station,
In front of the Magistrate chap;
They told 'im what happened to Albert,
And proved it by showing his cap.

The Magistrate gave his opinion
That no one was really to blame
And he said that he hoped the Ramsbottoms
Would have further sons to their name.

At that Mother got proper blazing,
'And thank you, sir, kindly,' said she.
'What waste all our lives raising children
To feed ruddy Lions? Not me!'

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Analysis (ai): This poem presents a humorous and satirical take on a seaside outing gone wrong. Written in the style of a traditional ballad, it uses colloquial language and a rhyming scheme to convey the story.

The poem's characters are a family visiting Blackpool, where they encounter a rather unexciting sea and decide to visit the zoo. There, the young boy Albert provokes a lion named Wallace, leading to his untimely demise.

The poem's tone is light and humorous, despite the grim events it depicts. The use of alliteration and the exaggerated reactions of the characters add to the comical effect. The parents' lack of concern for their son's safety adds to the absurdity of the situation.

In terms of the author's other works, this poem is consistent with his other comedic pieces, which often feature working-class characters and poke fun at the foibles of human nature. It also reflects the popular music hall entertainment of the time, which often featured exaggerated and humorous stories. (hide)
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The Battle Of Hastings

I'll tell of the Battle of Hastings,
As happened in days long gone by,
When Duke William became King of England,
And 'Arold got shot in the eye.

It were this way - one day in October
The Duke, who were always a toff
Having no battles on at the moment,
Had given his lads a day off.

They'd all taken boats to go fishing,
When some chap in t' Conqueror's ear
Said 'Let's go and put breeze up the Saxons;'
Said Bill - 'By gum, that's an idea.'

Then turning around to his soldiers,
He lifted his big Norman voice,
Shouting - 'Hands up who's coming to England.'
That was swank 'cos they hadn't no choice.

They started away about tea-time -
The sea was so calm and so still,
And at quarter to ten the next morning
They arrived at a place called Bexhill.

King 'Arold came up as they landed -
His face full of venom and 'ate -
He said 'lf you've come for Regatta
You've got here just six weeks too late.'

At this William rose, cool but 'aughty,
And said 'Give us none of your cheek;
You'd best have your throne re-upholstered,
I'll be wanting to use it next week.'

When 'Arold heard this 'ere defiance,
With rage he turned purple and blue,
And shouted some rude words in Saxon,
To which William answered - 'And you.'

'Twere a beautiful day for a battle;
The Normans set off with a will,
And when both sides was duly assembled,
They tossed for the top of the hill.

King 'Arold he won the advantage,
On the hill-top he took up his stand,
With his knaves and his cads all around him,
On his 'orse with his 'awk in his 'and.

The Normans had nowt in their favour,
Their chance of a victory seemed small,
For the slope of the field were against them,
And the wind in their faces an' all.

The kick-off were sharp at two-thirty,
And soon as the whistle had went
Both sides started banging each other
'Til the swineherds could hear them in Kent.

The Saxons had best line of forwards,
Well armed both with buckler and sword -
But the Normans had best combination,
And when half-time came neither had scored.

So the Duke called his cohorts together
And said - 'Let's pretend that we're beat,
Once we get Saxons down on the level
We'll cut off their means of retreat.'

So they ran - and the Saxons ran after,
Just exactly as William had planned,
Leaving 'Arold alone on the hill-top
On his 'orse with his 'awk in his 'and.

When the Conqueror saw what had happened,
A bow and an arrow he drew;
He went right up to 'Arold and shot him.
He were off-side, but what could they do?

The Normans turned round in a fury,
And gave back both parry and thrust,
Till the fight were all over bar shouting,
And you couldn't see Saxons for dust.

And after the battle were over
They found 'Arold so stately and grand,
Sitting there with an eye-full of arrow
On his 'orse with his 'awk in his 'and.
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Analysis (ai): This humorous poem narrates the Battle of Hastings in a comedic and informal tone. Unlike more serious historical accounts, it uses language reminiscent of sports commentary and military jargon, referring to the Normans as a "toff" and the Saxons as "knaves" and "cads." The poem's focus on mundane details, such as the Normans' fishing trip and the timestamp of their arrival in England, adds to its lighthearted nature.

Compared to the author's other works, this poem stands out for its use of colloquial language and playful retelling of historical events. The overall style is more akin to an entertaining anecdote than a somber historical account. In the context of the time period, the poem's irreverent tone provides a unique and accessible gateway into understanding a significant historical event. (hide)
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The 'Ole In The Ark

One evening at dusk as Noah stood on his Ark,
Putting green oil in starboard side lamp,
His wife came along and said, 'Noah, summat's wrong,
Our cabin is getting quite damp.

Noah said, 'Is that so?' Then he went down below,
And found it were right what she'd said,
For there on the floor quite a puddle he saw,
It was slopping around under t' bed.

Said he, 'There's an 'ole in the bottom somewhere,
We must find it before we retire.'
Then he thowt for a bit, and he said 'Aye, that's it,
A bloodhound is what we require.'

Se he went and fetched bloodhound from place where it lay,
'Tween the skunk and the polecat it were,
And as things there below, were a trifle so-so,
It were glad of a breath of fresh air.

They followed the sound as it went sniffing round,
'Til at last they located the leak,
'Twere a small hole in the side, about two inches wide,
Where a swordfish had poked in its beak.

And by gum! how the wet squirted in through that hole,
Well, young Shem who at sums was expert,
Worked it out on his slate that it came at the rate,
Of per gallon, per second, per squirt.

The bloodhound tried hard to keep water in check,
By lapping it up with his tongue,
But it came in so fast through that hole, that at last,
He shoved in his nose for a bung.

The poor faithful hound, he were very near drowned,
They dragged him away none too soon,
For the stream as it rose, pushed its way up his nose,
And blew him up like a balloon.

And then Mrs Noah shoved her elbow in t'hole,
And said,' Eh! it's stopped I believe,'
But they found very soon as she'd altered her tune,
For the water had got up her sleeve.

When she saw as her elbow weren't doing much good,
She said to Noah, 'I've an idea,
You sit on the leak and by t'end of the week,
There's no knowing, the weather may clear.'

Noah didn't think much to this notion, at all,
But reckoned he'd give it a try,
On the 'ole down he flopped, and the leaking all stopped,
And all… except him, was quite dry.

They took him his breakfast and dinner and tea,
As day after day there he sat,
'Til the rain was all passed and they landed at last,
On top side of Mount Ararat.

And that is how Noah got them all safe ashore,
But ever since then, strange to tell,
Them as helped save the Ark has all carried a mark,
Aye, and all their descendants as well.

That's why dog has a cold nose, and ladies cold elbows,
You'll also find if you enquire,
That's why a man takes his coat tails in hand,
And stands with his back to the fire.
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Analysis (ai): "The 'Ole in the Ark" humorously depicts Noah's struggles with a leak aboard his Ark, showcasing the human tendency to find absurd solutions in the face of adversity. The poem's simplicity and rhyming scheme make it accessible to a wide audience.

Unlike his other works, this poem focuses on a single incident rather than exploring broader themes. It is also markedly different from the serious tone of many Victorian poems, instead employing a colloquial style and dialect to create a whimsical and relatable narrative.

However, the poem still reflects the social and religious beliefs of its time, particularly the idea of animals being servants to humans and the responsibility of men to protect their families. The poem's humor also serves as a coping mechanism for the anxiety and uncertainty experienced during the Victorian era. (hide)
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