This is absolutely wonderful!
There’s deep dives and then there’s Marcin’s deeeeeeep dives. Sit back and enjoy this wholesome detective work, all beautifully presented with lovely interactive elements.
This is what the web is for!
I’m not a fan of Nicholas Carr and his moral panics, but this is an excellent dive into some historical media theory.
What Innis saw is that some media are particularly good at transporting information across space, while others are particularly good at transporting it through time. Some are space-biased while others are time-biased. Each medium’s temporal or spatial emphasis stems from its material qualities. Time-biased media tend to be heavy and durable. They last a long time, but they are not easy to move around. Think of a gravestone carved out of granite or marble. Its message can remain legible for centuries, but only those who visit the cemetery are able to read it. Space-biased media tend to be lightweight and portable. They’re easy to carry, but they decay or degrade quickly. Think of a newspaper printed on cheap, thin stock. It can be distributed in the morning to a large, widely dispersed readership, but by evening it’s in the trash.
Strong Deb Chachra vibes in this ongoing series by Charles C. Mann:
he great European cathedrals were built over generations by thousands of people and sustained entire communities. Similarly, the electric grid, the public-water supply, the food-distribution network, and the public-health system took the collective labor of thousands of people over many decades. They are the cathedrals of our secular era. They are high among the great accomplishments of our civilization. But they don’t inspire bestselling novels or blockbuster films. No poets celebrate the sewage treatment plants that prevent them from dying of dysentery. Like almost everyone else, they rarely note the existence of the systems around them, let alone understand how they work.
We wonder often if what is created by AI has any value, and at what cost to artists and creators. These are important considerations. But we need to also wonder what AI is taking from what has already been created.
A terrific article by James.
This is a great history of the idea of progressive enhancement:
It is an idea that has been lasting and enduring for two decades, and will continue.
The slides from Hidde’s presentation at Beyond Tellerrand.
I really liked this short story.
I enjoyed reading through these essays about the web of twenty years ago: music, photos, email, games, television, iPods, phones…
Much as I love the art direction, you’d never know that we actually had some very nice-looking websites back in 2004!
The story of Lore Harp McGovern is like something from Halt And Catch Fire.
This short essay by Richard Feynman is quite a dose of perspective on a Monday morning
Wow! Grace Hopper has always been a hero to me, but I had no idea she was such a fantastic presenter. She’s completely engaging, with the timing and deadpan delivery of a stand-up comedian at times.
This is a terrific presentation from Paul. He gives a history lesson and then focuses on what makes the indie web such a powerful idea (hint: it’s not about specific technologies).
This observation seems intuitively obvious in Europe and pearl-clutchingly shocking in America:
What’s perfectly acceptable behaviour when you are a relatively small company becomes outright illegal (and rightly so) when you become dominant in an industry.
For many archivists, alarm bells are ringing. Across the world, they are scraping up defunct websites or at-risk data collections to save as much of our digital lives as possible. Others are working on ways to store that data in formats that will last hundreds, perhaps even thousands, of years.
Benjamín Labatut draws a line from the Vedas to George Boole and Claude Shannon onward to Geoffrey Hinton and Frank Herbert’s Butlerian Jihad.
In the coming years, as people armed with AI continue making the world faster, stranger, and more chaotic, we should do all we can to prevent these systems from giving more and more power to the few who can build them.
Everyone’s raving about this great talk by Marcin, and rightly so!
This is kind of about art direction and kind of about design systems.
There is beauty in trying to express something specific; there is beauty too in finding compromises to create something epic and collective.
My only concern is whether we are considering the question at all.
