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Naz Hamid • Your Site Is a Home

You can still have a home. A place to hang up your jacket, or park your shoes. A place where you can breathe out. A place where you can hear yourself think critically. A place you might share with loved ones who you can give to, and receive from.

Own what’s yours

Now, more than ever, it’s critical to own your data. Really own it. Like, on your hard drive and hosted on your website.

Is taking control of your content less convenient? Yeah–of course. That’s how we got in this mess to begin with. It can be a downright pain in the ass. But it’s your pain in the ass. And that’s the point.

The Imperfectionist: Seventy per cent

If you’re roughly 70% happy with a piece of writing you’ve produced, you should publish it.

Works for me!

You’re also expanding your ability to act in the presence of feelings of displeasure, worry and uncertainty, so that you can take more actions, and more ambitious actions, later on.

Crucially, you’ll also be creating a body of evidence to prove to yourself that when you move forward at 70%, the sky stubbornly fails to fall in. People don’t heap scorn on you or punish you.

My Life in Weeks by Gina Trapani

This is one way of putting things into perspective.

The hardest working font in Manhattan – Aresluna

This is absolutely wonderful!

There’s deep dives and then there’s Marcin’s deeeeeeep dives. Sit back and enjoy this wholesome detective work, all beautifully presented with lovely interactive elements.

This is what the web is for!

The Tyranny of Now — The New Atlantis

I’m not a fan of Nicholas Carr and his moral panics, but this is an excellent dive into some historical media theory.

What Innis saw is that some media are particularly good at transporting information across space, while others are particularly good at transporting it through time. Some are space-biased while others are time-biased. Each medium’s temporal or spatial emphasis stems from its material qualities. Time-biased media tend to be heavy and durable. They last a long time, but they are not easy to move around. Think of a gravestone carved out of granite or marble. Its message can remain legible for centuries, but only those who visit the cemetery are able to read it. Space-biased media tend to be lightweight and portable. They’re easy to carry, but they decay or degrade quickly. Think of a newspaper printed on cheap, thin stock. It can be distributed in the morning to a large, widely dispersed readership, but by evening it’s in the trash.

Putting the ink into design thinking | Clearleft

The power of prototyping:

Most of my work is a set of disposables rather than deliverables, and I celebrate this.

I like the three questions that Chris asks himself:

  1. What’s the quickest, cheapest thing I can create to help make the next design decision?
  2. What can I create to best demonstrate the essence of the concept?
  3. How can I most effectively share the thinking behind the design with decision-makers?

We Live Like Royalty and Don’t Know It — The New Atlantis

Strong Deb Chachra vibes in this ongoing series by Charles C. Mann:

he great European cathedrals were built over generations by thousands of people and sustained entire communities. Similarly, the electric grid, the public-water supply, the food-distribution network, and the public-health system took the collective labor of thousands of people over many decades. They are the cathedrals of our secular era. They are high among the great accomplishments of our civilization. But they don’t inspire bestselling novels or blockbuster films. No poets celebrate the sewage treatment plants that prevent them from dying of dysentery. Like almost everyone else, they rarely note the existence of the systems around them, let alone understand how they work.

What happens to what we’ve already created? - The History of the Web

We wonder often if what is created by AI has any value, and at what cost to artists and creators. These are important considerations. But we need to also wonder what AI is taking from what has already been created.

Here Come the Lionfish – James Bridle

A terrific article by James.

On Transient Slash Pages • Robb Knight

This is a great idea that I’m going to file away for later:

I like the idea of redirecting /now to the latest post tagged as now so one could see the latest version of what I’m doing now.

Prescriptive and Descriptive Information Architectures | Jorge Arango

Interesting—this is exactly the same framing I used to talk about design systems a few years ago.

Progressive enhancement brings everyone in - The History of the Web

This is a great history of the idea of progressive enhancement:

It is an idea that has been lasting and enduring for two decades, and will continue.

Authors Apart

Another handy list of where you can get works published by A Book Apart authors.

Of Books and Conferences Past - Zeldman on Web and Interaction Design

I miss A Book Apart, and I really miss An Event Apart—I made so many friends and memories through that conference. I admire Jeffrey’s honest account of how much it sucks when something so good comes to an end.

Authors Together

In 2024, A Book Apart closed its doors after publishing a much-loved collection of more than 50 brief books for people who make websites. The rights to each book have reverted to the authors — hi, that’s us — and we’ve put together this semi-official directory to help you find our books in their new homes.

…now including Going Offline.

If Not React, Then What? - Infrequently Noted

Put the kettle on; it’s another epic data-driven screed from Alex. The footnotes on this would be a regular post on any other blog (and yes, even the footnotes have footnotes).

This is a spot-on description of the difference between back-end development and front-end development:

Code that runs on the server can be fully costed. Performance and availability of server-side systems are under the control of the provisioning organisation, and latency can be actively managed by developers and DevOps engineers.

Code that runs on the client, by contrast, is running on The Devil’s Computer. Nothing about the experienced latency, client resources, or even available APIs are under the developer’s control.

Client-side web development is perhaps best conceived of as influence-oriented programming. Once code has left the datacenter, all a web developer can do is send thoughts and prayers.

As a result, an unreasonably effective strategy is to send less code. In practice, this means favouring HTML and CSS over JavaScript, as they degrade gracefully and feature higher compression ratios. Declarative forms generate more functional UI per byte sent. These improvements in resilience and reductions in costs are beneficial in compounding ways over a site’s lifetime.