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Portal:Visual arts

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THE VISUAL ARTS PORTAL

Introduction

Vincent van Gogh painting The Church at Auvers from 1890 gray church against blue sky
The Church at Auvers, an oil painting by Vincent van Gogh (1890)

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, comics, design, crafts, and architecture. Many artistic disciplines, such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts, as well as arts of other types. Also included within the visual arts are the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art.

Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, crafts, or applied visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions, painting has been seen as relying to the highest degree on the imagination of the artist and being the furthest removed from manual labour – in Chinese painting, the most highly valued styles were those of "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes. (Full article...)

Selected article

Portrait of Princess Albert de Broglie

The Princesse de Broglie (French: La Princesse de Broglie [la pʁɛ̃.sɛs bʁɔj]) is an oil-on-canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres. It was painted between 1851 and 1853, and shows Pauline de Broglie [fr], who adopted the courtesy title 'Princesse'. Born Pauline de Galard de Brassac de Béarn, she married Albert de Broglie, the future 28th Prime Minister of France, in 1845. Pauline was 28 at the time of the painting's completion. She was highly intelligent and widely known for her beauty, but she suffered from profound shyness and the painting captures her melancholia. Pauline contracted tuberculosis in her early 30s and died in 1860 aged 35. Although Albert lived until 1901, he was heartbroken and did not remarry.

Ingres undertook a number of preparatory pencil sketches for the commission, each of which captures her personality and taste. They show her in various poses, including standing, and in differently styled dresses. The final painting is considered one of Ingres's finest later-period portraits of women, along with the Portraits of Comtesse d'Haussonville, Baronne de Rothschild and Madame Moitessier. As with many of Ingres's portraits of women, details of the costume and setting are rendered with precision while the body seems to lack a solid bone structure. The painting is held in the collection of the Metropolitan Museum of Art, New York, and is signed and dated 1853. (Full article...)
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Selected picture

Cuevas de las Manos
Cuevas de las Manos
Cuevas de las Manos
Credit: Mariano Cecowski
Hand paintings at the Cueva de las Manos on Río Pinturas in Santa Cruz Province, Argentina. These were made by the indigenous inhabitants (possibly forefathers of the Tehuelches) some 9,000 years ago.

Selected quote


When I've painted a woman's behind so that I want to touch it, then it's finished!
Pierre-Auguste Renoir, Vollard, Ambroise (1925). Renoir: an initimate record. Translated by Van Dooren, Harold L.; Weaver, Randolph T. New York: Alfred A. Knopf. p. 57. OCLC 631984646.


Selected biography

Portrait of a Man (presumed self-portrait of El Greco, c. 1595–1600) in Metropolitan Museum of Art, New York City

Doménikos Theotokópoulos (Greek: Δομήνικος Θεοτοκόπουλος, IPA: [ðoˈminikos θeotoˈkopulos]; 1 October 1541 – 7 April 1614), most widely known as El Greco (Spanish pronunciation: [el ˈgɾeko]; "The Greek"), was a Greek painter, sculptor and architect of the Spanish Renaissance. El Greco was a nickname, and the artist normally signed his paintings with his full birth name in Greek letters, often adding the word Κρής (Krḗs), which means "Cretan", in Ancient Greek.

El Greco was born in the Kingdom of Candia (modern Crete), which was at that time part of the Republic of Venice, Italy, and the center of Post-Byzantine art. He trained and became a master within that tradition before traveling at age 26 to Venice, as other Greek artists had done. In 1570, he moved to Rome, where he opened a workshop and executed a series of works. During his stay in Italy, El Greco enriched his style with elements of Mannerism and of the Venetian Renaissance taken from a number of great artists of the time, notably Tintoretto and Titian. In 1577, he moved to Toledo, Spain, where he lived and worked until his death. In Toledo, El Greco received several major commissions and produced his best-known paintings, such as View of Toledo and Opening of the Fifth Seal. (Full article...)
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