Horror fiction is a genre of fiction in any medium intended to scare, unsettle and horrify the audience. Historically, the cause of the "horror" experience has often been the intrusion of a disturbing supernatural element into everyday human experience. Since the 1960s, any work of fiction with a morbid, gruesome, surreal, or exceptionally suspenseful or frightening theme has come to be called "horror". Horror fiction often overlaps science fiction or fantasy, all three categories of which are sometimes placed under the umbrella classification speculative fiction.
William Peter Blatty (January 7, 1928 – January 12, 2017) was an American writer and filmmaker best known for his 1971 novel The Exorcist and for the Academy Award–winning screenplay of its film adaptation. He also wrote and directed the sequel The Exorcist III. After the success of The Exorcist, Blatty reworked Twinkle, Twinkle, "Killer" Kane! (1960) into a new novel titled The Ninth Configuration, published in 1978. Two years later, Blatty adapted the novel into a film of the same title and won Best Screenplay at the 38th Golden Globe Awards. Some of his other notable works are the novels Elsewhere (2009), Dimiter (2010) and Crazy (2010).
Born and raised in New York City, Blatty received his bachelor's degree in English from Georgetown University in 1950, and his master's degree in English literature from the George Washington University. Following completion of his master's degree in 1954, he joined the United States Air Force, where he worked in the Psychological Warfare Division. After service in the Air Force, he worked for the United States Information Agency in Beirut.
George Romero completed the film on a US$114,000 budget, and after a decade of cinematic re-releases, it grossed some $12 million domestically and $30 million internationally. On its release in 1968, Night of the Living Dead was strongly criticized for its explicit content. However, in 1999, the film was selected by the Library of Congress for preservation in the National Film Registry as a film deemed "culturally, historically or aesthetically significant".
