Wikipedia

William Gaddis

William Thomas Gaddis Jr. (December 29, 1922 – December 16, 1998) was an American novelist.[1][2] The first and longest of his five novels, The Recognitions, was named one of TIME magazine's 100 best novels from 1923 to 2005[3] and two others, J R and A Frolic of His Own, won the annual U.S. National Book Award for Fiction.[4] A collection of his essays was published posthumously as The Rush for Second Place (2002). The Letters of William Gaddis was published by Dalkey Archive Press in February 2013.[5]

William Gaddis
Gaddis in 1975
Gaddis in 1975
BornWilliam Thomas Gaddis, Jr.
(1922-12-29)December 29, 1922
New York City, US
DiedDecember 16, 1998(1998-12-16) (aged 75)
East Hampton, New York, US
EducationHarvard University
Period1955–1998
GenreNovel
Literary movementPostmodernism
Notable works
Notable awardsNational Book Award
Spouse
  • Patricia Black
  • Judith Thompson
Children2

A MacArthur Fellow, Gaddis is widely considered one of the first and most important American postmodern writers.[6]

Life and career

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Gaddis was born in New York City to William Thomas Gaddis, who worked "on Wall Street and in politics", and Edith (Charles) Gaddis, who worked her way up from being secretary to the president of the New York Steam Corporation to an executive position as its chief purchasing agent.[7][8] When he was three, his parents separated and Gaddis was subsequently raised by his mother in Massapequa, Long Island. At age 5 he was sent to Merricourt Boarding School in Berlin, Connecticut. He continued in private school until the eighth grade, after which he returned to Long Island to receive his diploma at Farmingdale High School in 1941. He entered Harvard in 1941 where he was a member of The Harvard Lampoon (where he eventually served as president), but was asked to leave in 1944 due to an altercation with police.[2][9] He worked as a fact checker for The New Yorker for little over a year (late February 1945 until late April 1946), then spent five years traveling in Mexico, Central America, Spain, France, England, and North Africa, returning to the United States in 1951.

His first novel, The Recognitions, appeared in 1955. A lengthy, complex, and allusive work, it had to wait to find its audience. Newspaper reviewers considered it overly intellectual, overwritten, and disgusting. Seven years later, the book was defended by Jack Green in a series of broadsheets blasting the critics; the series was collected later under the title Fire the Bastards!.[10]

Gaddis then turned to public relations work and the making of documentary films to support himself and his family. In this role he worked for Pfizer, Eastman Kodak, IBM, and the United States Army, among others. He also received a National Institute of Arts and Letters grant, a Rockefeller grant, and two National Endowment for the Arts grants, all of which helped him write his second novel. In 1975 he published J R, told almost entirely in unattributed dialogue. Its eponymous protagonist, an 11-year-old, learns enough about the stock market from a class field trip to build a financial empire of his own. Critical opinion had caught up with him, and the book won the National Book Award for Fiction.[11][12]

Carpenter's Gothic (1985) offered a shorter and more accessible picture of Gaddis's sardonic worldview, focusing on religious fundamentalism and apocalyptic thinking. Instead of struggling against misanthropy (as in The Recognitions) or reluctantly giving ground to it (as in J R), Carpenter's Gothic wallows in it. The continual litigation that was a theme in that book becomes the central theme and plot device in A Frolic of His Own (1994)—which earned him his second National Book Award[13][14] and was a finalist for the National Book Critics Circle Award for Fiction.

Gaddis died at home in East Hampton, New York, of prostate cancer on December 16, 1998,[2] but not before creating his final work, Agapē Agape (the first word of the title is the Greek agapē, meaning divine, unconditional love), which was published in 2002, a novella in the form of the last words of a character similar but not identical to his creator. The Rush for Second Place, published at the same time, collected most of Gaddis's previously published nonfiction.

Family life

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In May 1955 Gaddis eloped with Patsy Thompson Black (1928–2000), a model and actress who had come to New York from North Carolina to break into theater.[15] They had two children: Sarah (b. September 1955)—who wrote a novel, Swallow Hard (1991), inspired by her relationship with her father—and Matthew (b. January 1958). Their marriage ended in divorce in 1965. In 1968 Gaddis married Judith Thompson (1940–2022), a journalist and later an antiques dealer. They separated in 1978, and the following year he reunited with Muriel Murphy Oxenberg (1926–2008), whom he had first met in 1953. They lived together until around the time when A Frolic of His Own was published (1994), which is dedicated to her. Gaddis lived alone for the remainder of his life.

Legacy and influence

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Among fans of post-modern fiction, Gaddis is often acknowledged as being one of the greatest of American post-war novelists. A critic who early on appreciated his work and recognized its value is Steven Moore: in 1982 he published A Reader's Guide to William Gaddis's "The Recognitions" and in 1989 a monograph on Gaddis in the Twayne series. Gaddis's influence is vast (although frequently subterranean): for example, postmodern authors such as Don DeLillo and Thomas Pynchon[16] seem to have been influenced by Gaddis (indeed, upon publication of V., Pynchon was actually speculated to have been a pen name for Gaddis due to the similarity of styles and the dearth of information about the two authors; the Wanda Tinasky letters also claimed that Gaddis, Pynchon, and Jack Green were the same person),[16] as well as authors such as Joseph McElroy, William Gass, David Markson, and David Foster Wallace, who have all stated their admiration for Gaddis in general and The Recognitions in particular.[6]

Jonathan Franzen, who in an essay in The New Yorker called Gaddis "an old literary hero of mine", dubbed him 'Mr. Difficult', stating that "by a comfortable margin, the most difficult book I ever voluntarily read in its entirety was Gaddis' nine-hundred-and-fifty-six-page first novel, The Recognitions."[17] Franzen continued: "In the four decades following the publication of The Recognitions, Gaddis's work grew angrier and angrier. It's a signature paradox of literary postmodernism: the writer whose least angry work was written first."

Characters in fiction based on Gaddis include Harry Lees in Chandler Brossard's 1952 novel Who Walk in Darkness, Harold Sand in Jack Kerouac's autobiographical 1958 novella The Subterraneans and possibly Bill Gray in Don DeLillo's 1991 novel Mao II. (DeLillo was a friend of Gaddis.) The characters Richard Whitehurst in Kurt Wenzel's Lit Life: A Novel (2001) and Joshua Gel in Stephen Dixon's I: A Novel (2002) likely are based on Gaddis. Other authors who allude to Gaddis in their books include Jonathan Franzen (The Corrections), David Markson (Epitaph for a Tramp), Joseph McElroy (A Smuggler's Bible) and Stanley Elkin (The Magic Kingdom).[18]

His life and work are the subject of a comprehensive website, The Gaddis Annotations, which has been noted in at least one academic journal as a superior example of scholarship using new media resources.[19] Gaddis's papers are collected at Washington University in St. Louis. The first book-length biography, Joseph Tabbi's Nobody Grew but the Business: On the Life and Work of William Gaddis, was published by Northwestern University Press in May 2015.

His works have been translated into a number of foreign languages, including French, German, Spanish, Italian, Polish, Portuguese, Swedish, Chinese, Turkish, Ukrainian, and Russian.[20]

Awards and honors

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Beside the awards for particular works, Gaddis has received three other awards and honors:

Works

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Fiction

Non-fiction

See also

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References

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  1. ^ Alberts, Crystal (August 11, 2005). "William Gaddis, 1922–1998. American author". Washington University Libraries, Department of Special Collections. Archived from the original on September 12, 2004. Retrieved June 7, 2010.
  2. ^ a b c Gussow, Mel (December 17, 1998). "William Gaddis, 75, Innovative Author Of Complex, Demanding Novels, Is Dead". The New York Times. Archived from the original on October 15, 2018. Retrieved June 7, 2010.
  3. ^ "All Time 100 Novels". Time. October 16, 2005. Archived from the original on October 19, 2005.
  4. ^ National Book Foundation: Awards: "National Book Award Winners: 1950–2009" Archived May 28, 2012, at the Wayback Machine. Retrieved March 28, 2012.
  5. ^ An expanded edition, with further letters and photographs, was published by New York Review Books in 2023.
  6. ^ a b Moody, Rick, ed. (2003). "William Gaddis: A Portfolio". Conjunctions. 41: 373–415.
  7. ^ Raban, Jonathan (October 10, 2013). "America's Best Unknown Writer: The letters of William Gaddis". The New York Review of Books. Archived from the original on April 16, 2019. Retrieved May 9, 2021.
  8. ^ Peschel, Bill (1999). "Gaddis, William". American National Biography. New York: Oxford University Press. doi:10.1093/anb/9780198606697.article.1603402. (subscription required)
  9. ^ Gutkin, Len (June 3, 2013). "The Last Obscenity: William Gaddis's Collected Correspondence". Los Angeles Review of Books. Archived from the original on March 27, 2016. Retrieved September 26, 2013.
  10. ^ O’Connell, Mark (February 17, 2012). "'Fire The Bastards!': The Great Defender of William Gaddis". The New Yorker. ISSN 0028-792X. Archived from the original on December 17, 2013. Retrieved December 2, 2023.
  11. ^ "National Book Awards 1976". National Book Foundation. Archived from the original on January 30, 2020. Retrieved December 2, 2023.
  12. ^ Post, Chad (August 4, 2009). "JR by William Gaddis". National Book Award Fiction Blog. Archived from the original on September 1, 2018. Retrieved December 2, 2023.
  13. ^ "National Book Awards 1994". National Book Foundation. Archived from the original on June 3, 2019. Retrieved December 2, 2023.
  14. ^ Augenbraum, Harold (September 6, 2009). "A Frolic of His Own by William Gaddis". National Book Award Fiction Blog. Archived from the original on September 14, 2018. Retrieved December 2, 2023.
  15. ^ The source for all details in this section is The Letters of William Gaddis, ed. Steven Moore (Dalkey Archive Press, 2013).
  16. ^ a b Westrope, Alan (November 2000). "Who's Writing Whose Writing? Gaddis, Green, Pynchon and Tinasky". www.nyx.net. Archived from the original on May 12, 2021. Retrieved May 9, 2021.
  17. ^ Franzen, Jonathan (September 30, 2002). "Mr. Difficult: William Gaddis and the Problem of Hard-to-Read Books". The New Yorker. Archived from the original on January 22, 2011. Retrieved December 2, 2023.
  18. ^ Moore, Steven. "The Gaddis Annotations: Gaddis in Fiction". The Gaddis Annotations. Archived from the original on June 10, 2011. Retrieved June 20, 2011.
  19. ^ Grayson, Erik (2005). "Review: The Gaddis Annotations". Modern Language Studies. 35 (2): 107–109. doi:10.2307/30039831. JSTOR 30039831.
  20. ^ Moore, Steven. "Gaddis Bibliography: D. Translations of Gaddis's Works". The Gaddis Annotations. Archived from the original on March 14, 2021. Retrieved May 9, 2021.
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Further reading

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  • Alberts, Crystal; Leise, Christopher; Vanwesenbeeck, Birger, eds. (2009). William Gaddis, 'The Last of Something'. Jefferson: McFarland & Company. ISBN 978-0-7864-4309-3.
  • Harold, Bloom, ed. (2004). William Gaddis. Bloom's Modern Critical Views. Philadelphia: Chelsea House Publishers. ISBN 978-0791076644.
  • Brunel, Jean-Louis; Gresset, Michel, eds. (1994). William Gaddis. Profils Americains. Vol. 6.
  • Chetwynd, Ali, and Marie Fahd, eds. Gaddis at His Centenary. Electronic Book Review, February 2024: https://electronicbookreview.com/gathering/william-gaddis-at-his-centenary/
  • Comnes, Gregory (1994). The Ethics of Indeterminacy in the Novels of William Gaddis. Gainesville: University Press of Florida. ISBN 978-0813012513.
  • Félix, Brigitte, ed. (2007). Reading William Gaddis: A Collective Volume of Essays on William Gaddis's Novels, from J R to Agape Agape. Orléans: Presses Universitaires d'Orléans.
  • Green, Jack (1992). Fire the Bastards!. Normal, Illinois: Dalkey Archive Press. Reprint with an introduction by Steven Moore.
  • Johnston, John (1990). Carnival of Repetition: Gaddis's "The Recognitions" and Postmodern Theory. Penn Studies in Contemporary American Fiction. Philadelphia: University of Pennsylvania Press. ISBN 9780812281798. JSTOR j.ctv5132hq.
  • Knight, Christopher J. (1997). Hints & Guesses: William Gaddis's Fiction of Longing. Madison: University of Wisconsin Press. ISBN 9780299153045.
  • Kuehl, John Richard; Moore, Steven, eds. (1984). In Recognition of William Gaddis. Syracuse University Press. ISBN 978-0815623069.
  • Moody, Rick, ed. (2003). "William Gaddis: A Portfolio". Conjunctions. 41: 373–415.
  • Moore, Steven (1982). A Reader's Guide to William Gaddis's The Recognitions. Lincoln: University of Nebraska Press. ISBN 9780803230729. Expanded edition on The Gaddis Annotations.
  • Moore, Steven (2015). William Gaddis: Expanded Edition. New York: Bloomsbury Academic. doi:10.5040/9781501304941. ISBN 978-1-6289-2645-3.
  • O’Brien, John, ed. (1982). "William Gaddis / Nicholas Mosley Number". Review of Contemporary Fiction. 2 (2): 4–56.
  • Tabbi, Joseph (2015). Nobody Grew but the Business On the Life and Work of William Gaddis. Evanston: Northwestern University Press. ISBN 9780810131422.
  • Tabbi, Joseph; Shavers, Rone, eds. (2007). Paper Empire: William Gaddis and the World System. University of Alabama Press. ISBN 9780817354060.
  • Wolfe, Peter (1997). A Vision of His Own: The Mind and Art of William Gaddis. Madison & Teaneck, NJ: Fairleigh Dickinson University Press. ISBN 978-0838636947.
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