Max Davidson (May 23, 1875 – September 4, 1950) was a German-American film actor known for his comedic Jewish persona during the silent film era.[1] With a career spanning over thirty years, Davidson appeared in over 180 films.
Max Davidson | |
|---|---|
 MGM publicity photograph, 1927 | |
| Born | May 23, 1875 |
| Died | September 4, 1950 (aged 75) |
| Occupation | Actor |
| Years active | 1912–45 |
| Spouse | Alice Marti (1927 – ?) |
Career
editBorn in Berlin to Jewish parents, Davidson emigrated to the United States in the 1890s where he began working in stock theater and vaudeville. He entered silent movies in 1912. He made a series of films featuring the character Izzy for Reliance Pictures Company in 1914. The films included Izzy Gets the Wrong Bottle, Izzy and His Rival, Izzy and the Diamond, How Izzy Stuck to His Post, How Izzy Was Saved, Izzy, the Detective, Izzy's Night Out, Izzy, the Operator, and Izzy and the Bandit.
By the mid-teens, Davidson had appeared in his first feature film, Edward Dillon's Don Quixote (1915), followed by D.W. Griffith's Intolerance, and Tod Browning's Puppets (both 1916).
He starred alongside a young Jackie Coogan in a pair of silent features, The Rag Man (1923) and Old Clothes (1925).[2]
In 1923, he appeared in the Mack Sennett feature The Extra Girl with Mabel Normand, and in 1927 made a rare starring feature at Columbia, Pleasure Before Business, as well as playing a somewhat more serious role as a servant in the Pola Negri WW1 vehicle Hotel Imperial.
In 1926 he began working for Hal Roach, playing stereotypical Jewish comic characters. After being featured in the Mabel Normand comedy Raggedy Rose, Davidson was given a short-subject series of his own, appearing as a woebegone, put-upon fellow in such titles as Jewish-Prudence and Don't Tell Everything. He was also featured in other Hal Roach series, including the "female Laurel and Hardy" shorts co-starring Anita Garvin and Marion Byron. Davidson's best-known starring shorts are Call of the Cuckoo (1927), featuring cameos by Stan Laurel, Oliver Hardy, and Charley Chase; and the recently revived Pass the Gravy (1928), deemed "culturally significant" by the Library of Congress and selected for preservation in the National Film Registry.
Career decline
editMax Davidson's exaggerated Jewish caricature was popular enough with audiences to sustain a string of silent shorts, but the coming of sound gave Davidson a voice. Although Davidson's native German accent was not so thick as to ruin his chances in talking pictures, his dialect gave his screen character a new and potentially offensive dimension, and Hal Roach forestalled any protests by discontinuing the series entirely. Davidson did appear in a few of Roach's earliest talkies, including the Edgar Kennedy short Hurdy Gurdy (1929) and the Our Gang short Moan and Groan, Inc. (1929). But Davidson's established ethnic character was too broad to survive as a starring attraction, and he spent the rest of his career playing bit roles almost exclusively.
Davidson's largest role in sound films was as cowboy Tom Tyler's good-natured Jewish sidekick in the 1936 western feature Roamin' Wild. He was still familiar to the movie-comedy community; when Charlie Chaplin needed ethnic types to portray the residents of a Jewish ghetto in The Great Dictator (1940), Max Davidson was cast. He continued to play ethnic shopkeepers, opposite The Three Stooges in No Census, No Feeling (1940) and The East Side Kids in Clancy Street Boys (1943), among several other films.
His final screen appearance was in the 1945 Clark Gable film Adventure. Davidson died on September 4, 1950, in Woodland Hills, Los Angeles, California.
Partial filmography
edit| Year | Title | Role | Notes |
|---|---|---|---|
| 1913 | Scenting a Terrible Crime | The Superintendent | |
| 1914 | An Interrupted Séance | Landlord | |
| 1915 | Caught by the Handle | Mr. Riche | |
| 1916 | Sunshine Dad | Mystic Seer | |
| 1916 | Intolerance | Neighbor | |
| 1916 | The Heiress at Coffee Dan's | Shorty Olson[3] | |
| 1917 | A Daughter of the Poor | Joe Eastman | Alternative titles: The Heart of the Poor The Spitfire |
| 1917 | The Scrub Lady | Max and Marie Dressler in the film | |
| 1918 | The Hun Within | Max | |
| 1919 | The Hoodlum | Abram Isaacs | |
| 1919 | The Mother and the Law | The Kindly Neighbor | |
| 1921 | No Woman Knows | Ferdinand Brandeis | |
| 1921 | The Idle Rich | The tailor | |
| 1922 | Second Hand Rose | Abe Rosenstein | |
| 1922 | Turn to the Right | Pawnbroker | |
| 1922 | Remembrance | Georges Cartier | |
| 1922 | The Right That Failed | Michael Callahan | |
| 1923 | The Ghost Patrol | Rapushkin | |
| 1923 | The Rendezvous | Commissar | |
| 1923 | The Darling of New York | Solomon Levinsky | |
| 1924 | Fools Highway | Old Levi | |
| 1924 | Hold Your Breath | Street Merchant | |
| 1925 | The Rag Man | Max Ginsburg | |
| 1925 | Old Clothes | Max Ginsburg | |
| 1925 | Justice of the Far North | Izzy Hawkins | |
| 1925 | Hogan's Alley | Clothier | |
| 1926 | Raggedy Rose | Moe Ginsberg | |
| 1927 | Hotel Imperial | Elias Butterman | |
| 1927 | Why Girls Say No | Papa Whisselberg | |
| 1927 | Pleasure Before Business | Sam Weinberg | |
| 1927 | Jewish Prudence | Papa Gimplewart | |
| 1927 | Don't Tell Everything | ||
| 1927 | Should Second Husbands Come First? | ||
| 1927 | Flaming Fathers | ||
| 1927 | Call of the Cuckoo | Papa Gimplewart | |
| 1927 | Love 'Em and Feed 'Em | ||
| 1928 | The Boy Friend | Papa Davidson | |
| 1928 | Feed 'Em and Weep | Max, restaurant manager | |
| 1928 | Pass the Gravy | The father | National Film Registry |
| 1928 | Dumb Daddies | ||
| 1928 | Came the Dawn | ||
| 1929 | So This Is College | Moe Levine, the tailor | |
| 1929 | Moan and Groan, Inc. | The lunatic | |
| 1929 | Hurdy Gurdy | ||
| 1930 | The Shrimp | Professor Schoenheimer | |
| 1931 | The Itching Hour | ||
| 1931 | Oh! Oh! Cleopatra | Royal musician | |
| 1932 | Docks of San Francisco | Max, Detective | |
| 1933 | The Cohens and Kellys in Trouble | Larsen | Uncredited |
| 1934 | Straight Is the Way | Old clothes man | Uncredited |
| 1935 | Metropolitan | Tailor | Uncredited |
| 1936 | Roamin' Wild | Abe Wineman | |
| 1937 | The Girl Said No | Max | Alternative title: With Words and Music |
| 1939 | The Great Commandment | Old man | |
| 1940 | The Great Dictator | Jewish man | Uncredited |
| 1940 | Kitty Foyle: The Natural History of a Woman | Flower man | Uncredited |
| 1940 | No Census, No Feeling | Storekeeper | Uncredited |
| 1942 | Reap the Wild Wind | Juror | Uncredited |
| 1945 | Adventure | Man in library | Uncredited |
References
edit- ^ Erens, Patricia (1988). The Jew in American Cinema. Indiana University Press. pp. 92–93. ISBN 978-0-253-20493-6.
- ^ McCaffrey, Donald W.; Jacobs, Christopher P. (1999). Guide to the Silent Years of American Cinema. Greenwood Publishing Group. pp. 102. ISBN 978-0-313-30345-6.
- ^ "The Heiress at Coffee Dan's". AFI Catalog of Feature Films. Retrieved November 29, 2014.
External links
edit
- Max Davidson at IMDb
- Max Davidson at AllMovie