His surnames place and honor him: José María Vitier Marruz belongs to one of the most emblematic families of art and thinking in Cuba, a lineage that has left a deep mark on the national culture. Philosophers, poets, essayists, first-rate musicians: generations of great creators who have made contributions to the nation from an essentially Martian vision, an area of golden spirituality and intellectual probity.

Among them, José María, National Music Award winner, has established himself as a reference for this wonderful combination of history and modernity.

As a pianist, his achievements are noteworty. His virtuosity, accompanied by a deeply expressive style, has put him among the great interpreters of Cuban music. Vitier has managed to recreate emotions that touch on fundamental notions of identity. His music, in fact, is an endearing part of Cuba's soundtrack. His ability to interpret both classical, popular, and contemporary works is proof of the versatility that has characterized the country's piano tradition.

One of the most notable aspects of José María Vitier's work is his sacred creation, where he has managed to anchor the spiritual entity in the heritage of Cubanness. His Cuban Mass becomes a paradigm: a profoundly liturgical work, which at the same time celebrates the cultural roots of the Island. The mixture of religious elements with indigenous rhythms and melodies is proof of this ability to articulate a coherent and integrative discourse, a metaphor for the processes in the formation of a culture. It’s a legacy that transcends the merely musical, which connects with the spirituality of the Cuban people.

José María Vitier's compositions for cinema are perfectly identifiable. They enrich the narratives, by providing a deep, committed, suggestive emotional dimension... This is what happened with his music for an iconic film: Strawberry and Chocolate, by Tomás Gutiérrez Alea and Juan Carlos Tabío: it’s an authentic soundscape that intimately dialogues with the story, characters... that complement the visual framework. These works are not only part of the Cuban audiovisual memory, but have enriched the national repertoire. The extraordinary reception of his concerts speaks of this commitment.

José María Vitier Marruz believes in the powerful imprint of collective creation. He has called on artists from various manifestations to carry out masterpiece projects.

Today, when he turns 70, it’s inevitable to reflect on his significance for Cuban music and culture. His legacy is a testimony of dedication and genius, a bridge to tradition that inspires new generations of composers and instrumentalists.

Translated by Amilkal Labañino / CubaSí Translation Staff