Wednesday, September 18, 2024

Elefair Morrison's Civil War

 

Quilt associated with Elefair Morrison (1808-1863)
Historic Arkansas Collection

Elefair (Ellafair) is rather elusive. She died in Arkansas in the first years of the Civil War. The quilt attributed to her is intriguing.


She was born in Georgia in 1808 and in the 1860 census is shown living with her brother, well-to-do Daniel Morrison. Daniel emigrated to Arkansas from Georgia in 1835; Elefair may have accompanied him or joined him soon after. Daniel continued to be wealthy, listed with at least 24 enslaved people and thousands of acres of Arkansas. Interestingly enough the sister of this rich man is listed as a Seamstress.



Daniel Morrison and his enslaved laborers built a plantation complex on Watermelon Island in Hot Springs County. One structure remains, a stone smoke house now on the National Register of Historic Places.

Findagrave file:

Ellafair married Edward P. Kearby in 1853 when she was 45...

...although the marriage record says she is 38, two years older
than groom Dr. Kearby. It looks like Elefair supported herself as a seamstress after 
the end of that marriage.

Her tombstone is hard to read in the Findagrave file
but it seems no last name was included.
"Ellafair
Sister? of
Daniel Morrison"

In 1861 53-year-old Daniel Morrison (1809-1888) married 17-year-old Belle McLean.

Arabelle McLean Morrison (1844-1914)

Belle was Arkansas born. They soon migrated to Texas, hoping to protect their investment in people from emancipation by Union troops or "self-emancipation." Their first child of four was born in Texas. They returned to Watermelon Island after the war. Did Elefair accompany them? Perhaps the quilt descended in Belle's family of children with the information that it belonged to Daniel's seamstress sister.

The quilt (and it is quilted although some similar bedcovers are not) is
not in good shape; discoloration and fabric loss do not show off
the skillful applique.

Nine of these "Trophy of Arms" panels (a classic image of weapons and flowers) were trimmed and attached, framed by floral arcs. The overall set and fabrics look very much like a group of quilts made in Baltimore, Maryland, associated with Achsah Wilkins and pictured in William Rush Dunton's book about quilts he found in his hometown.



Did Elefair bring this bedcover with her to Arkansas from Georgia?
Was this quilt top made in Baltimore, perhaps a wedding gift in 1853?
Or did Elefair, a professional seamstress, make it herself after
observing similar quilts?
Many questions.

Sister-in-law Belle's unpublished diary written between 1865 and 1870 is in the collection of Digital Heritage.Arkansas.gov
https://digitalheritage.arkansas.gov/finding-aids/3375; https://digitalheritage.arkansas.gov/cgi/viewcontent.cgi?article=4376&context=finding-aids
Her grave information:
https://www.findagrave.com/memorial/5308043/belle_mclean_morrison

More info from Arkansas Made



Wednesday, September 11, 2024

Washington Whirlwind # 9: Lady in the White House

Washington Whirlwind # 9: Lady in the White House by Becky Brown

Mary Todd Lincoln in mourning attire, which she wore most
of her life after Willie's death in 1862.

One of many imaginary portraits of the
Lincoln family: Eldest brothers Robert & Willie.

Last month we looked at Willie Lincoln's father Abraham's reaction to his
child's death---this month that of the Lady in the White House Mary Lincoln.

National Portrait Gallery
Benjamin Brown French (1800-1870) about 1870

Benjamin Brown French was Commissioner of Public Buildings in Washington during the Lincoln administration, but he also acted as an unofficial chief of protocol and was put in charge of funeral arrangements for Willie Lincoln. He kept a diary and recorded his visit to the White House during a downpour soon after Willie's death.
"I found everything properly arranged for the funeral. The body of little Willie lay in the Green Room…covered with beautiful flowers…. the terrible storm without seemed almost in unison with the storm of grief within, for Mrs Lincoln, I was told, was terribly affected at her loss and almost refused to be comforted.”


Lady in the White House by Elsie Ridgley

 French knew Mary Lincoln well. At White House receptions he had the job of officially introducing “the American Queen to her numerous and most brilliant visitors." His diary is rather restrained about the First Lady, commenting on her impressive dress for those occasions with descriptions like "[Mrs L] was ‘got up’ in excellent taste and looked the Queen."


Elizabeth Hobbs Keckly (1818-1907)

Elizabeth Keckly, who was the First Lady's principal dresser, seamstress and confidant, dictated her memories of the Lincoln years for a book published in 1868 as Behind the Scenes. Having lost her own soldier son in the first months of the war she was alarmed by Mary Lincoln's "paroxysms" of grief.
"I shall never forget the scene---the wails of a broken heart, the unearthly shrieks, the terrible convulsions, the wild tempestuous outbursts...."

Lady in the White House by Jeanne Arnieri

Willie's bereaved mother whose focus was always her own feelings did not leave her bedroom for weeks. Anything that reminded her of her loss sent her into hysterical grief. Descriptions of her behavior are those of a person suffering from what we recently recognize as Post-Traumatic Stress Disorder. 

Elizabeth Keckly remembered that any association such as Willie's picture or even mention of his name would:

 "move her to tears.....She never crossed the threshold of the [room] in which he died, or the Green Room in which he was embalmed" and laid out. "There was something supernatural in her dread of these things, and something that she could not explain."

Apparently these associations would bring flashbacks of the deathbed scene, which she could not forget. Unfortunately, she also could not bear to see the Taft boys. Willie's brother Tad, adapting to his mother's needs, began howling at the sight of them. Young friends Bud and Holly and sister Julia were not invited back to the White House. Their father, hoping to ease their trauma at losing a friend and being rejected by his family, sent all three children and their mother back to New York to live.

Julia Taft returned to Washington two years later and attended a reception, greeted by Mary Lincoln who:

“Seemed glad to see me again and was quite her old affectionate self, asking after my mother and the family. But when Tad came in and saw me, he threw himself down in the midst of the ladies and kicked and screamed and had to be taken out by the servants.”
Lady in the White House by Elsie Ridgley

Like her nurse Rebecca Pomroy, Mary eventually found some small solace in her religion, which in Mary's case was Spiritualism. Washington mediums summoned Willie's spirit "from behind the veil" at White House séances.

“Willie lives," she reported to her sister. "He comes to me every night and stands… with the same sweet, adorable smile he has always had. He does not always come alone. Little Eddie is sometimes with him… You cannot dream of the comfort this gives me.”

Lincoln's political enemies accused him of running the
White House and the war with a Cabinet of Spirits, "Bright Eyes" &
"Pinkie" among them. A skeptical man, Lincoln humored Mary
with occasional attendance at the events.

Read more about White House seances here:

http://www.mrlincolnswhitehouse.org/residents-visitors/marys-charlatans/ 


Lady in the White House by Denniele Bohannon

The Block



The block was given the name Lady in the White House by Famous Features, a mid-20th-century pattern syndicate. Earlier pattern companies called it Lady in the Lake inspiring many quilters in the 1900-1925 period to make a variation of the nine-patch in a four-patch.


Nine blocks---Elsie Ridgley


Wednesday, September 4, 2024

Cornelia Coventry Burling's Civil War

 


Chintz quilt associated with Cornelia Ann Burling (1794-1882)
Collection of the St. Louis Art Museum.

The center is a chintz fruit basket cut out from a repeat print and
appliqued to a white background. It looks like the original background was white,
which would have made trimming the basket easier than using the colored backgrounds below.

Cooper-Hewitt Collection
Scrap with a tan blotch ground.

And a pieced repeat on a blue ground. The print
alternated two baskets; one with a scalloped top as in the quilt,
the other with a flat wicker top.

From the museum's records:
"Family documentation records the maker as Cornelia Ann Coventry Burling, a young resident of New York City. Burling’s granddaughter Anna W. Pond McGrew [McGraw?] recalled in a note contained in the family’s papers that she received the quilt as a wedding gift in 1880 and that her grandmother commenced this quilt in 1816, and I quote, 'and it was a year in the quilting frame,' unquote. According to genealogical records, this would have been just before Cornelia’s marriage to Lancaster S. Burling and the birth of their first child in 1818."
And there were at least two Cornelia Burlings


The elder Cornelia Ann Coventry married Lancaster S. Burling, a New York banker from a ship-building family in 1817.  His family owned a good deal of city real estate including the Burling Slip, a docking port and business area indicated by the red star below.


The Burlings were important Methodists in their time, affiliated with the city's first Methodist church now called the John Street Church. Cornelia was said to be the first female superintendent of the first Methodist Sunday School in New York (Always wary of "firsts!") They were both active in the church's missionary society, with Cornelia serving as treasurer in the women's branch there for many years. They sent missionaries to foreign countries acting as "The Heathen Woman's Friend" as one of their affiliated publications was named.


They also maintained an early type of settlement house in the New York slum called Five Points. Their Five Points Mission at the Old Brewery was founded about 1850, providing shelter, food, schooling, counseling ----and they promised---no Methodist doctrine to the largely Catholic immigrant clientele.

Christmas at the Five Points Mission



Husband Lancaster in 1845. He died in 1853.



About 1857 Cornelia was living on W 81st Street in New York City
according to the city directory...

On the upper west side as in this 1890s neighborhood on 81st.

June 1882 obituary. A "relict" is a widow.


The other Cornelia Burling (1820- x) was their daughter---one of six children--- who married Daniel Farnum Pond on Valentine's Day in 1849 in a ceremony officiated over by Bishop Edmond Storer Janes. 

Pond owned a clothing factory Blake & Pond in New York City.




Their daughter Annie probably did receive that quilt as a wedding present when she married towards the end of the century but the family story of its making in 1815 that was passed on with it may not have been accurate. 

Monochrome print / Winterthur Collection

When and where was that fruit basket fabric printed? Where---probably England, supposedly exported to the U.S. when the first Cornelia was preparing her wedding trousseau? But an unlikely time frame. We were not importing much fabric from England in the early teens as we were at war with them until the end of 1814 and trade suffered for years.

See many more examples of the popular basket fabric in seven colorways at this post:
https://barbarabrackman.blogspot.com/2020/11/catherine-tompkinss-basket-quilt-chintz.html

Catherine Tompkins of Virginia used the flat-topped basket in similar fashion in 
her quilt, pictured in the book Quilts of Virginia.
 The quilt is initialed C.T. for Catherine? who died in 1820 ---again another attribution for the fabric from the teens.


https://www.findagrave.com/memorial/143689360/cornelia_ann_burling