Proxima Vara by Mark Simonson

Oh, nice! A version of the classic Proxima Nova that’s a variable font that allows you to vary weight, width, and slant.

Tagged with

Related links

Building Dark Mode | Product Blog • Sentry

Robin makes a good point here about using dark mode thinking as a way to uncover any assumptions you might have unwittingly baked into your design:

Given its recent popularity, you might believe dark mode is a fad. But from a design perspective, dark mode is exceptionally useful. That’s because a big part of design is about building relationships between colors. And so implementing dark mode essentially forced everyone on the team to think long, hard, and consistently about our front-end design components. In short, dark mode helped our design system not only look good, but make sense.

So even if you don’t actually implement dark mode, acting as though it’s there will give you a solid base to build in.

I did something similar with the back end of Huffduffer and The Session—from day one, I built them as though the interface would be available in multiple languages. I never implemented multi-language support, but just the awareness of it saved me from baking in any shortcuts or assumptions, and enforced a good model/view/controller separation.

For most front-end codebases, the design of your color system shows you where your radioactive styles are. It shows you how things are tied together, and what depends on what.

Tagged with

Rise of the Digital Fonts

A history of typesetting from movable type to variable fonts.

Tagged with

Variable fonts’ past, present and future, according to Dalton Maag

In this interview, Biance Berning says:

Cassie Evans from Clearleft is an interesting person to follow as she combines web animation with variable font technology, essentially exploring the technology’s practicality and expression.

Hells yeah!

We’re only just scratching the surface of what variable fonts can do within more interactive and immersive spaces. I think we’ll see a lot more progress and experimentation with that as time goes on.

Tagged with

Recursive | Recursive

Play around with this variable font available soon from Google Fonts in monospaced and sans-serif versions.

Tagged with

Stepping away from Sass

I think Cathy might’ve buried the lede:

The knock on effect of this was removing media queries. As I moved towards some of the more modern features of CSS the need to target specific screen sizes with unique code was removed.

But on the topic of Sass, layout is now taken care of with CSS grid, variables are taken care of with CSS custom properties, and mixins for typography are taken care of with calc().

Personally, I’ve always found the most useful feature of Sass to simply be that you can have lots of separate Sass files that get combined into one CSS file—very handy for component libraries.

Tagged with

Related posts

Understandable excitement

Why I get more excited about new CSS features and JavaScript APIs than I do about new frameworks, libraries, or build tools.

Tweaking navigation sizing

Sometimes a consistent interface doesn’t reflect the reality of usage.

Sass and clamp

Worst buddy movie ever.

Variable fonts

The future of typography is here.

Billboards and Novels by Jon Tan

Liveblogging Jon’s talk at An Event Apart in Atlanta.