Why we are living in JG Ballard’s world

I’m not the only one thinking about J.G. Ballard.

A luxury cruiseliner quarantined in San Francisco bay, its well-heeled passengers confined to their cabins for weeks on end. Holidaymakers on lockdown at a quarantined hotel in Tenerife after an Italian doctor comes down with coronavirus. A world of isolated individuals rarely leaving their homes, keeping a wary distance from one another in public, communicating with their friends and loved ones via exclusively technological means. These situations are so Ballardian as to be in the realm of copyright infringement.

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Muscular imagination

Robin Sloan on The Culture:

The Culture is a utopia: a future you might actually want to live in. It offers a coherent political vision. This isn’t subtle or allegorical; on the page, citizens of the Culture very frequently artic­u­late and defend their values. (Their enthu­siasm for their own politics is consid­ered annoying by most other civilizations.)

Coherent political vision doesn’t require a lot, just some sense of “this is what we ought to do”, yet it is absent from plenty of science fiction that dwells only in the realm of the cautionary tale.

I don’t have much patience left for that genre. I mean … we have been, at this point, amply cautioned.

Vision, on the other hand: I can’t get enough.

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Tales Of The Algorithm – Terence Eden’s Blog

I’m really enjoying these sci-fi short stories that Terence is publishing on his site—one for every day of the month.

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Stories | daverupert.com

Dave’s short’n’sweet sci-fi stories, collected in one place.

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The Unreal Writer - by Joanne McNeil - All My Stars

Joanne McNeil on the retroactive pigeonholing of downright weird sci-fi writers like Philip K. Dick, JG Ballard and Octavia Butler:

The snobbery against science fiction in the past and today’s cartoon icons of some of its weirdest authors comes from the same root: an establishment that doesn’t know how to read or appreciate it.

And she absolutely nails the straitjacketed feeling I get from a lot of new sci-fi that’s laudable in its politics but lacking in other ways:

I suspect those authors are drawn to the genre for the thing that increasingly frustrates me about it: the way science fiction is mined for road maps and potential solutions in real situations of uncertainty and disaster. The way it’s “smart person” literature about systems with hyper-competent protagonists. I’m here for the losers. The losers are my people.

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What The Last of Us, Snowpiercer and ‘climate fiction’ get wrong - BBC Culture

I not only worry that “cli-fi” might not be an effective form of environmental expression – I have come to believe that the genre might be actively dangerous, stunting our cultural ability to imagine a future worth living in or fighting for.

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Brian Aldiss

1925 - 2017