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Journal 3134 Links 10545 Articles 85 Notes 7704
Saturday, March 1st, 2025
The future of the internet is likely smaller communities, with a focus on curated experiences | The Verge
Good news for the fediverse, the indie web, and community sites like The Session:
People are abandoning massive platforms in favor of tight-knit groups where trust and shared values flourish and content is at the core. The future of community building is in going back to the basics.
The Sunshine by the Sea: S20E08 - Harsh Browns
Research by the Sea was one of the best conferences I’ve been to in yeeeeeears. So many good, useful, inspiring, thoughtful, provocative talks. Much more about ethics and power and possibility than I’d expected. None of the ‘utopian bullshit’ you usually get at a product or digital conference, to quote one of the speakers!
Through Lines 247 | Scott Boms
I miss being excited by technology. I wish I could see a way out of the endless hype cycles that continue to elicit little more than cynicism from me. The version of technology that we’re mostly being sold today has almost nothing to do with improving lives, but instead stuffing the pockets of those who already need for nothing. It’s not making us smarter. It’s not helping heal a damaged planet. It’s not making us happier or more generous towards each other. And it’s entrenched in everything — meaning a momentous challenge to re-wire or meticulously disconnect. I’m slowly finding my own ways of breaking free to regain a sense of self and purpose.
Anchor position tool
This is a great little helper in understanding anchor positioning in CSS.
google webfonts helper
Google Fonts only lets you download .ttf files meaning that if you want to self-host your fonts (and you should), you have to first convert them to .woff2 files.
Luckily this tool has been online for over a decade, doing what Google Fonts should be doing by default.
Thursday, February 27th, 2025
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Thursday session
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The stage is set for #ResearchByTheSea
Wednesday, February 26th, 2025
Getting ready to host Research By The Sea tomorrow:
- Clipboard ✅
- Loud shirt ✅
mirisuzanne/track-list: Enhance a list of audio tracks with playlist controls
This is very nice HTML web component by Miriam, progressively enhancing an ordered list of audio
elements.
Why I Like Designing in the Browser – Cloud Four
This describes how I like to work too.
Tuesday, February 25th, 2025
The web on mobile (a response) | Clagnut by Richard Rutter
Rich suggests another reason why the UX of websites on mobile is so shit these days:
The path to installing a native app is well trodden. We search the App Store (or ironically follow a link from a website), hit ‘Get’ and the app is downloaded to our phone’s home screen, ready to use any time with a simple tap.
A PWA can also live on your home screen, nicely indistinguishable from a native app. But the journey to getting a PWA – or indeed any web app – onto your home screen remains convoluted to say the least. This is the lack of equivalence I’m driving at. I wonder if the mobile web experience would suck as badly if web apps could be installed just as easily as native apps?
5 Questions for Jeremy Keith · Frontend Dogma
If you like the prospect of an old man ranting at clouds, this is for you.
Monday, February 24th, 2025
This page is under construction - localghost
I see the personal website as being an antidote to the corporate, centralised web. Yeah, sure, it’s probably hosted on someone else’s computer – but it’s a piece of the web that belongs to you. If your host goes down, you can just move it somewhere else, because it’s just HTML.
Sure, it’s not going to fix democracy, or topple the online pillars of capitalism; but it’s making a political statement nonetheless. It says “I want to carve my own space on the web, away from the corporations”. I think this is a radical act. It was when I originally said this in 2022, and I mean it even more today.
Sunday, February 23rd, 2025
Reading Matrix by Lauren Groff.
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Friday, February 21st, 2025
The Shape of a Mars Mission (Idle Words)
You can think of flying to Mars like one of those art films where the director has to shoot the movie in a single take. Even if no scene is especially challenging, the requirement that everything go right sequentially, with no way to pause or reshoot, means that even small risks become unacceptable in the aggregate.
Generative AI use and human agency
You do not have to use generative AI.
AI itself cannot be held to account.
If you use AI, you are the one who is accountable for whatever you produce with it.
There are contexts in which it is immoral to use generative AI.
Correcting or fact checking generative AI may take longer than just doing a task yourself, or with conventional AI tools.
You do not have to use generative AI.
Thursday, February 20th, 2025
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Thursday session
The Gist: AI, a talking dog for the 21st Century.
My main problem with AI is not that that it creates ugly, immoral, boring slop (which it does). Nor even that it disenfranchises artists and impoverishes workers, (though it does that too).
No, my main problem with AI is that its current pitch to the public is suffused with so much unsubstantiated bullshit, that I cannot banish from my thoughts the sight of a well-dressed man peddling a miraculous talking dog.
Also, trust:
They’ve also managed to muddy the waters of online information gathering to the point that that even if we scrubbed every trace of those hallucinations from the internet – a likely impossible task - the resulting lack of trust could never quite be purged. Imagine, if you will, the release of a car which was not only dangerous and unusable in and of itself, but which made people think twice before ever entering any car again, by any manufacturer, so long as they lived. How certain were you, five years ago, that an odd ingredient in an online recipe was merely an idiosyncratic choice by a quirky, or incompetent, chef, rather than a fatal addition by a robot? How certain are you now?
Wednesday, February 19th, 2025
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Wednesday session
Citywide – Jason Santa Maria
A fun new font from Jason:
Citywide is a sans serif family inspired by mid-1900s bus and train destination roll signs.