Damian Thompson Damian Thompson

The coronation music was – mostly – a triumph

The standard of the performances was exceptional – the Andrew Lloyd Webber anthem less so

Sir Bryn Terfel singing Paul Mealor's enchanting Welsh-language Coronation Kyrie. Image: Andrew Matthews / REUTERS 
issue 13 May 2023

Sir Hubert Parry was upgraded from knight bachelor to baronet by King Edward VII in 1902, and my goodness he earned it. His anthem for Edward’s coronation, I was Glad when they Said Unto Me, begins with a thrilling brass fanfare – or it has done since George V’s coronation in 1911: Parry’s original introit wasn’t sufficiently attention-grabbing, so he beefed it up. But the most spine-tingling moment has been there from the beginning. ‘I was…’ sings the choir on the tonic chord of B flat major – and then the word ‘glad’ bursts out where we aren’t expecting it, in G major.

The Abbey staged a musical banquet in which the courses were arranged with diplomatic ingenuity

One of the secrets of writing ceremonial music is knowing how to raise the temperature by subverting expectations. A few minutes into King Charles III’s coronation we heard a sublime example written by Handel for George II in 1727.

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