Plato Report. Final
Plato Report. Final
Plato Report. Final
Plato :
Republic
Characters:
Socrates
Thrasymachus
Hesiod
Minor Characters
Cephalus
Polemarchus
Cephalus' son.
Glaucon
Adeimantus
Er
Homer
Simonides
SUMMARY:
After a religious festival, Socrates is invited to the house of a
wealthy merchant named Cephalus. There, Socrates joins a
discussion with
Cephalus,Polemarchus, Glaucon, Adeimantus, and the
Sophist Thrasymachus about the nature of justice. Socrates
soon proves that Cephalus and Polemarchus' conception of
justice as telling the truth and paying what is owed is
insufficient, and he likewise disproves Thrasymachus's belief
that justice is simply whatever is of most advantage to the
stronger person or people.
But Socrates does not state what his own idea of
justice is. Instead, he proposes to "create" an
ideal city that will show justice on a large scale. Once
they have defined a just city, Socrates believes, they'll
be able to examine justice in an individual.
Socrates' ideal city depends on education,
specialization, and social structures that define family,
behavior, and loyalty to the city.
Each person will specialize in a specific occupation,
an occupation that is chosen for them by the city
based on their aptitudes and abilities as children.
Education, especially of the guardians who will
function as guards or soldiers as well as rulers, is the
key to the success of the city. Imitative literature in
which the author creates the voices of different
characters, "imitating" human behavior, is forbidden.
. Literature must reflect only good behavior.
Those who will be laborers or craftsmen will form
the "producer" class. The best of the guardians
are given special education to prepare them to
rule. The others from the initial group of
guardians will become the warriors for the city.
Wives and children of the guardians are
held in common. The rulers will lead very
simple lives, forbidden to touch gold or silver
or to own property. Their daily needs will be
met by the other residents of the city so that
guardians can rule without distraction.
Themes:
Education:
Just City:
Guardians--- rational…. (rule)
Warriors------spirit
Producers----appetitive
Truth
Core virtue of the city and of the philosopher-
king.
Plato :
Phaedrus
Characters
Socrates
Phaedrus
Lysias
Minor Characters
Theuth
Thamus
The philosopher Socrates encounters
Phaedrus, a young student of rhetoric, outside
the Athens city walls. When he learns that
Phaedrus has just come from hearing Lysias, a
famous orator, Socrates is interested in hearing
Lysias’s speech for himself. He persuades
Phaedrus, who’s carrying a copy of Lysias’s
speech, to read it aloud.
Lysias’s speech is addressed to a young man, arguing that
it’s better to have a sexual relationship with someone who’s
not in love with you than with someone who is. A primary
reason for this, according to Lysias, is that people in love
aren’t in their right mind, and they act under the compulsion
of madness rather than according to free choice. Lysias
also tries to persuade his listener that the long-term social
advantages are greater when a relationship is grounded in
friendship rather than passion.
When Phaedrus sees that Socrates isn’t impressed
with Lysias’s speech, he prevails upon his friend to
deliver his own speech in response. Though he’s not
enthusiastic about doing so, Socrates agrees and
gives a speech parodying Lysias’s. Like Lysias,
Socrates speaks as a man trying to persuade a
younger man to sleep with him even though they’re
not in love.
He defines love as a form of madness that occurs
when desire overpowers one’s better judgment. This
madness causes lovers to deprive their beloved of
good things out of jealousy, even keeping them from
philosophy, that source of greatest happiness. Love
eventually spends itself and fizzles out, leaving both
men in a worse condition than they were before.
After Socrates finishes his speech and is about to leave, he
senses a supernatural nudge warning him that his words
have displeased the gods by slandering Eros, the god of
love. Socrates starts over with a second speech. He
completely changes tactics by arguing that it’s wrong to
reject the advances of a lover on the ground of the lover’s
madness. When madness is given by the gods, it is a
praiseworthy thing. The very best “madness” is love.
In defense of this idea, Socrates gives an elaborate explanation
of the nature of the soul. He describes the soul metaphorically as
a winged chariot driven by two horses, one noble and one filled
with lowly desires. Souls that can control their “horses” attain the
summit of heaven and glimpse eternal realities, but most are
dragged back toward earth by the lowly horse. Those who can
remember their soul’s glimpse of eternal beauty in an earlier
existence are constantly oriented heavenward, making average
people assume they’re mad.
Socrates goes on to explain that the philosophically inclined soul
will work hard to restrain his “bad” horse through self-control and
remembrance of heavenly beauty. With lots of practice, the lowly
horse is eventually subdued, and the lover enjoys a passionate
relationship with his beloved, but it’s focused on the beauties of
philosophy, not on sex. Only this kind of relationship orients
someone’s soul heavenward; thus, there are greater benefits in
a relationship with one who’s in love with you than with someone
who isn’t.
Socrates and Phaedrus then discuss rhetoric and the difference
between good and bad speaking, since Phaedrus admits that
Socrates’s second speech is superior to Lysias’s speech, but he
can’t explain why. Socrates begins by establishing that rhetoric
must be concerned with the truth, not just with what appears to
be persuasive. Next, he explains that, if rhetoric is a “leading of
the soul by means of speech,” then it’s important for a speaker to
understand the nature of the soul.
Together they examine Lysias’s speech and discuss
Lysias’s failure to properly define his subject from the
beginning. Socrates explains that precise definition is
important and is connected to the philosophical practice of
dialectic—of clarifying a topic through step-by-step inquiry.
He shows how he carefully divided up the topic of
“madness” in his own speech in order to lead his audience
through his argument that love is a desirable form of
madness.
He also argues for the indispensability of the
soul to the practice of rhetoric; no one who has
merely mastered rhetorical skills can claim to
be an expert in the art of rhetoric unless he
knows how to apply rhetorical remedies to
specific souls in specific contexts.
Finally, Socrates and Phaedrus discuss the propriety of
writing speeches. Writing is a relatively new and ambivalent
technology in Socrates’s eyes—it promotes the appearance
of wisdom while undercutting the reality of it. This is
because writing is silent and lifeless, unable to respond to
inquiry or challenge. Philosophical dialectic is superior,
because it’s adapted to each specific soul and, through
interaction, guides that soul toward wisdom.
Themes:
Soul’s Struggle for Wisdom