NEO-VERNACULAR ARCHITECTURE
Introduction
In the late 19th century, when the whole world was
experiencing the effects of the Industrial Revolution, the
‘Modernism’ in Architecture stepped silently and start carving
its place by replacing Sustainable Vernacular practices.
It also arose due to the desire to break from the historical
architectural style and to invent something new. The new
global issues like the green-house effect, increased carbon
footprint, Unbalancing the environmental equilibrium, etc
became the point of concern for the whole world and these
were the consequences of un-thoughtful use of high
embodied energy building materials (like iron, glass, concrete,
etc.) and ignorance of micro & macro site conditions only.
Consequently, it created issues for the inhabitants as well.
The vernacular architecture was seen as an approach to
achieve the desired goals. As the requirements and purposes
of the buildings and users are altered; the vernacular
architecture could not be practiced in its pure essence.
There emerged the need to practice an architectural style
that could revive the lost cultural identity of the buildings &
caters to the well-being of nature without compromising the
requirements of the modern times (the needs of the user and
utilization of technological advancements).
The amalgamation of modern context and vernacular
architecture aims to give rise to neo-vernacular buildings.
In a general reaction to modernism in the year 1960s and
1970s, the ‘NEO-VERNACULAR ARCHITECTURE’ aroused and it
drew on bricks and tiles, possessing an equivalent
understanding of the natural environment and users’
requirements
APPLICATIONS OF NEO-VERNACULAR ARCHITECTURE
Cultural Adherence
The socio-cultural parameters are the primary forces
establishing the spaces and relationships among them. As
internal planning is influenced by the occupation and traditional
legacy of the owner; the neo-vernacular spirit approaches to
retain the feeling of more security and familiarity with the past.
This style targets to create symbolism of what a place means to
its inhabitants and visitors over time. Neo-vernacular is
accomplished by renovating old forms, connecting past cultures
to today’s needs.
Energy Efficiency
The neo-vernacular buildings are designed to consume the least
possible energy. The climatic conditions of the site govern the
passive design strategies adopted. Construction of the building
is carried out using local materials with minimal impact on the
environment. The energy consumption is also reduced by
determining the type of material, their embodied energy, and
operational cost. The adequate exploitation of resources near
the site is implemented to keep intact the natural face of the
earth
Vernacular Influence
Unlike parent vernacular style, neo-vernacular strategies are
attentive efforts of trained professionals; Whereas, the latter
(vernacular style) was an outcome of prolonged community
transmission of traditional values. The neo-vernacular originates
from the standout aspect of specific vernacular which
effortlessly accommodates contemporary needs with technical
consciousness. It is a deliberate approach to reproduce distinct
vernacular forms on their transformation in today’s shell.
Coherence with ongoing practices
Since contemporary buildings cater to multiple necessities
simultaneously. The incorporation of the latest construction
techniques becomes compulsion when it comes to the high
strength and stability demands of such buildings. Neo vernacular
principles utilize the latest technology to merge ancient design
philosophies and present-day requirements.
Harmony with Site and Surrounding
The neo-vernacular design aspires to create unity of structure
with its surroundings. The building does not dominate the
natural setting rather it expresses modesty for the sense of
shelter provided. The harmony among form, materials, and
environment gives rise to cozy comforting emotion. The interiors
and exteriors are blended during the design process to impart
connectivity with the natural environment.
SYNOPSIS
1) PROJECT INTRODUCTION:
1.1 Motivation:
Handloom Ilkal Saree and the Tradition at Stake
Shashi Kumar Sinnur, a 29-year-old Ilkal saree weaver from Hanamsagar,
Karnataka worked in Handloom for several years but was forced to shift to
power loom after the downfall of their family handloom business.
“The new generation is leaving the handloom job and moving to
another occupation. In a handloom machine, four people work
together but don’t earn enough to feed their family. That’s why even
I left handloom machine work and started working in power loom
industry,” Shashi said.
He is not the only one who has parted his ways from the handloom
industry. Many Ilkal saree handloom weavers are going through a very
tough phase after the Power loom industry taking over their business. The
prices of the raw material of saree have increased rapidly, but the price of
the final product, that is saree, has remained constant.
All the burden eventually comes down on the weaver since the raw
material price is increasing day by day but and the selling price of saree
remains the same.
On 16th October 2006, Ilkal saree was registered under a Geographical
tag. This saree was earlier famous in Maharashtra and slowly it shifted to
the neighbouring villages surrounding Ilkal town of Bagalkot district. From
there, it further shifted to Dotiyal, Hanumsagar villages of Koppal District.
Later, these places became famous for their handloom craft. However, the
handloom weavers continue to struggle to earn a decent living.
As per a report in The Hindu, “The number of handloom industry has
declined from 40,486 in 2009-10 to 29,377 today after the coming of
power loom industry. The power loom Industry has increased from 60,000
in 2009-10 to 1.20 lakhs now.”
This is the scenario of the Ilkal village of Bagalkot.
So, in this regard a thought came to my mind that there is a need to have
a WEAVERS
. HUB in Bagalkot District to support this dying handloom Ilkal
saree weavers
SOURCE: http://old.thestoriesofchange.com/2019/07/22/handloom-weaver-ikal-saree/
1.2 Description:
Definition:
Ilkalsaree weavers hub in Bagalkot is a center for the production of the
traditional handloom sarees known as Ilkal sarees. These sarees are
made using a unique weaving technique and are known for their vibrant
colors, intricate designs, and durability. The weavers hub provides a
platform for the skilled weavers of the region to showcase their craft and
earn a livelihood.
The weavers hub typically consists of a weaving center where the
weavers work on traditional handlooms to create the sarees, a dyeing
center where the yarn is dyed using natural colors, and a finishing center
where the sarees are washed, ironed, and packaged for sale. The hub
also includes facilities for training new weavers, as well as for promoting
and marketing the sarees.
Function :
A weavers hub with housing for weavers serves as a centralized
location for weavers to produce textiles while also providing
accommodation for them.
This also helps to create a sense of community among weavers and
their families, as they live and work together in the same area.
The weavers hub in Bagalkot serves as a center for the production,
promotion, and sale of handloom products, particularly the famous Ilkal
sarees. It provides a platform for local weavers to showcase their craft
and market their products to a wider audience.
2 ) NAME OF THE TOPIC/SUB TOPIC:
Ilkal saree Weavers Hub at Bagalkot
3 ) NEED OF THE STUDY (Feasibility & Justification):
The Ilkal saree weavers hub and housing architectural project is
necessary in the present scenario for several reasons. Firstly, the Ilkal
saree is a famous traditional saree that has its origin in the town of Ilkal
in Bagalkot district, Karnataka. The saree is known for its unique
designs and weaving techniques, which have been passed down
through generations of weavers.
However, the weavers face several challenges, including lack of
infrastructure and modern facilities, which affect their productivity and
livelihood.
They face difficulties in accessing markets and customers due to their
location in remote areas. This has resulted in a decline in the number
of weavers and the production of Ilkal sarees.
Therefore, the Ilkal saree weavers hub and housing architectural
project can help address these challenges and revitalize the traditional
art of saree weaving.
4 ) AIM OF THE STUDY:
Design a sustainable and functional space for weavers to work and
live, while also promoting the use of neo-vernacular architecture to
showcase the cultural and traditional aspects of the region.
5 ) OBJECTIVES OF THE STUDY
To design a weavers hub and housing complex that meets the needs
of the local weaving community and provides a safe and comfortable
living environment.
To incorporate elements of neo-vernacular architecture in the design
of the weavers hub and housing complex in order to promote
sustainable and culturally appropriate architecture.
To create a functional and aesthetically pleasing space that fosters
community interaction and promotes the preservation of the
traditional Ilkal saree weaving craft.
To utilize appropriate building materials and construction techniques
that are locally sourced and environmentally sustainable, in order to
reduce the carbon footprint of the complex.
To adhere to all relevant regulations and guidelines in the design and
construction of the weavers hub and housing complex, ensuring the
safety and well-being of its occupants.
6 ) SCOPE OF THE STUDY
The scope of the project is to design a weavers hub that offers
functional and efficient spaces for the weaving community, promoting
their economic development and social well-being.
The design should incorporate sustainable and vernacular
architectural solutions that enable a better use of the space, with
comfortable and safe housing units, and communal areas that foster
interaction, collaboration and creativity among the weavers.
7 ) LIMITATIONS OF THE STUDY
The scope of the project will be limited to the weavers community in
Bagalkot and its surrounding areas.
The study will only consider the use of local and sustainable materials
for construction within a reasonable budget.
The design will be limited to the traditional weaving techniques and
cultural significance of the Ilkal sarees and will not explore other textile
traditions
8 ) METHODOLOGY
SELECTION OF THE TOPIC
STUDY OF WEAVERS HUB
AIM OF THE PROJECT
IDENTIFYING THE OBJECTIVE
ARRIVING AT THE OBJECTIVE
SCOPE OF THE PROJECT
RELATED STUDIES
LITERATURE STUDY CASE STUDY SELECTION OF THE
OF THE TOPIC SITE
ANALYSIS,INFERENCE AND SYNTHESIS
CASE STUDY
CASE STUDY
CASE STUDY
CASE STUDY
