Children's Literature

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CHILDREN AND

ADOLESCENT’S
LITERATURE
Dissecting poems
ELIZAB
ETH
UPHAM
MCWEB
B
When frost is shining on the trees
It’s spring at Mrs. Appleby’s
You smell it in the air before

AT MRS. You step inside the kitchen door

APPLEBY’ Rows of scarlet flowers bloom


From every window in the room.

S And funny little speckled fish


Are swimming in a china dish.
ELIZABETH UPHAM MCWEBB

A tiny bird with yellow wings


Just sit and sings and sings and SINGS!
Outside when frost is on the trees,
It’s spring at Mrs. Appleby’s
Walter de la Mare (1873-1956) was the prolific author of many volumes of poetry, short stories and
novels, including one of the most enduringly popular poems in the English language, ‘The
Listeners’. Born in Charlton, Kent, he was educated at St. Paul’s Cathedral Choir School in London.
At sixteen he started work in the statistics department of Anglo-American Oil. He married in 1899
and had four children and for many years he struggled to balance the life of the writer with the
financial demands of family until, in 1908, he received a Civil List pension which enabled him to

WALT
concentrate on writing. His first book, a collection of poems called Songs of Childhood appeared in
1902: the title gives us a clue to de la Mare’s key poetic concerns and establishes him in a tradition
which stretches back to Blake’s Songs of Innocence and Experience and the ideals of the Romantics.
Like them he had a privileged childhood, a time of unique vision uncontaminated by adult

ER DE
perceptions, and he remained throughout his career a keen and successful writer of poems for
children. In a lecture on Rupert Brooke, de la Mare described children as “contemplatives, solitaries,
fakirs who sink again and again out of the noise and fever of existence and into a waking vision.” In

LA
his own writing de la Mare is trying to re-awaken this vision which accounts for the yearning tone
of much of his poetry. This preference for inward exploration has led, in some ways unfairly, to him
being dismissed as an introverted poet of escape, a romantic ducking the complexities of modern
life. Certainly his sometimes archaic diction, use of formal verse structures and central concerns are

MARE
largely at odds with the modernist movement which came to dominate poetic discourse from the
1920s onwards. His critical reputation also suffered from his association with the Georgian
movement which was later discredited by the modernists as an inadequate response to the changed
circumstances of the world following the First World War. However, such criticism overlooks de la
Mare’s great attributes: his technical skill, uncanny ability to create atmosphere and the subtle
ambiguities of his elliptical narratives. De la Mare remained popular in his lifetime and writers as
respected as W H Auden, Graham Greene and Angela Carter all spoke highly of him: perhaps at the
50th Anniversary of his death a critical re-appraisal is merited.
It’s a very odd thing-
As odd as can be-
That whatever Miss Tea. eats
Turns into Miss T.;
Porridge and apples,

MISS T. Mince, muffins and mutton,


Jam, junket, jumbles-
WALTER DE LA MARE Not a rap, not a button
It matters; the moment
They’re out of her plate,
Though shared by Miss Butcher
And sour Mr. Bate;
Tiny and cheerful,
And neat as can be,
Whatever Miss T. eats
Turns into Miss T.

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