The material presentation of the tale:

A / The author :
Charles Perrault is a French writer born on January 12, 1628, in Paris.
Charles Perrault stands out for his gallant poetry and precious writings. Around 1660, he
The Mirror or the Metamorphosis of Orante
of love. In 1653, he published his first work, a burlesque poem, The Walls of Troy or
The Origin of the Burlesque which attacks antiquity with verve.
From 1654 to 1664, he became a clerk in the administration of the General Revenue of finances,
led by her elder brother Pierre.
The academician dies in Paris at the age of 75, on May 16, 1703.
B / The book :
Stories or Tales from the Past, With Moralities, in prose, were published in 1697. These
Tales remain one of the most charming successes of our literature.
II. The framework of the story:
A / The characters:
As this story is a tale, the characters are few and there are some that seem
marvelous
The first queen: Secondary character: The mother of Riquet with the Tuft
The second queen: Secondary character: The mother of the two daughters
The fairy: Main character: It is she who has provided the three gifts: the spirit of Riquet and
of the younger girl and the beauty of the older girl
Riquet with the Tuft: Main character: A prince so ugly and so poorly made with a small
a tuft of hair on his head, but he has a lot of spirit and he can give as much spirit
that he would have to the person he would love the most.
The eldest princess Main character A girl more beautiful than the day but very stupid and
clumsy. She can make beautiful the person she likes.
The younger princess: Secondary character: An extremely ugly girl but who has so much
of spirit that one hardly notices that it lacks beauty.
B / The spatio-temporal framework:
As in every tale, the spatio-temporal setting of this story is indefinite and imprecise.
1- The spatial framework:
At the beginning of the tale, the setting is completely undefined, as there are no signs of framing.
spatial, but we can say that the events take place in an ancient kingdom.
In intermediate situations, there are a few words signifying spatial frameworks.
(a wood, the palace, the apartment...)
2- The time frame:
The temporal framework of this narrative is also undefined, as the time indicators at the beginning
The tales are imprecise (once upon a time, after seven or eight years, some moments
after...)
Even in intermediate situations, time adverbials do not indicate a time.
very specific (one day, when she returned to the palace, sometimes, in the time she
walked, from the next day)
III. The study of events:
A / The initial situation:
Once upon a time... extremely ugly.
A queen gave birth to a very ugly and poorly made son who had a tuft of hair on his head.
A fairy who attends the birth of this child assured that he would have a lot of wit.
A queen from a neighboring kingdom gave birth to a daughter more beautiful than the day but extremely
stupid.
The same queen gave birth to another daughter who is so ugly but has so much spirit that one does not notice.
almost nothing is missing from her beauty.
B / The intermediate situation:
Do not grieve (L19)...... as much as I can.
The eldest daughter receives the gift of being able to make anyone she pleases beautiful.
sister the gift of being able to give as much as she has to the person she loves more.
The perfections and flaws of the two girls grew with them as they grew up.
.
The eldest princess meets Prince 'Riquet with the Tuft' in a forest. As he loved her
Well, he gave her spirit provided that she marry him a year later.
The beautiful girl becomes more lovable and more famous; all the princes want to marry her.
she.
His father gave him time to think and to choose his future husband.
The princess heads towards the same woods to make her decision.
The eldest daughter meets Prince Riquet again and remembers that a year has passed since then.
their first meeting
After a long speech, this princess uses her gift to make 'Riquet beautiful.
C /The final situation :
The princess had not long ago...
Riquet with the Tuft becomes the most beautiful, well-built, and amiable man in the world.
The wedding is for the marriage of Riquet with the Tuft and the princess.

Riquet with the Tuft is not without remindingBeauty and the BeastHowever, it diverges in many ways.
regards. Where Madame Leprince de Beaumont's tale highlights selfless love that
makes the cleanliness of man, Charles Perrault is more involved in the precious debate around
nature of love. An ugly man of great intelligence falls in love with a beautiful princess
dressed with a poor spirit: guided by a good fairy, the story follows a predictable course until the
traditional happy ending. It remains entertaining, well-constructed and not lacking in a
point of cynicism.
The story opens with the prince who gives him his name: Riquet with the Tuft is deformed, but
receives the gift of intelligence and soon charms those around him. Thus it is also the case with the
youngest daughter of the queen of a neighboring country, who is born ugly but brilliant. Such is not the case of her

sister, whose beauty is only matched by her profound stupidity. Perrault places intelligence by default.
as a virtue superior to beauty, but does not fail to depict a cruel world: as soon as
that these two qualities combine, they lead to the contempt of those who do not possess them.
Unlike Beauty and the Beast, kindness is here a virtue that is lacking in everyone.
characters.
The whole irony of Riquet with the Tuft is contained in its double morality, reminding that love
to love the beloved with all qualities, regardless of their nature. The emphasis is however placed
more on appearance than on intellect: the sudden intelligence of the princess is not as
largely commented on by the narrator that the miraculous beauty of Riquet with the Tuft.
is it a way of saying that love makes one beautiful faster than it makes one intelligent, and a
way to pay tribute to the spirit that is not acquired without long practice. The second
morality seems to contradict this idea. Indeed, how could the brilliant Riquet with the tuft
Could he have fallen in love with a fool in any way other than through 'an invisible charm'? Does he not become

not so much a victim of the dictates of appearances that his condition should have taught him to condemn?

The Enchanting Intrigue of "Riquet with the Tuft"

The tale 'Riquet with the Tuft' tells the story of a young girl named
Graceful, endowed with an incomparable outer beauty, but who finds herself
unfortunately devoid of spirit. On the other hand, we encounter
Riquet, a young man with a rather unattractive appearance, but extremely
intelligent and endowed with exceptional knowledge. Fate brings them together
when Riquet, thanks to his magical powers, grants Gracieuse the
possibility of acquiring an inner beauty equivalent to that of one's beauty
outdoor. Thus begins an moving love story that transcends
the appearances and highlights the value of intelligence and kindness.

The Fascinating Characters

Gracieuse – Unequaled Outer Beauty

Gracieuse is a young girl of rare beauty, whose delicate features and the
charms captivate all those who cross her path. Unfortunately, she suffers from
her own superficiality and feels an inner emptiness despite the admiration she
arouses in others. Her character evolves throughout the tale, and she
learn to value the deeper qualities of the soul, thus discovering the
true love.

Riquet – The Hidden Wisdom

Riquet is the central character of this enchanting tale. Under appearances
not very flattering, it hides a brilliant mind and great wisdom. Thanks to his
magical powers, he can offer Gracieuse the inner beauty that makes her
flaw. Throughout the story, Riquet embodies the idea that true value lies
in intelligence and generosity of spirit, and not in appearances
physiques.

Thematic Analysis

Inner Beauty vs Outer Beauty

"Riquet with the Tuft" addresses the timeless theme of inner beauty and
outer beauty. Gracieuse and Riquet perfectly illustrate this
dichotomy: Graceful is beautiful on the outside, but empty on the inside, while
Riquet is the opposite. Charles Perrault reminds us here that true beauty
resides in the mind and heart, and that physical appearances can be
deceptive.

Love Beyond Appearances

Another important theme of the tale is love beyond appearances.

Despite their physical differences, Gracieuse and Riquet fall in love with each other.
on the other hand, thanks to the deep connection they share on an intellectual level
and emotional. This love story teaches us that true attraction
and sustainable is built on values deeper than simple beauty
outside.

Conclusion

The tale 'Riquet with the Tuft' by Charles Perrault is an enchanting story that
takes us into a world of magic and love. Through the adventures
In Gracieuse and Riquet, the author explores the timeless themes of beauty.
inner, of authentic love and the value of intelligence. This tale
integrates valuable lessons on how we perceive others and
invites us to look beyond appearances to discover the true
essence of individuals.

Hoping that this article has immersed you in the fascinating universe of 'Riquet'.
"The Houppe" and that it sparks the interest of readers in search of beautiful stories.
imprints of meaning and depth