Judy Pfaff

Judy Pfaff (born 1946) is an American artist known

mainly for installation art and sculptures, though she Judy Pfaff
also produces paintings and prints.[1] Pfaff has Born 1946
received numerous awards for her work, including a London
John D. and Catherine T. MacArthur Foundation Education Cass Technical High School
Fellowship in 2004 and grants from the John Simon Alma mater Washington University in St.
Guggenheim Memorial Foundation[2] (1983) and the Louis, Yale University
National Endowment for the Arts.[3][4] Major
Style Installation art
exhibitions of her work have been held at the
University of Wisconsin–Madison,[5] the Denver Art Awards MacArthur Fellow
Museum and Saint Louis Art Museum.[6] In 2013 she
was elected to the American Academy of Arts and Sciences.[7] Video interviews can be found on Art 21,
Miles McEnery Gallery, MoMa, Mount Holyoke College Art Museum and other sources.

Early life and education

Pfaff was born in London in 1946.[9] Her father, a Royal Air Force
pilot, was absent from her life. Pfaff's mother moved to Detroit
soon after Pfaff's birth, leaving Pfaff and her brother to be raised
by their grandparents. Post-war London was bleak; Pfaff has
described playing in bombed out and abandoned buildings,
gathering "raw materials for fantasy buildings."[10] A reunion in
1956 with her mother in Detroit,[11] where she attended Cass
Technical High School, did not end well. At age 15, Pfaff left
Yoyogi (State II), 1984, is a woodcut
home and eventually married a U.S. Air Force officer. She
print published by Crown Point
attended Wayne State University and Southern Illinois University,
Press in San Francisco. Pfaff went
completing a BFA at Washington University in 1971.[12] to Japan to learn the technique.[8]

Pfaff enrolled in the MFA program at Yale University School of

Art, where she embraced the use of heavy equipment and outsized materials. Other disciplines, such as
physics, medicine, zoology and astronomy, also influenced her work.[10] At Yale, Pfaff studied with Al
Held, who became her mentor. With Held's encouragement, she created an installation for her final
project.[5] She completed her MFA in 1973 and then moved to New York City.

Teaching
Pfaff taught at the California Institute of the Arts from 1976 to 1979.[13] She joined the faculty at Bard
College in New York in 1994,[14] where she is currently the co-director of the Studio Arts program.[15]

Style
Since the 70s, Pfaff has helped redefine contemporary notions of sculpture[16] and has been recognized
for her innovative approach to space.[17] While others at the time subscribed to minimalist art forms,
Pfaff began making colorful, visually active environments that encompassed an entire gallery[17] and
complicated the relationship between sculpture and the architecture that contained it.[16]

Spanning across mediums such as painting, printmaking, sculpture and installation, it can be described as
"painting in space".[18] Pfaff draws upon spiritual, botanical, and art historical imagery,[18] and "explores
issues of creativity and the complexity of life by using strings, vines, spheres, and other objects arranged
in a seemingly haphazard way".[19] Although, Pfaff has so far refused to give narrative meaning to her
work, which shows an "urgent and ferocious need to labor for the visual and tactile […] in an era where
language dominates artistic activity".[18]

Pfaff incorporates a range of everyday and industrial materials into her installations such as wire, plastic
tubing, fabric,[17] steel, fiberglass, and plaster as well as salvaged signage and tree roots.[20] Her interest
in natural motifs extends to a series of prints integrating vegetation, maps, and medical illustrations.[20]
She has also used her dramatic sculptural abilities to make set designs for several theatrical stage
productions.[20] In recent years, she has incorporated photographic and digital imagery into her
installations and prints.[16]

Process
Pfaff enters an exhibition space not knowing exactly what will happen.[17] Rice Gallery describes her
working process is intuitive and highly physical;[17] she relies on her knowledge, skill, and experience to
carry her through.[17] Her art is site-specific;[17] each one of her installations considers the specific spatial
geometries of the room so no two shows are ever alike.[21] Pfaff and her crew may labor for months or
years on shows that last day or weeks; the work is deconstructed and sections are discarded after a show
comes down.[21]

Pfaff's studio in upstate New York is filled with winches, welding equipment, a forklift, and pressure
washers.[17] When she and her assistants arrive to set up an installation, they bring with them a truck full
of tools, welders, pre-cut installation components, as well as raw material, and begin to experiment.[17]
Pfaff is used to working in large spaces; her permanent installation at the Philadelphia Convention Center,
cirque, CIRQUE, is reputed to be the largest suspended sculpture in the world.[17]

Installation art
In New York, Pfaff created her first large-scale installation piece, J.A.S.O.N--J.A.S.O.N., at the nonprofit
Artists Space in 1975.[22]
Pfaff describes her site-specific installations as abstract narratives based on personal experiences.[23] Art
critic Benjamin Genocchio commented that Pfaff's installation work can seem disordered, but with a
closer look an order seems to reveal itself.[14]

In 2006, Pfaff's Buckets of Rain was exhibited at the Ameringer & Yohe Fine Art gallery in New
York.[24] An exhibit that was dedicated to Al Held, and Pfaff's mother who passed. This exhibit though
was a prime example of how Pfaff continued to work toward incorporating painting into her sculptures.
Although, unlike past paintings Pfaff wanted to bring out the three-dimensional aspect.[23]

Pfaff effortlessly uses the expansion of her work into space in a way that simultaneously evokes drawing,
painting, and sculpture while making reference to both "high" art and popular culture. This and her use of
unusual materials like: paper, encaustic, burned foil, massive tree roots, fluorescent lights, glass drops,
and many more are key facets to Judy Pfaff's take on sculpture.[25]

Pfaff's installation art demonstrates her aesthetical preferences and communicates varying emotions no
matter the size or complexity. Each of her installations connects directly to her life experiences.[26]

Judy Pfaff throughout all her site-specific installations demonstrates her perseverance in implementing
her creativity no matter the setting or challenge. This especially is shown in her If I Had a Boat
installation where she had to work around the limitations of how the building was structured.[5]

Pfaff's installation work has influenced other artists, including Jessica Stockholder and Sarah Sze.[27]

Other media
In addition to her installations, Pfaff creates paintings, sculpture, and prints. "I've always done prints and
drawings," Pfaff says. "If you get an installation of mine, you inherit [my assistant] Ryan, myself, a crew,
the dog, the noise, the dirt. We wreck the house. So if you don't want that, then you get prints and
drawings."[28]

Pfaff has also done scenic design.[14] In 2010 Ameringer/McEnery/Yoke showed a retrospective from her
oeuvre ranging from the late 1970s to recent work. In a review in The Brooklyn Rail, Kara L. Rooney
wrote of the survey's cohesion, "somehow, Pfaff's eclectic interpretation of '80s flamboyance, '90s
insecurity, and the aughts' incessant optimism succeeds."[29]

Solo exhibitions and installations

During her prolific career, Pfaff has mounted over 100 solo exhibitions and installations in galleries and
museums worldwide.[17] She has had major exhibitions at Elvehjem Museum of Art, University of
Wisconsin, Madison (2002); Denver Art Museum (1994); St. Louis Art Museum (1989); and Albright-
Knox Art Gallery, Buffalo (1982).[20] Her work is also included in the permanent collections of The
Museum of Modern Art, the Whitney Museum of American Art, Tate Gallery, Brooklyn Museum of Art,
and Detroit Institute of Arts, among others.[30][31][32][33] Furthermore, she represented the United States
in the 1998 Bienal de Sao Paolo.[20]
Pfaff's work is not restricted to Installation Art pieces. Her other notable works include Botanica, a mixed
media on paper piece owned by the Orlando Museum of Art and Imperial Hotel, a relief print using the
intaglio technique owned by the Tampa Museum of Art.[19]

Grants and awards

Pfaff has received several notable awards and grants including the Lifetime Achievement Award from the
International Sculpture Center (2014),[34] the John D. and Catherine T. MacArthur Foundation Award
(2004),[34] a Bessie (1984),[34] and fellowships from the John Simon Guggenheim Memorial Foundation
(1983)[34] and the National Endowment for the Arts (1986).[34] She was also elected to become a member
of the American Academy of Arts in 2009.[34]

2021: X Grant (with Hideo Mabuchi), MacArthur Foundation[35]

2020: Hirshhorn Artist X Artist Honoree, Hirshhorn Museum and Sculpture Garden,
Smithsonian Institution, Washington, DC[36]

2017: Francis J. Greenburger Award, Art OMI[37]

2017: Jack Wolgin Annual Visiting Artist Award, Tyler School of Art, Temple University,
Philadelphia, PA[38]
2015: National Academy Award for Excellence in Sculpture, National Academy Museum and
School, New York[34]
2014: Lifetime Achievement Award, International Sculpture Center[39]
2013: American Academy of Arts and Sciences, 2013 Class of New Fellows and Foreign
Honorary Members, field of Visual and Performing Arts[34]
2013: Anonymous Was a Woman, A Foundation of Philanthropic Funds, New York, NY[40]
2010: Southern Graphics Council International Conference Lifetime Achievement Award
2010, Mark/Remarque, Philagraphika, Philadelphia, PA[41]
2009: USA Fellowship, Los Angeles, CA[42]
2009: Member of the American Academy of Arts and Letters, New York, New York[43]
2009: Dean’s Medal, Sam Fox School of Design & Visual Arts[44]
2006: Barnett and Annalee Newman Foundation Fellowship[45]
2004: MacArthur Fellowship[4]
2003: Nancy Graves Foundation Grant[46]
2002: Award of Merit Medal for Sculpture, American Academy of Arts and Letters, New
York[19]
2002: American Academy of Design, New York[19]
1999: Honorary Doctorate, Pratt Institute. New York[47]
1998: U.S. Representative for the Bienal de Sao Paulo[48]
1998: Distinguished Alumni Award, Washington University in St. Louis[19]
1997: Fellow of the Saint Gaudens Memorial[19]
1986: National Endowment for the Arts, Sculpture[3]
1984: Bessie Award, Set Design for “Wind Devil,” BAM Production by Nina Weiner Dance
Company[19]
1983: Guggenheim Fellowship, Sculpture[49]
1979: National Endowment for the Arts, Sculpture[50]
1976: Creative Artist Public Services, Sculpture[19]

Recent life
Pfaff is the Richard B. Fisher Professor in the Arts and co-director of the studio arts program at Bard
College, Annandale-on-Hudson, New York.[17][19] She continues to produce work for sale and for
exhibition, including installations and prints. She currently lives and works in Tivoli, NY.[19][16]

See also
Inside the Artist's Studio, Princeton Architectural Press, 2015. (ISBN 978-1-61689-304-0)

References
1. "Judy Pfaff . Biography . Documentary Film" ([Link]
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2. "Fellows Judy Pfaff" ([Link] John Simon
Guggenheim Memorial Foundation. Retrieved April 10, 2018.
3. "National Endowment for the Arts Annual Report 1986" ([Link]
es/[Link]) (PDF). National Endowment for the Arts. Retrieved
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4. "Judy Pfaff - MacArthur Foundation" ([Link]
[Link]. Retrieved 2020-08-28.
5. Sandler, Irving; Panczenko, Russell (2003). "Judy Pfaff - UWDC - UW-Madison Libraries" (ht
tps://[Link]/digital/ANU336WFV4TCKE87). New York: Hudson Hills Press.
6. "Saint Louis Art Museum Exhibition Archive" ([Link]
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p://[Link]/article/DF/20130426/NEWS/304269951). 8 February 2014.
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8. "Yoyogi, detail" ([Link]
KYv4Q-7Kmebw-7KUwMg). Flickr. Retrieved 2018-04-08.
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10. Princenthal, Nancy (2013). Judy Pfaff: Storming the White Cube, in After the Revolution:
Women Who Transformed Contemporary Art. Munich: Prestel. p. 127. ISBN 978-3-7913-
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11. "Judy Pfaff: Early Works From the WSU Art Collection - University Art Collection - Wayne
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12. "Judy Pfaff: Early Works From the WSU Art Collection - University Art Collection - Wayne
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13. Richards, Judith. "Oral history interview with Judy Pfaff, 2010 Jan. 27-Feb. 4" ([Link]
[Link]/collections/interviews/oral-history-interview-judy-pfaff-15765). Archives of American
Art. Retrieved 2013-02-16.
14. Genocchio, Benjamin (May 22, 2005). "Now She Can Finish That Warehouse" ([Link]
[Link]/2005/05/22/nyregion/[Link]?pagewanted=print). New York Times.
15. "Academics / Faculty : Judy Pfaff, Richard B. Fisher Professor in the Arts; Codirector, Studio
Arts Program" ([Link]
Bard College.
16. Mahoney, Brian K. "Portfolio: Judy Pfaff" ([Link]
o-judy-pfaff/Content?oid=2172671). Chronogram. Retrieved 30 March 2019.
17. "Judy Pfaff … all of the above" ([Link] Rice Gallery. 2007.
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JSTOR 41403026 ([Link]
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[Link]/c/articles/505292699). Sculpture. 27: 70–71 – via EBSCOhost.
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[Link]/judy-pfaff-evolution-of-an-innovator/). Sculpture. Retrieved 2024-05-03.
26. Samet, Jennifer (2020-05-23). "Beer With a Painter: Judy Pfaff" ([Link]
5666/beer-with-a-painter-judy-pfaff/). Hyperallergic. Retrieved 2024-05-03.
27. Kardon, Dennis (2015). "Judy Pfaff". Art in America. 103: 90 – via Ebsco.
28. Mahoney, Brian K. (March 1, 2007). "Portfolio: Judy Pfaff" ([Link]
e/2007/3/Arts+&+Culture/Portfolio-Judy-Pfaff). Chronogram Magazine. Retrieved
2011-05-30.
29. Rooney, Kara L. (October 2010). "Judy Pfaff: Five Decades" ([Link]
artseen/judy-pfaff-five-decades). The Brooklyn Rail.
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[Link]. Retrieved 2020-08-28.
33. "You are being redirected..." ([Link]
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-pfaff). [Link]. 2024-02-28. Retrieved 2024-04-10.
36. "Artist x Artist Salons" ([Link] Hirshhorn
Museum and Sculpture Garden | Smithsonian. Retrieved 2024-04-10.
37. "Francis J. Greenburger Awards" ([Link]
[Link]. Retrieved 2020-08-28.
38. "Renowned artist Judy Pfaff comes to Tyler School of Art" ([Link]
17-04-03/renowned-artist-judy-pfaff-comes-tyler-school-art). Temple Now |
[Link]. 2017-04-03. Retrieved 2020-08-28.
39. "Judy Pfaff & Ursula von Rydingsvard - Lifetime Achievement Awards - [Link]" (http
s://[Link]/pfaffuvr/[Link]). [Link]. Retrieved
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40. "Recipients to Date" ([Link]
Anonymous Was A Woman. Retrieved 2020-08-28.
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rds/). [Link]. Retrieved 2020-08-28.
42. "United States Artists » Judy Pfaff" ([Link]
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43. "2020 Art Award Winners – American Academy of Arts and Letters" ([Link]
g/pressrelease/2020-art-award-winners/). Retrieved 2020-08-28.
44. "Awards For Distinction | Sam Fox School" ([Link]
tps://[Link]/alumni/afd). [Link]. Archived from
the original ([Link] on 2020-08-26. Retrieved
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45. "Judy Pfaff Biography – Judy Pfaff on artnet" ([Link]
phy). [Link]. Retrieved 2020-08-28.
46. "Nancy Graves Foundation grant program" ([Link]
Nancy Graves Foundation. Retrieved 2020-08-28.
47. "WheatonArts » Explore, Experience, Create" ([Link]
exhibitions/emanation/j-pfaff/). Retrieved 2020-08-28.
48. "Judy Pfaff's CV" ([Link] Messums Wiltshire.
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row/judy_pfaff.html). [Link]. Retrieved 2020-08-28.

External links
Official website ([Link]

Further reading
Heartney, Eleanor; Posner, Helaine; Princenthal, Nancy; Scott, Sue (2013). After the
Revolution: Women Who Transformed Contemporary Art. Prestel Publishing Ltd. pp. 126–
153. ISBN 978-3-7913-4755-4.

Retrieved from "[Link]