Thesis Report
Thesis Report
PROJECT
FLOATEL
Name of the Jury member Signature of the Jury member and date
I hereby declare that this submission is my own work and it contains no full or substantial copy
of previously published material, or it does not even contain substantial proportions of material
which have been accepted for the award of any other degree or diploma of any other educational
institution, except where due acknowledgement is made in this graduation project.
Moreover I also declare that none of the concepts are copied or borrowed without due
acknowledgement. I further declare that the intellectual content of this Graduation Project is the
product of my own work, except to the extent that assistance from others in the project’s design
and conception or in style, presentation and linguistic expression is acknowledged.
This graduation project (or part of it) was not and will not be submitted as assessed work in
any other academic course.
PROJECT PROPOSAL
PROJECT FLOATEL
Designing a boutique resort or floatel in the backwaters of
Alappuzha, Kerala. Am immersive experience of a resort stay amidst
the green surroundings and picturesque landscapes. The unique
selling point (USP) of this floatel is the allocation of villas/rooms
within traditional Kettuvallams (houseboats), providing guests with a
truly authentic experience of Kerala's backwaters.
TIMELINE
Project Commencement 18th Jan 2024
Background Study 18th - 31st Jan, 2024
Live Case Study and Site Visit 2nd - 7th Feb, 2024
Research and Documentation 9th Feb - 8th Mar, 2024
Mentor Visit 5th Mar, 2024
Literature Studies 9th - 15th Mar, 2024
Mentor Visit 19th Mar, 2024
Spatial Requirements and Analysis 19th - 22nd Mar, 2024
Concept Development 23rd - 29th Mar, 2024
Mentor Visit 3rd Apr, 2024
Initial Sketches 30th Mar - 7th Apr, 2024
3D Modelling 8th Apr - 20th Apr, 2024
Mentor Visit 26th Apr, 2024
Production Drawing Detailing 30th Apr - 5th May, 2024
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INSTITUTION PROFILE
Industry Guides-
Ar. Prathikssha. M.P.
Faculty Guides-
Ar. Kavitha Priyadharshini
Ms. Rajalakshmi Thangavelu
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ACKNOWLEDGEMENT
I would like to take this opportunity to extend my heartfelt gratitude to
my project guide, Ar. Kavitha Priyadharshini, and Prof. Rajalakshmi
Thangavelu, for their invaluable guidance, cooperation, and
inspiration.
I am also profoundly grateful to my industry mentor, Ar. M.P.
Pratiksha, for her insightful guidance and unwavering support
throughout the project.
I would also like to extend my gratitude to my juniors who have
helped and supported me in the process.
Lastly, I extend my gratitude to DOT School of Design for providing
the support, encouragement, and inspiration needed to complete this
project.
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DOT School of Design, India
Interior Design, 2024
Index
1. INTRODUCTION 10-14
1.1 Abstract - 11
1.2 Aim - 11
1.3 Objective - 12
1.4 Scope of Work - 13
1.5 Limitations - 14
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8. CONCLUSION 88-89
9. BIBLIOGRAPHY 90-92
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1. INTRODUCTION
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1.1 ABSTRACT
Houseboats offer a uniquely captivating accommodation option that
everyone should experience at least once in their lifetime. While
houseboats are commonly associated with Kashmir, Kerala presents
an exceptional opportunity to enjoy this experience amidst serene
natural surroundings. Kerala's traditional houseboats, known as
kettuvallams, hold a distinct advantage over those in Kashmir due to
their design, which allows them to cruise through the intricate
network of backwaters, providing visitors with the delight of exploring
multiple sceneries and locations.
However, while houseboats offer a unique experience, they often
lack individual facilities and may not fully utilize their potential. This is
where a floatel or boutique resort can play a crucial role by
transforming houseboats into luxurious villas while providing
additional amenities and facilities on land. This integration enhances
guest experiences, allowing them to enjoy the charm of houseboats
along with the rich cultural offerings of Kerala showcased by the
boutique resort. This symbiotic approach maximizes the appeal and
functionality of houseboats within the broader context of hospitality
and tourism in Kerala.
Keywords: Houseboats, Kettuvallams, Kerala tourism, Experiential
tourism, Sustainable hospitality, Backwaters.
1.2 AIM
The aim of this thesis project is to design a floatel that incorporates
Kerala's iconic houseboats, addressing common challenges faced by
tourists such as lack of facilities and issues with extended stays. This
innovative concept aims to introduce a new hospitality experience to
the Alappuzha tourism sector.
The floatel is envisioned as a retreat from everyday life, offering
guests a serene experience amidst natural surroundings and
picturesque landscapes. Guests can enjoy the luxury of living aboard
houseboats, both while cruising and when docked at the facility, with
access to additional amenities provided by the resort.
Designed to appeal to people of all ages and cultural backgrounds,
the floatel offers a diverse range of amenities and experiences. In
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1.3 OBJECTIVE
The stated objectives provide a comprehensive framework for the
development of a boutique resort with houseboats deeply rooted in
the cultural heritage of Kerala and taking into consideration technical,
environmental, and experiential considerations.
Understanding existing models: This objective involves
reviewing existing research and case studies on houseboats and
resorts to analyze successful strategies for creating memorable
guest experiences, effective business models, and sustainable
practices. The insights gained will inform the design needs and
development ideas for the resort, ensuring a strategic approach
to its implementation.
Technical significance of houseboat culture: Houseboats
pose unique technical challenges, especially in the case of the
backwaters of Kerala. These objectives include a detailed
investigation of the technical aspects of the design, construction,
and operation of the houseboat, with a particular focus on
addressing the challenges posed by the regional waterways.
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1.5 LIMITATIONS
The project limits to
Using regionally available material, to address sustainability by
trying to reduce the carbon footprint and at the same time give a
sense of belongingness to the vernacular design.
Exclusively designing spaces with maximum number of footfall-
Reception, Restaurant, Bar, Houseboats.
Providing an idea of other spaces in the form of sketches and
moodboards.
Structural details are not in scope of the designer.
Given more time, the project extends to detailed designing of
other important spaces, that include swimming pool, spa, dining
boats, dormitory houseboats, co-working houseboats and more.
With this aim, objective, scope and limitations, the project aims to
provide a luxury resort that not only offers guests a unique and
memorable experience but also makes a positive contribution to
Kerala’s community, culture, and environment. By embracing
sustainability, celebrating cultural heritage, and promoting community
engagement, the resort aspires to be a model for responsible tourism
and a catalyst for positive change regionally.
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2. BACKGROUND STUDY
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Forest Land
28%
Fallow Land
3%
Net area sown
53%
Alappuzha Non-forest
45.5%
Open Forest
25%
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3000.0
2500.0
2000.0
1500.0
1000.0
500.0
0.0
11
16
15
09
13
08
10
12
14
17
20
20
20
20
20
20
20
20
20
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But Kerala is more than just stunning scenery. Here, you can
experience a unique blend of luxury and sustainability. Eco-tourism
initiatives let you explore the region's beauty responsibly, while
Ayurvedic practices offer a chance to rejuvenate your mind, body,
and soul. Imagine indulging in spa treatments based on ancient
healing traditions, or practicing yoga surrounded by breathtaking
landscapes.
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25.00
15000000
20.00
15.00 10000000
10.00
5000000
5.00
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% Share of Foreign & Domestic Tourist visits No. of Domestic and Foreign tourist visits in
in India 2022 (Top 10 States and UTs) Kerala (2013-2022)
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Pookode Lake
Located amidst Forests, in
Wayanad.
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Tourist attractions:
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Agricultural land
86%
Land Use pattern in Alappuzha District Water resources,
Alappuzha District
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Houseboat
route
Kumarakom
boundary
Famous Routes
Alappuzha Round Alappuzha round via R block
Alappuzha to Kumarakom Pallathuruthy-Alappuzha
Kumarakom Round
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Earthquake incidents and lineaments of Alappuzha Coastal hazard susceptibility map of Alappuzha
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3. SITE STUDY
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Punnamada Lake
Vembanad Lake
Meenappally Kayal
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How to reach
There are a couple ways to reach the destination.
Activities to do
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s.W.O.T Analysis
Strengths: Meenappally Kayal boasts of unexplored attractions and
quietness, presenting visitors a respite from the crowded traveler
spots. Its connectivity to Vembanad and Punnamada lakes through
houseboats provides an opportunity for specific cruising stories.
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Future Outlook
As Meenappally Kayal navigates the dynamic landscape of tourism
development, it stands at a crossroads of opportunity and
responsibility. Embracing sustainable practices, innovative
technologies, and inclusive policies can pave the way for balanced
growth that respects the intrinsic value of nature and culture. By
harnessing the collective wisdom of stakeholders, nurturing
ecological resilience, and fostering authentic visitor experiences,
Meenappally Kayal can carve a niche as a premier destination for
responsible travelers seeking meaningful connections with nature
and communities.
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Meenappally Kayal
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31st
Dec,
2024
21st
June,
2024
-31st -21st -Site -Water
LEGEND Dec June body
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Meenappally Kayal
-50M
-HTL -CRZ III
LEGEND Boundary line
“the islands within the backwaters shall have 50mts width from the
High Tide Line on the landward side as the CRZ area”
Elevation map
Kuttanad region is renowned as the only place on the planet where
rice cultivation occurs at or below mean sea level. The area
surrounding Meenappally Kayal serves as a floodway during heavy
inundation, effectively channeling excess water from the lake and
mitigating flood risks for nearby communities. This natural resilience
underscores the ecological importance of Meenappally Kayal within
the broader landscape of Kerala's backwaters.
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Ele. D Ele. D
22m
Ele. E 17m
Ele. F
Ele. E
23m
Ele. G 17m
Ele. A
24m Ele. F
17m 27m
17m
Ele. B Ele. G
27m 27m
17m 17m
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Ayurveda Ayurveda
30% 30%
Others Others
70% 70%
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2100
65
0-
75
0
270
310
0
70 0 12 0
Conclusion
In conclusion, Ayurveda is one of the major reasons why tourists visit
Kerala and there are so many spas and treatment centres throughout
Kerala. It is thus necessary to provide for a Ayurvedic Spa and
treatment centre in the resort.
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Kathakali
Katha means a story or a traditional tale or a conversation, and
kali means Performance or a Play. A Kathakali repertoire is an
operatic performance where an ancient story is playfully
dramatized.
Mohiniyattam
Classical dance form, whose roots are in the Hindu scriptures of
Natya Shastra, usually performed by Women. The repertoire of
Mohiniyattam includes music in carnatic style usually recited by a
vocalist but can also be done by the dancer themselves.
Kalari payattu
Martial art form that is unique to Kerala. In this artform, they
specialize in one or more of the important weapons of the period
including the spear (vel), sword (val), shield (kedaham), and bow
and arrow (vil ambu).
Puli Kali
Puli Kali, The Tiger dance is performed by trained artists painted
like Tigers & Leopards, to the music of Udukku and Thakil.
Performed on the fourth day of Onam, scenes like Tiger prowling,
and Tiger being hunted by a game-hunter is enacted.
Thullal
Also known as Arjuna Nritham performed by the Ezhava
community of the Hindu Bhagavathy temple in Alappuzha and
Kottayam districts.
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4. CASE STUDY
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Material Study
Roof, a sandwich of bamboo reeds with a layer of
polythene in the middle to protect from water
seepage, with a framework of wood, usually Anjili
(Jackfruit) Upper Deck
Lower Deck
Walls, are made up of marine plywood, that withstands high moisture environment,
while the floors are usually wooden finish. Roofs are finished with shera boards
with thermocol between them for insulation.
Lower Deck, most houseboats come with only lower deck that house
a living room, a dining hall, couple of bedrooms with attached
bathrooms, a kitchen and driver‘s seat.
Hull
Hull, Most important part of an houseboat, this is also called the shell
of the houseboat.
The hull, consists entirely of Anjili wood planks, although the primary framework is
occasionally constructed from either Anjili wood or iron reinforced with copper
nails. The hull is coated with black cashew nut oil, and the lower section of the
boat submerged in water is sheathed with aluminum. Coconut coir is inserted in
the spaces between the planks to prevent water seepage.
The hull is where all plumbing and electrical lines in conduit systems
are located. The Sewage tank is also located inside the hull, which
has to be taken out to Government Houseboat sewage treatment
plan, once in three months or whenever full. A hull also houses a
inverter and diesel tanks for the boat to run.
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A Day in a houseboat
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Coco Houseboats
Coco Houseboats delight themselves in accountable tourism tasks,
embodying a commitment to environmental stewardship. Water
conservation measures, which include reusing water for flushing and
gardening, exemplify their willpower to sustainability. Additionally,
kitchen waste is repurposed to generate gas through bio-fuel plant
life, minimizing environmental effects and promoting green practices.
Deluxe houseboat
Coco Kookaburra
Bedroom with
attached
bathroom
Vertical Kitchen
circulation
Living
room
Dining Hall Lower Deck
Bedroom with
attached
bathroom
Sun deck
Upper Deck
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Premium houseboat
Coco HB
Bedroom with
attached
bathroom Vertical
circulation
Living Kitchen
room
Dimensional Qualities
Hallway passages 900mm
Staircase 600mm
To rooms 900mm
Doors
To bathrooms 600mm
in rooms 600mm & 750mm
Sill
Foyer, Living, Dining 450mm & 600mm
Overall Lower deck 2400mm
height Upper deck 1800mm
Bed size King Size
Furnitures Standard
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5. LITERATURE STUDY
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Capella Ubud
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5
6
10
8
10
10
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Camp Post, the reception lobby of the A living room space that is the heart of
camp is also a souvenir store selling the tent with exquisite, unique and
Bali’s art pieces and items. antique books. A place you can connect
with fellow campers, connect over
THE ARMORY chess or pool. You can also connect
with Capella Culturists, who can take
you to nearby Keliki village where you
can try your hand at Keliki wood
carving.
MAD’S LANGE
THE ARMORY
API JIWA
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The Mortar and Pestle Bar provides you The campfire, is unique experience
with a wide range of cocktails and bites. where one can enjoy black and white
movies depicting Bali in 1800s, with
THE CISTERN camp favorite snacks.
Conclusion
Capella Ubud offers a sanctuary where luxury, heritage, and
sustainability converge, inviting guests to embark on a journey of
discovery and enrichment amidst the natural wonders of Bali.
Whether lounging by the pool, indulging in gourmet cuisine or
immersing oneself in the rich tapestry of Balinese culture, every
moment at Capella Ubud is infused with wonder and delight.
For guests seeking wellness and rejuvenation, The Armory offers a
state-of-the-art gymnasium along with Pilates, Yoga, or Barre
classes, providing a holistic approach to health and fitness. Culinary
delights await at Mads Lange, the main specialty restaurant serving
authentic Indonesian cuisine, and Api Jiwa, offering private group
dining experiences featuring Asian omakase cuisine.
As night falls, guests gather around the campfire to enjoy black and
white movies depicting Bali in the 1800s, accompanied by camp
favorite snacks—a truly immersive experience that transports guests
back in time. The Mortar and Pestle Bar entices guests with a diverse
range of cocktails and bites, perfect for unwinding after a day of
exploration.
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Phutakien Pier
Namtok
Railway station
How to reach
There is only way to reach River Kwai Jungle Rafts, that is through
long-tail boat from Phutakien Pier. One can reach the phutakien pier
directly via road from Bangkok or can opt for train, and the nearest
train station is Namtok railway station.
This case study was chosen to study the guest houses/rooms, along
with the planning of these floating rafts. This hospitality space
resembles closely to the floatel idea presented in this thesis paper.
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Arrangement
Nestled along the banks of the River Kwai, the resort boasts a
distinctive setting of individual lodges, each tethered to the river.
Inspired by the traditional Mon architecture, these lodges are skillfully
crafted by the local Mon village artisans. A central passage
seamlessly connects all the lodges, forming a continuous line along
the riverbank.
The resort features a single restaurant seamlessly integrated with the
reception desk, creating a unique layout that divides the arrangement
of rooms into two distinct sections, albeit not symmetrically.
Restaurant
Restaurant
Mon Theatre
Foyer
connecting
next villa
Common deck
with dining table
and hammock
Sun deck
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Double bed
Single bedroom
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Conclusion
The resort's architectural design reflects its harmonious integration
with the natural environment, drawing inspiration from traditional Mon
architecture. Individual lodges, tethered to the riverbank, showcase
the skillful craftsmanship of local Mon village artisans. A central
passage connects the lodges, creating a seamless flow along the
river's edge and enhancing the sense of community among guests.
At the heart of the resort lies a single restaurant, thoughtfully
integrated with the reception desk, offering a distinctive layout that
divides the accommodation into two sections. Each lodge typically
comprises four rooms, featuring a common lobby area adorned with
dining tables and hammocks for relaxation. A sun deck, complete
with sun loungers, provides guests with a tranquil spot to soak up the
natural beauty of the surroundings, with direct access to the river for
refreshing swims and water activities.
The rooms themselves offer a cozy retreat, spanning 28 square
meters and furnished with comfortable bedding and private en-suite
bathrooms. Ample windows maximize natural light, while private
balconies equipped with hammocks invite guests to unwind and
savor moments of serenity amidst the lush greenery.
As guests settle into the rhythm of river life, they are enveloped by
the soothing sounds of nature and the gentle sway of the river. River
Kwai Jungle Rafts offers a sanctuary for those seeking a deeper
connection with the natural world, where every moment is a reminder
of the beauty and tranquility that abound in this secluded paradise.
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Restaurant Bar
Recreational
Ayurvedic Spa Space Swimming pool
Amenities on Water
Restaurant Coworking
(Only Lunch) space
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27
12 11 15
13 16
10
22
22
20 14
9
8
24 23
6 25
19
7
17
5
3 24
2
4
26
1
18
Legend
1 - Security Check 10- Changing rooms 19 - Dorms & 26- Shikara Dock
2- Reception Lobby 11 - Multipurpose Shalas Coworking Boat 27- Water sports
3- Infirmary 12- Recreational Space 20- Suite Houseboats dock
4- Spa 13- Dressing room 21 - Staff Quarters
5-Wellness & Fitness 14- Housekeeping 22- Staff Washroom
6- Restaurant 15- Banquet Hall 23- Staff Canteen
7- Cocktail Bar 16- Guest Washroom 24- Parking
8- The Deck 17 - Dining Houseboat 25- Banquet entrance
9 - Swimming Pool 18 - Houseboats Security
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Kathakali influence
The important characters from the tale of Kathakali is used and the
important colours froom their makeup is used as accent colors
depicting the mood of the space. The characcters chosen are,
Pazhuppu,
Pacha,
Kari,
Chuvanna thadi.
The colors have been inspired from these characters and is been
used as accents inside the spaces.
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Regional context
Besides these, inspiration
is also taken from Kerala’s
crafts, antiquities, locally
sourced materials, vintage
furniture and more.
Concept inspiration?
The idea behind the
boutique resort is derived
from Capella Ubud, case
study, where the whole
camp pays homage and
tribute to different
personnel on the Dutch
ship that was travelling to
Bali for trade.
Conceptual Moodboard
Kathakali inspired
Earth palette
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7. DESIGN DEVELOPMENT
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7.1 RECEPTION
The reception lobby holds utmost importance in a hospitality setting,
serving as the initial impression of the resort. It is designed to reflect
the essence of the resort effectively. The space features warm colors
and organic patterns to create a cozy and comfortable ambiance. A
highlight of the lobby is the contrasting parametric bamboo structure,
adding a unique and striking architectural element to the space.
The color palette chosen for the reception space is integral to its
design, adding subtle yet significant accents. Reflecting the green
color from the Pacha character of Kathakali, this hue is tastefully
incorporated throughout the space. Green is not only used in
furniture, paints, or throw pillows but also serves as a striking
element above the reception table, where green plants contribute to
a sense of calmness and act as a prominent accent feature in the
space.
Summarizing this, The Reception lobby embodies the character of
Pacha through its design, featuring striking red flooring
complemented by green accents and warm tones throughout the
space. This color scheme reflects the essence of the Pacha
character from Kathakali, creating a cohesive and inviting
atmosphere in the lobby.
Moodboard
Pacha Character
Oxide flooring
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Initial sketches
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Detail drawings
B'
RECEPTION DESK
BRASS INSERT
RECEPTION DESK - RECEPTION DESK - RECEPTION DESK -
10MM THK SIDE ELEVATION - 1 ELEVATION SIDE ELEVATION - 2
RECEPTION DESK -
RECEPTION TABLE - RECEPTION TABLE - PLAN
ELEVATION SIDE ELEVATION - 1
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BACKLIT
25MM WOODEN
FRAME
ROUNDED WOODEN
ROUNDED WOODEN
BACK SPLAT 10MM DIA
BACK SPLAT 10MM DIA
FLOOR LAMP-
ELEVATION
FLOOR LAMP-
PLAN
COFFEE TABLE-
PLAN
BRASS METAL
MOLDED CORK LAMPSHADE
R-375MM COFFEE TABLE-
PLAN
CARVED NICHE
GREEN PAINT FINISH
CARVED NICHE ALUMINUM LAMP LEG
GREEN PAINT FINISH BLACK BRUSHED FINISH
Arihant K, 2020-2024 67
DOT School of Design, India
Interior Design, 2024
Arihant K, 2020-2024 68
DOT School of Design, India
Interior Design, 2024
7.2 RESTAURANT
In a hospitality setting, after houseboats, the restaurant and bar are
crucial spaces with the highest footfall. To infuse character into the
restaurant, it can be designed to embody the essence of the
Chuvanna Thadi or Red-bearded character from Kathakali,
representing the anti-hero or antagonist. This concept can be
reflected through the color palette and design elements, creating a
distinctive and memorable ambiance for guests dining and socializing
in the space.
The overall ambiance of the space maintains a neutral tone, but
incorporates red accents in various forms to reflect the character of
Chuvanna Thadi. These red elements can be seen in throw pillows,
upholstery, red clay pots hanging from the ceiling, and the use of
burnt bricks in the buffet counter. These subtle touches of red add
character and visual interest to the space while maintaining a
balanced and cohesive design aesthetic.
However, The incorporation of red into the space is not intended to
reflect the aggression or fierceness of the Chuvanna Thadi character,
but rather serves as a subtle variation to enhance the overall
ambiance. This approach adds warmth and character to the space
without overwhelming guests, striking a balance between thematic
inspiration and guest comfort.
Moodboard
Chuvanna Thadi Character
Arihant K, 2020-2024 69
DOT School of Design, India
Interior Design, 2024
Initial sketches
Arihant K, 2020-2024 70
DOT School of Design, India
Interior Design, 2024
Arihant K, 2020-2024 71
DOT School of Design, India
Interior Design, 2024
Detail drawings
URULI FURNITURE-
PLAN
URULI FURNITURE-
ELEVATION
CUSHIONED BACK
50MM CUSHION
6-8 SEATER TABLE
1500MM DIA
Arihant K, 2020-2024 72
DOT School of Design, India
Interior Design, 2024
4- SEATER TABLE-
PLAN
2- SEATER TABLE-
PLAN
150MM CUSHION
UPHOLSTERED BACK
RED FABRIC FINISH
150MM CUSHION
SUPPORT BEAM
A A'
CROCKERY STORAGE-
BURNT CLAY BRICK 50MM x
190MM x 90MM
LED PROFILE LIGHT C-SECTION
ELEVATION ALUMINUM
CHANNEL - 70MM x 40MM
INTERMEDIATE CHANNEL
40MM GRANITE TOP 35MM WIDE
Arihant K, 2020-2024 73
DOT School of Design, India
Interior Design, 2024
Arihant K, 2020-2024 74
DOT School of Design, India
Interior Design, 2024
7.1 BAR
In a hospitality setting, after houseboats, the restaurant and bar are
crucial spaces with the highest footfall. To infuse character into the
restaurant, it can be designed to embody the essence of the
Chuvanna Thadi or Red-bearded character from Kathakali,
representing the anti-hero or antagonist. This concept can be
reflected through the color palette and design elements, creating a
distinctive and memorable ambiance for guests dining and socializing
in the space.
The overall ambiance of the space is designed with a neutral tone,
accentuated by a striking feature: a red painted rammed earth wall
that extends from the entrance to behind the bar counter. This red
wall serves as the focal point of the space, drawing attention due to
its bold color against the otherwise neutral backdrop. By highlighting
this feature, the wall becomes a central attraction in the restaurant
and bar area, adding visual interest and depth to the overall design.
Moodboard
Arihant K, 2020-2024 75
DOT School of Design, India
Interior Design, 2024
Initial sketches
Arihant K, 2020-2024 76
DOT School of Design, India
Interior Design, 2024
Detail drawings
A'
FURNITURE LAYOUT
B'
HAND CRAFTED
CERAMIC TILES
BRASS
FLOOR LEG REST BAR COUNTER -
HAND CRAFTED CERAMIC TILES
BAR COUNTER -
SECTIONAL ELEVATION B-B'
BRASS
COUNTERTOP
GRANITE WORKING
COUNTERTOP
SCALE - 1: 16
SPACE FOR
BAR UTILITY EQUIPMENT
B
BAR COUNTER -
BAR COUNTER TILE ELEVATION
BRASS BRASS
FLOOR LEG REST FLOOR LEG REST
Arihant K, 2020-2024 77
DOT School of Design, India
Interior Design, 2024
BAR STOOL-
SIDE ELEVATION
BRASS FOOTREST
10MM DIA
BRASS LEG CAP TONGUE AND GROOVE JOINT
SUPPORT BEAM
ROUNDED McCOBB LEG ROUNDED McCOBB LEG
50MM - 25MM DIA 50MM - 25MM DIA BRASS HIGHLIGHT
BRASS FOOTREST BRASS FOOTREST BRASS LEG CAP TONGUE AND GROOVE JOINT
10MM DIA 10MM DIA
BRASS LEG CAP BRASS LEG CAP
CHAIR-
PLAN
ROUNDED LEG
44MM - 25MM DIA
CHAIR-
FRONT ELEVATION
WOODEN DOWELS
10MM DIA
3" (75MM)
CUSHION
CHAIR-
SIDE ELEVATION
WOODEN DOWELS
10MM DIA
JUTE ROPE JUTE ROPE
CIRCLED CIRCLED 3" (75MM) CUSHION
ROUNDED LEG
44MM- 25MM
Arihant K, 2020-2024 78
DOT School of Design, India
Interior Design, 2024
Arihant K, 2020-2024 79
DOT School of Design, India
Interior Design, 2024
7.1 HOUSEBOATS
The houseboats, being a focal point in the hospitality setting, are
designed to embody the character of Minukku or Pazhuppu, known
for its serene and noble attributes. The Minukku character is
characterized by calmness and grace, which defines the ambiance
of the space. This choice reflects a sense of tranquility and
sophistication, creating a peaceful and inviting atmosphere for guests
aboard the houseboats.
The houseboats are adorned with accents of Minnuku, a vibrant
orangish-yellow color applied to various elements such as the TV unit
back panel and rammed earth paint in the bedroom. Additionally, the
design incorporates inspiration from water lilies and lily pads,
regional plants that are reflected in the furniture and overall design of
the houseboats. This botanical influence adds a unique and regional
touch to the interiors, enhancing the connection with Kerala's natural
beauty and surroundings.
Moodboard
Minukku
Arihant K, 2020-2024 80
DOT School of Design, India
Interior Design, 2024
Initial sketches
Arihant K, 2020-2024 81
DOT School of Design, India
Interior Design, 2024
Arihant K, 2020-2024 82
DOT School of Design, India
Interior Design, 2024
Arihant K, 2020-2024 83
DOT School of Design, India
Interior Design, 2024
Detail drawings
B'
A' A
MEMBRANE
SHUTTER
PAINTED MEMBRANE
SHUTTER
EXTENDED DOOR
HANDLE
WOODEN
BACKSPLASH PANEL
PIGMENTED CONCRETE
COUNTERTOP
PAINTED MEMBRANE
SHUTTER
END PANEL
PANTRY KITCHENETTE-
PLAN
Arihant K, 2020-2024 84
DOT School of Design, India
Interior Design, 2024
T.V UNIT-
ELEVATION
BRASS EDGE
BANDING
T.V UNIT-
SIDE ELEVATION
T.V UNIT-
WATER LILY CNC CUT WOODEN TABLETOP
RATTAN BACKREST
2"(50MM) CUSHION
SUPPORT BEAM
50MM x 20MM
SUPPORT BEAM
50MM x 20MM
2"(50MM) CUSHION
SUPPORT BEAM
50MM x 20MM
2 SEATER SOFA -
2 SEATER SOFA - SIDE ELEVATION
PLAN
SUPPORT BEAM
50MM x 100MM
Arihant K, 2020-2024 85
DOT School of Design, India
Interior Design, 2024
WOVEN BAMBOO
5MM BEADING
5MM BEADING
DRAWER
12" (300MM)
RATTAN BED END KING SIZE MATTRESS
RATTAN TOP
DINING CHAIR-
ELEVATION
MORTISE AND
25MM THK
TENON JOINT
BAMBOO COLUMNS
Arihant K, 2020-2024 86
DOT School of Design, India
Interior Design, 2024
Arihant K, 2020-2024 87
DOT School of Design, India
Interior Design, 2024
8. CONCLUSION
Arihant K, 2020-2024 88
DOT School of Design, India
Interior Design, 2024
Arihant K, 2020-2024 89
DOT School of Design, India
Interior Design, 2024
9. BIBLIOGRAPHY
Arihant K, 2020-2024 90
DOT School of Design, India
Interior Design, 2024
Arihant K, 2020-2024 91
DOT School of Design, India
Interior Design, 2024
Arihant K, 2020-2024 92