金弘基 lyapunov JOMF2024 - House - Programme - full17

Wed 16th - Tue 22nd October 2024

2024年10月16 - 22日
at the Hong Kong City Hall
香港大會堂

Major Sponsors 主要贊助

PATRONS OF THE CHOPIN SOCIETY OF HONG KONG
SIR MICHAEL KADOORIE AND FAMILY
香港蕭邦社贊助人
米高嘉道理爵士及其家人
The Chopin Society of Hong Kong wishes to express its thanks and gratitude to
Parsons Music for their most generous help and support during this Festival
www.chopinsocietyhk.org
The Joy of Music Festival 2024
by The Chopin Society of Hong Kong
Message from
The Honourable Sir Michael Kadoorie
Music has the ability to transcend time, inspiring and connecting all
communities around the world.
My passion for music came from my late mother Lady Muriel Kadoorie, and
we shared a strong belief that music has no boundaries and should be shared
among a wide audience.
For CLP, the promotion of classical music is an integral part of our support
to local arts and culture development. I am very pleased to see the Chopin
Society’s “Joy of Music Festival 2024” bringing once again wonderful performances and masterclasses to music
lovers in Hong Kong.
I would like to thank all participating artists for their exceptional performances. I also want to extend my
sincere appreciation to Anabella Levin-Freris and Andrew Freris for organising and presenting the Festival.
Over the years it has provided an excellent platform for local young musicians to learn from great masters, and
it has encouraged our community to appreciate music even more.
This year’s Festival will certainly be another resounding success for the Chopin Society, and I wish you all
a very pleasant musical journey.
The Honourable Sir Michael Kadoorie

Chairman, CLP Holdings Limited
2024 年 10 月16 日 ( 星期三 )
香港大會堂音樂廳 20:00
喬納斯•斯塔克
2 0 2 2 年第六屆香港國際鋼琴大賽冠軍
及 LOGOS 弦樂四重奏
夏洛特•斯科特 ( 小提琴 ) 艾瑪•帕克 ( 小提琴 )
喬爾•亨特 ( 中提琴 ) 佩爾•多明戈 ( 大提琴 )
節目內容
第一部份中場休息
楊納傑克 (1854 – 1928) 第二部份
• 鋼琴奏鳴曲《奏鳴曲 1.X.1905》〈街頭上〉
德伏扎克 (1841 – 1904)
I - 預感 (Předt ucha) – 有動感地
I I - 死亡 (Smr t) – 慢板 • A 大調《第二號鋼琴五重奏》作品 81
I - 從容的快板
舒伯特 (1797 – 1828) I I - 悲歌 . 帶有動感的行板
I I I - 詼諧曲 . 波西米亞舞蹈
• C 小調《鋼琴奏鳴曲》D. 958
I V - 終曲 . 快板
I - 快板
II - 慢板
夏洛特•斯科特 ( 小提琴 )
I I I - 小步舞曲 : 快板 – 三重奏
艾瑪•帕克 ( 小提琴 )
I V - 快板
喬爾•亨特 ( 中提琴 )
佩爾•多明戈 ( 大提琴 )
喬納斯•斯塔克 ( 鋼琴 ) 喬納斯•斯塔克 ( 鋼琴 )
青少年音樂英才系列
林彥奇 LIN YenKei (piano) DMITRI SHOSTAKOVICH (1906-1975)

ANTONÍN DVOŘ ÁK (1841-1904)
• Lyrical Waltz from Dance of the Doll
• Humoresque Op.101 No.7 in G flat major EDVARD GRIEG (1843-1907)

FRANZ JOSEPH HAYDN (1732-1809)
• Kobold “Puck” Op.71 No.3
• Sonata in B flat Hob XVI: 2, I. Moderato
FRÉDÉRCK CHOPIN (1810-1849)

• Mazurka in B flat Op.7 No.1
4
Wednesday, 16th October
20:00 Hong Kong City Hall Concert Hall
Jonas Stark &

1st Prize, The 6th Hong Kong International Piano Competition 2022
the Logos String Quartet

Charlotte Scott (violin), Emma Parker (violin)
Joel Hunter (viola), Pierre Doumenge (cello)
PROGRAMME
First Part INTERMISSION
LEOŠ JANÁČEK (1854 – 1928) Second Part

• Piano Sonata 1. X. 1905
“From the Street” ANTONÍN DVOŘÁK (1841 – 1904)
I – Foreboding (Předtucha) – Con moto • Piano Quintet No. 2 in A, Op. 81
II – Death (Smrt) – Adagio I – Allegro ma non tanto
II – Dumka. Andante con moto
FRANZ SCHUBERT (1797 – 1828) III – Scherzo. Furiant
• Piano Sonata in C minor, D. 958 IV – Finale. Allegro
I – Allegro
II – Adagio Charlotte Scott (violin)
III – Menuetto: Allegro – Trio Emma Parker (violin)
IV – Allegro Joel Hunter (viola)
Pierre Doumenge (cello)
Jonas Stark (piano) Jonas Stark (piano)
The “Young Talents” Series
林彥奇 LIN YenKei (piano) DMITRI SHOSTAKOVICH (1906-1975)

ANTONÍN DVOŘ ÁK (1841-1904)
• Lyrical Waltz from Dance of the Doll
• Humoresque Op.101 No.7 in G flat major EDVARD GRIEG (1843-1907)

FRANZ JOSEPH HAYDN (1732-1809)
• Kobold “Puck” Op.71 No.3
• Sonata in B flat Hob XVI: 2, I. Moderato
FRÉDÉRCK CHOPIN (1810-1849)

• Mazurka in B flat Op.7 No.1
5
Programme notes
The Joy of Music Festival 2024 their tragic nature is established at the outset. Contrasted by
16th October 2024 a more lyrical second subject, the development depicts some
almighty struggle taking place.
JONAS STARK, Piano
1st Prizewinner, Hong Kong International Piano The slow movement in A flat major is hymn-like, reliving
Competition 2022 a popular Impromptu of the same key. The brief Minuet
displays some urgency, contrasted by a rustic Trio, which
Logos Chamber Group: scarcely prepares one for the Finale’s onslaught. Unusually, its
CHARLOTTE SCOTT & EMMA PARKER, Violins inordinate length exceeds by far those of the preceding three
JOEL HUNTER, Viola movements, written in a restless tarantella rhythm which
PIERRE DOUMENGE, Cello does not let up till the final bar. If there were a nickname to
befit this sonata’s tenor, that would be “Tragic”.
JANACEK Sonata I.X.1905 “From the Street” The Piano Quintet Op.81 by Antonin Dvorak is by far the
1. Predtucha (Foreboding). Con moto better known of his two piano quintets. An earlier quintet
2. Smrt (Death). Adagio (Op.5), also in A major, remains relatively obscure. While the
earlier work has Wagnerian influences, Dvorak is very much
SCHUBERT Sonata in C minor, D.958 his own man in the later work, unafraid of displaying his
1. Allegro Czech nationalism.
2. Adagio
3. Menuetto. Allegro - Trio Over a rocking piano accompaniment, the cello sings a
4. Allegro typically Slavic plaint as the opening movement’s first subject.
Faster music follows, with a contrasting and folksy theme
DVORAK Piano Quintet in A major, Op.81 on the viola, upon which the sonata form is built. The slow
1. Allegro ma non tanto second movement is a dumka, the melancholic Slavic lament,
2. Dumka. Andante con moto with its episodic shifts in mood. After its wistful opening
3. Scherzo. Furiant comes a playful pastoral duet of two violins and a third
4. Finale. Allegro theme, song-like and imbued with a heart-rending nostalgic
quality. The last is worked up to a vigorous climax before
closing on a peaceable note.
The Czech composer Leos Janacek wrote a small body of
piano music, which includes only one Sonata. This is a The final two movements are lively and animated, much in
highly dramatic piece of programme music in two short the spirit of Dvorak’s Slavonic Dances. First is the furiant,
movements, Presentiment and Death. Its title refers to the a fast Bohemian dance (which has nothing to do with fury
day 1 October 1905, when a student demonstration in the or being furious!) with a slower central section based on
streets of Brno resulted in a stabbing death of a humble the same theme. The finale further ups the tempo for a jolly
worker Frantisek Pavlik. The first movement is possessed country dance, even managing to fashion a fugue based on
with a quiet restlessness, an ominous premonition leading the dance theme. As the music winds down, the chirpy dance
to an impassioned climax and then ebbing away. The makes one last flourish to close the work on a cheerful note.
second movement resounds like a requiem, its single main
theme is repeated and built up into a second climax before
Programme notes by Chang Tou Liang
breathing its last, decrying the memory of one, “heart filled
with passion, for the university, and was struck by brutal
murderers.”
The final trilogy of piano sonatas (D.958 to 960) by Franz

Schubert were composed in his last year. Completed in
September 1828, he gave a private performance at a friend’s
home, dying six weeks later from the ravages of syphilis.
These were published posthumously by the publisher Anton
Diabelli in 1839, with a dedication to Robert Schumann,
who had helped publicise Schubert’s music.
All three sonatas were in four movements, conceived on an

epic scale that even surpassed Beethoven’s own final trilogy.
The Sonata in C minor (D.958) is the least performed and
recorded of the three, which is a mystery in itself. The first
movement opens with big emphatic chords, reminiscent of
Beethoven’s famous set of Variations in C minor (WoO 80),
6
Thursday, 17th October
Giuseppe Andaloro
1st Prize, The 3rd Hong Kong International Piano Competition 2011
& the Logos String Quartet

PROGRAMME
First Part
GIACOMO PUCCINI (1858 -1924)
GIACOMO PUCCINI (1858 -1924)
• “ Nessun Dorma “ from the Opera “Turandot”
• “E lucean le Stelle” from the Opera “Tosca”
(G. Andaloro arrangement for solo piano)
(G. Andaloro’s arrangement for solo piano)
Giuseppe Andaloro (piano)
QUEEN
• “Bohemian Rhapsody “ from the album INTERMISSION
“A Night at The Opera” (1975)
(G. Andaloro arrangement for solo piano) Second Part
JOHANNES BRAHMS (1833 – 1897)
FRIEDRICH GULDA (1930 -2000)
• Piano Quintet in F minor, Op. 34
• Prelude and Fugue in E-flat minor (1965?) I – Allegro non troppo
II – Andante, un poco Adagio
NIKOLAI KAPUSTIN (1937-2020) III – Scherzo. Allegro – Trio
• from Eight Concert Etudes, Op. 40 (1984) IV – Finale. Poco sostenuto – v Allegro non troppo
III – Toccatina. Allegro
IV – Remembrance. Larghetto
Charlotte Scott (violin)
V – “Raillery”. Vivace Emma Parker (violin)
Joel Hunter (viola)
KEITH JARRETT (1945) Pierre Doumenge (cello)
• “The Wind” Giuseppe Andaloro (piano)
(as from the “Paris Concert”) (1988)
(G. Andaloro arrangement for solo piano)
KING CRIMSON The “Young Talents” Series
• “Frame by Frame” from the

林庭熙 Lam Ting Hei Brandon (piano)
album “Discipline” (1981)
(G. Andaloro arrangement for solo piano) WOLFGANG AMADEUS MOZART (1756-1791)
• Sonata in F, K.332
EMERSON, LAKE & PALMER - Allegro

- Adagio
• “The Endless Enigma” from the album - Allegro assai
“Trilogy” (1972)
(G. Andaloro arrangement for solo piano) 7
2024 年 10 月17 日 ( 星期四 )
朱塞佩•安達羅洛
2 0 11 年第三屆香港國際鋼琴大賽冠軍
及 LOGOS 弦樂四重奏
夏洛特•斯科特 ( 小提琴 ), 艾瑪•帕克 ( 小提琴 )
喬爾•亨特 ( 中提琴 ), 佩爾•多明戈 ( 大提琴 )
節目內容
第一部份浦契尼 (1858 -1924)

浦契尼 (1858 -1924) • 《公主徹夜未眠》取自歌劇《杜蘭朵》
( 朱塞佩•安達羅洛為鋼琴獨奏編曲 )
• 《今夜星光燦爛》取自歌劇《托斯卡》
朱塞佩•安達羅洛 ( 鋼琴 )
皇后樂隊 (QUEEN) 中場休息
• 《波希米亞狂想曲》收錄於專輯《歌劇之夜》
( 朱塞佩•安達羅洛為鋼琴獨奏編曲 ) 第二部份
布拉姆斯 (1833 – 1897)

古爾達 (1930 -2000)
• F小調《鋼琴五重奏》作品 34
• 降 E 小調《前奏曲與賦格》 (1965?)
I - 不太快的快板
卡普斯汀 (1937-2020) II - 稍慢的行板
III - 詼諧曲 ( 快板 ) – 三重奏
• 《八首音樂會練習曲》作品 40 (1984)
I - 小觸技曲 . 快板 I V - 終樂章 . 稍稍持續的
－不太快的快板
I V - 回憶 . 小廣板
V -“ 戲謔 ”. 活潑的夏洛特•斯科特 ( 小提琴 )
凱斯．傑瑞 (1945) 喬爾•亨特 ( 中提琴 )
• 《風》收錄於專輯《巴黎音樂會》(1988)
( 朱塞佩•安達羅洛為鋼琴獨奏編曲 ) 朱塞佩•安達羅洛 ( 鋼琴 )
樂隊 KING CRIMSON 青少年音樂英才系列

• 《逐幀》收錄於專輯《秩序》(1981)
( 朱塞佩•安達羅洛為鋼琴獨奏編曲 ) 林庭熙 Lam Ting Hei Brandon (piano)
WOLFGANG AMADEUS MOZART (1756-1791)
愛默生、雷克與帕瑪 • Sonata in F, K.332
• 《無止盡的謎》收錄於專輯《三部曲》 (1972) - Allegro
- Adagio
- Allegro assai
8
Programme notes
The Joy of Music Festival 2024 jazz, evident by his Prelude and Fugue in E flat minor from
17th October 2024 the 1960s. A highly syncopated series of arpeggios gives
way to a free-flowing and groovily rhythmic fugue, which
GIUSEPPE ANDALORO, Piano breaks off abruptly to allow the performer a cadenza ad
libitum to complete the piece. This was later popularised in
1st Prizewinner, Hong Kong International Piano Competition 2011
performances by progressive rock supergroup Emerson,
Logos Chamber Group: Lake and Palmer. Keith Emerson, pianist of the band, also
CHARLOTTE SCOTT & EMMA PARKER, Violins improvised a prelude and fugue of his own in The Endless
JOEL HUNTER, Viola Enigma, which Andaloro also performs.
PIERRE DOUMENGE, Cello When jazzy strains of piano music are heard in recitals and
competitions, there is a high chance these were composed
PUCCINI E lucevan le stelle from Tosca by the Ukraine-born Nikolai Kapustin (1937-2020). He
QUEEN Bohemian Rhapsody was classically trained, having been a student of Alexander
GULDA Prelude & Fugue in E flat minor Goldenweiser (who also taught Grigori Ginzburg, Lazar
KAPUSTIN Eight Concert Etudes Berman, Tatiana Nikolayeva and many others) at the Moscow
3. Toccatina Conservatory. There is no improvisation in Kapustin’s
4. Remembrance meticulously notated scores, which include 20 piano sonatas
5. Raillery and innumerable shorter pieces. Among his most popular
are the Eight Concert Etudes Op.40 from 1984. The three
KEITH JARRETT The Wind studies played by Andaloro are a varied lot, demonstrating a
KING CRIMSON Frame by Frame lightness of touch and prestidigitation in the Toccatina (No.3),
EMERSON, LAKE & PALMER The Endless Enigma contrasted by harp-like legato lines alternating between right
PUCCINI Nessun dorma from Turandot and left hands in Remembrance (No.4). Raillery or Shuitka
(No.5) refers to playful banter or teasing, delighting in
BRAHMS Piano Quintet in F minor, Op.34 boogie-woogie and stride ostinatos on the left hand.
1. Allegro non troppo
2. Andante, un poco Adagio Another artist totally comfortable in jazz and classical spheres
is the American pianist-composer Keith Jarrett (born
3. Scherzo. Allegro - Trio
1945), whose solo concerts of improvisations have become
4. Finale. Poco sostenuto – Allegro non troppo so legendary and definitive as to be identified by the city and
year of having taken place. His improvisation on The Wind
The first half of Giuseppe Andaloro’s concert comprises (1953) by American jazzman Russ Freeman (1926-2002)
wholly of original piano solos and transcriptions and with is justly celebrated for its simplicity and eloquence, a neo-
opera, jazz and popular music as inspiration. Chopinesque take on the interval of an ascending fifth. King
Giacomo Puccini must be the most popular opera Crimson is another British progressive rock band, formed
composer in history. La Boheme, Madama Butterfly, Tosca, in 1968 and had numerous revivals up to the present decade.
Turandot… the titles just roll off the tongue, just as his Frame By Frame is a popular number from the early 1980s,
memorable arias get lodged in the consciousness, never to be written by Andrew Belew, Bill Bruford, Robert Fripp and
displaced. Andaloro has chosen two of the most momentous Tony Levin, and is the title of The Essential King Crimson 4
tenor arias for transcription. E lucevan le stelle (And the stars disc box-set released in 1991.
shone) takes place in the final act of Tosca, as the hero Mario Johannes Brahms was notoriously finicky about his
Cavaradossi faces imminent execution by firing squad. Little chamber music, and was known to have discarded much of
does he know that the execution has not been faked. his early chamber works. What survived the cull has however
Nessun dorma (None shall sleep), Calaf ’s aria from Turandot, withstood the test of posterity, with his sole piano quintet as
got its biggest boost at the 1990 World Cup in Rome with the a shining example of what happens when good music gets
unforgettable performance by Luciano Pavarotti at The Three “recycled”. The work began life as a string quintet (with two
Tenors’ gig. In Act 3, after he correctly answered the three cellos), then refashioned as a sonata for two pianos (catalogued
fatal questions posed by the ice-cold Princess Turandot, Calaf as Op.34b, a favourite of piano duos), and finally in 1864 as a
returned a poser of his own. “What is my name?”, for which piano quintet, one of the greatest of its kind.
Turandot is stumped, and he claims victory. Brahms had yet to pen his first symphony, but one finds early
One of the most iconic rock songs ever written was Bohemian aspirations to that cause in the quintet’s form, structure and
Rhapsody by the progressive rock band Queen, released in sound. The works opens quietly with a plain statement of the
1975 on the album A Night at the Opera. Its composer was pensive but unusually absorbing main theme played by piano,
Freddie Mercury, the stage name of Farrokh Bulsara violin and cello in unison. This is merely the prelude to the
(1946-1991), born of Parsi parents in the Indian Ocean island storms and stresses to come, a stark contrast with the serenity
of Zanzibar (now in Tanzania). The six-minute long work has of the slow movement which reaches rare heights of nobility.
been described as a mock opera, incorporating elements from The scherzo begins quietly but rapidly works itself into a
three songs but without conforming to any common pop song state of agitation and frenzy, incorporating a motif from
genre. Its thematic ideas and melodic sequences have been the first movement as its main rhythmic thrust. A majestic
assimilated by Andaloro and fashioned into a tone poem for sounding Trio provides some respite before a return to the
piano. earlier upheaval. The finale begins on a sombre note (shades
The Austrian pianist Friedrich Gulda (1930-2000) of the yet unwritten First Symphony) before lightening up
comfortably straddled the worlds of classical music and jazz and gaining in tempo. This culminates in music of raw power
improvisation, and was renowned for his eccentricity. In and energy for a passionate close, fully vindicating the young
1999, he had announced his own death before turning up Brahms’ reputation as Beethoven’s musical heir.
at a concert claiming a resurrection. He died a year later,
this time for real. As a composer, his preferred idiom was Programme notes by Chang Tou Liang
9
2024 年 10 月 18 日 ( 星期五 )
阿爾瓦羅
皮耶里
結他
節目內容
第二部份
聖德拉馬薩 (1903-1982)
• 《小銀》 (出自《小銀和我》組曲) 魯伊斯 - 皮波 (1934-1997)
• 《黎明的鐘聲》 • 《第一歌曲與舞蹈》
阿爾蒂爾．埃斯科巴．“ 金加 ”(1950 *)
索爾 (1778-1839)
• 《充滿活力的手指》
• 《奏鳴曲》作品22 • 《淑女》
I - 快板 • 《 B a ião (巴西音樂) 拉岡》
II - 慢板
I I I - 小步舞曲希納斯特拉 (1916-1983)
I V - 迴旋曲 • 遺忘之樹
• 結他奏鳴曲》作品47
巴里奧斯．曼哥雷 (1885-1944) I - 首次登場
II - 詼諧曲
• C小調前奏曲
III - 歌唱
• 扇子之國
I V - 終曲
• 懺悔
• 鄉愁的就羅曲 In the last part of Alvaro’s recital, Giuseppe Andaloro will
make a guest appearance to accompany Pierri at the piano in
• 華爾茲舞曲作品 8/3
performing:
JOAQUIN RODRIGO (1901-1999)

Concierto de Aranjuez - 2nd movement: Adagio
following which they will play a series of improvisations …
朱一瑋 ZHU Yiwei (結他)

HEITOR VILLA-LOBOS (1887-1959)
• Etude No.10
KONSTANTIN VASSILIEV (1970-)
• Snowdrop/Dance of the Forest Ghosts
MARIO CASTELNUOVO-TEDESCO (1895-1968)
• III. Tempo di menuetto from Guitar Sonata in D major, Op.77 “Omaggio a Boccherini”
10
Friday, 18th October
Alvaro
Pierri
guitar
PROGRAMME
First Part
INTERMISSION
EDUARDO SAINZ DE LA MAZA (1903-1982) Second Part
• A Platero (from the Suite Platero y Yo)
ANTONIO RUIZ-PIPÓ (1934-1997)
• Campanas del Alba
• Canción & Danza N°1
FERNANDO SOR (1778-1839) CARLOS ALTIER ESCOBAR

• Sonata Op.22 “GUINGA” (1950 *)
I – Allegro • Cheio de dedos
II – Adagio • Senhorinha
III – Minuetto • Baião de Lacan
IV – Rondo ALBERTO GINASTERA (1916-1983)
AGUSTIN BARRIOS MANGORÉ (1885-1944) • El árbol del Olvido
• Sonata for guitar, Op.47
• Preludio en Do menor I – esordio
• País de Abanicos II – scherzo
III – canto
• Confesión
IV – final
• Chôro da saudade
In the last part of Alvaro’s recital, Giuseppe Andaloro will
• Vals opus 8/3 make a guest appearance to accompany Pierri at the piano in
performing:
JOAQUIN RODRIGO (1901-1999)

Concierto de Aranjuez - 2nd movement: Adagio
following which they will play a series of improvisations …
朱一瑋 ZHU Yiwei (結他)

HEITOR VILLA-LOBOS (1887-1959)
• Etude No.10
KONSTANTIN VASSILIEV (1970-)
• Snowdrop/Dance of the Forest Ghosts
MARIO CASTELNUOVO-TEDESCO (1895-1968)
• III. Tempo di menuetto from Guitar Sonata in D major, Op.77 “Omaggio a Boccherini”
11
Saturday, 19th October
Hong Kong City Hall Concert Hall 19:30
Third Part
This part to be played live in HK and streamed to be seen
Defying distances… Breaking barriers… and listened to by live audiences both in Prague and in
Pushing the boundaries… Creating links... Vienna.
A programme of a performance by The Logos Chamber
Live and streamed performances between Group followed by the guest appearance of a sextet of
Hong Kong Prague Vienna bowed Chinese string instruments from the Hong Kong
Chinese Orchestra.

19:30 pm Hong Kong time | 13:30 pm Prague time | 13:30 pm Vienna time
Emma Parker (violin)
First part:
Joel Hunter (viola)
(THIS PART WILL BE CONDUCTED IN ENGLISH)
During the first part of this programme, there will be a Pierre Doumenge (cello)
conversation between:
Johannes Meissl, Univ.-Prof. Dr. h.c.,
Vice rector for International Affairs and Art,
mdw - University of Music and Performing Arts Vienna
AND
Dr. Andrew Freris,
Chairman, The Chopin Society of Hong Kong
The topic of the conversation will cover, among others,
classical music education in the post-Covid world, JOSEPH HAYDN (1732 – 1809)
the role of life streaming and the importance in music
education of the variety of other music genres such as • String Quartet Op.1, No.1, in B flat major
pop, jazz, folk, etc. I – Presto
II – Minuet
Second part: III – Adagio
Three musicians in Prague and three musicians in VI – Minuet
Vienna, will be performing movements from Haydn, V – Finale - Presto
Brahms and Martinu Sonatas for string sextet, followed
by a clarinet duet, with one clarinet player in Vienna and
the other clarinet player in Prague. The guest appearance of a
The performance will be streamed to Hong Kong.
STRING SEXTET:
Hong Kong Chinese
- Two violins Anna Perl (Vienna) Orchestra Huqin Sextet
Pavla Tesařová (Prague) * (Huqin (Huqin (Chinese: 胡琴 ; pinyin: húqin)
Milan Al-Ashhab (Prague) ** is a family of bowed string instruments)
- Two violas Yan Lok Hoi (Vienna)
Matouš Hasoň (Prague) * Members of the Huqin Sextet:
Petr Holman (Prague) ** Wong Sum Ho (Eco-Gaohu)
- Two cellos Constantin Sieperman (Vienna) Xu Hui (Eco-Erhu)
Alessandro Matricci (Prague) *
Petr Nouzovský (Prague) ** Han Jingna (Eco-Erhu)
CLARINETISTS: Felicia Bulenda (Vienna)
Mao Qinghua (Eco-Zhonghu)
Jana Krejčí (Prague) Tung Hiu Lo (Eco-Gehu)
Qi Hongwei (Eco-Bass Gehu)
PROGRAMME
JOSEPH HAYDN (1732 – 1809)

• “The Echo” for String Sextet (excerpts) * Eco-huqin series from left:
Gaohu, Zhonghu, Erhu, Bass Gehu, Gehu
JOHANNES BRAHMS (1833 – 1897)
• String Sextet Op.18, No.1, in B flat major *
1st Movement: Allegro ma non troppo JUNYI CHOW
BOHUSLAV MARTINÜ (1890 – 1959) • The Rainbow Pinwheel
• String Sextet **
1st Movement: Lento – Allegro poco moderato HUA YANJUN Arr. by LEE HUANZHI
ZDENĚK ŠESTÁK (1925-) • Reflection of the Moon on the Water (Excerpts)
• Duet for two clarinets
12
The Chopin Society of Hong Kong is proud to include an CESNET has been developing ultra-low latency transmission
extraordinary event in the programme of our Joy of Music Festival technologies since 2010. The aim was to bring new opportunities
2024, continuing to participate in the “Low Latency Project”, which for collaboration, education, performance and promotion of music.
has allowed us to keep saying “PRESENT” when “calling the roll” Musicians and other performers in different cities and countries
during the difficult and challenging times the world has been going can conveniently play and collaborate together as if they were
through in the recent past. Now that the WORST is over, we are standing in one place on one stage, without affecting the musicality
delighted to have seen the BEST which can be extracted from having of their performances. The video transmission quality allows for
participated in presentations across the world, thanks to the links live television production in high definition. The result of the
created with Institutions second to none which have honoured us development is the MVTP (Modular Video Transmission Device)
by accepting our organization in Hong Kong to be part of the LINK technology, which enables video transmissions up to 8K resolution
which will be putting Hong Kong once again on line with Vienna with an added latency of less than 3 ms.
and this time also with Prague during our Joy of Music Festival. It should be noted that we did not want to replace live performances
On Saturday 19th of October, an audience in Vienna (at mdw - with streaming. We wanted to bring new possibilities for remote
University of Music and Performing Arts Vienna), an audience in collaboration. The technology we have created brings entirely new
Prague (at the Music Faculty of the Academy of Performing Arts possibilities, such as playing multiple organs together, distance
in Prague), and an audience in Hong Kong (at the Hong City Hall learning, distance auditions between music academies, using
Concert Hall) will be attending a recital that will be taking place in historical instruments to play together with other musicians, and
these three places. Since Hong Kong has six hours difference with other innovative activities.
Vienna and Prague, when we start our musical evening presentation The technology has been awarded the Europa Nostra / Creative
in Hong Kong, which will be on that evening at 7:30pm HK time, Europe award in 2020 for contribution to collaboration in classical
the audiences in Vienna and Prague will be gathering at the venue in music in a European scale. It has been also awarded the Czech Head
each city, at 1:30pm. Award in the industry category in 2022 for the most innovation
product developed in Czech Republic.”
First part: (THIS PART WILL BE CONDUCTED IN ENGLISH)
During the first part of this programme, there will be a conversation Needless to say, this evening of music delivered in such innovative
between: ways, would not have been able to be conceived and planned to be
Johannes Meissl, Univ.-Prof. Dr. h.c., Vice rector for International executed, had it not been for the collaboration and sponsorship of:
Affairs and Art, mdw - University of Music and Performing Arts * CESNET, developers of this technology who will be partially
Vienna sponsoring this evening and which will be sending one of
AND their engineers from Prague to Hong Kong: Mr. Jiri Melnikov.
Jiri will be bringing along the named MVTP technology
Dr. Andrew Freris, Chairman, The Chopin Society of Hong Kong (Modular Video Transmission Platform) which will make this
The topic of the conversation will cover, among others, classical transmission possible.
music education in the post-Covid world, the role of life streaming
and the importance in music education of the variety of other music * Sound engineer Volker Werner, who will be flying from Vienna
genres such as pop, jazz, folk, etc. to be working with us to prepare for and lead the execution of
the show on this evening. Volker specializes in sound design
Second part: Three musicians in Prague and three in Vienna, will be for concerts and shows , audio and video production, as well as
performing movements from Haydn, Brahms and Martinu Sonatas film music.
for string sextet, followed by a clarinet duo. The performance will be * mdw, University of Music and Performing Arts, Vienna, which
streamed live to HK where the audience will be able to listen and see has accepted us to be part of this Low Latency project and who
it in the big screen at the Concert Hall !!! are making available the venue in Vienna which will be one of
the locations where this performance will take place. And, they
Third part: This part to be played live in HK and streamed to be will be providing half of the musicians whose performance,
seen and listened to by live audiences both in Prague and in Vienna. together with the musicians at the Academy of Performing Arts
A programme of a performance by The Logos Chamber Group on Prague, we will be enjoying in HK this evening.
followed by the guest appearance of a sextet of bowed Chinese string
instruments from the Hong Kong Chinese Orchestra. * The Music Faculty of the Academy of Performing Arts in
These unique, synchronized, simultaneous live-performances linking Prague, partially sponsoring our event by providing the
three remote locations, Prague, Vienna and HK will combine art & venue which will be the other location in Europe where this
technology into a ground-breaking, unmissable experience, using performance will take place. And, they will providing half of
the unique CESNET’s MVTP technology for low latency network the musicians whose performance, together with the musicians
transmissions. at the University in Vienna we will be enjoying in Hong Kong at
The device, named MVTP technology (Modular Video Transmission the HK City Hall Concert Hall.
Platform) enables direct remote collaboration in critically sensitive * HGC, in Hong Kong, will be providing us with the
areas in terms of communication latency, such as live culture. indispensable connectivity to make this event possible. They
have been unconditional supporters, for several months,
This is the message Dr. Sven Ubik, head of CESNET Networking allowing testing the connectivity between Prague in Hong
Application Technologies Department and whose team created the Kong thanks to a “reflector” which they have installed in their
prized solution, has sent us: premises and have been in contact with Dr. Sven Ubik in
“The interaction of musicians between music academies in Vienna Prague, in preparation for this event.
and Prague is made possible by the ultra-low-latency MVTP
audiovisual transmission technology developed by CESNET. The
total delay between musicians is approximately 6 milliseconds, We will be updating the information on everything having to do
including all processing in the transmitter, receiver and the network with this evening …
propagation delay. including the complete programme to be presented.
This corresponds to approximately two meters of acoustic Meanwhile, we hope you, members of the public in Hong Kong, will
propagation. The musicians can play as if they were together on the accompany us on this day, to help us put one more star on Hong
same stage. Kong’s potential to play an important role in the development of the
About MVTP low-latency technology for collaboration in arts and technology in the region as well as in establishing links with
performing arts: the rest of the world.
13
2024 年 10 月 19 日 ( 星期六 )
香港大會堂音樂廳 19:30 第三部分：
將會有一場由 L o g o s 室樂團演出的室樂表演，隨後香
港中樂團也將登場，作拉弦樂器六重奏客席演出。這
挑戰距離… 打破障礙… 一部分的演出將在香港現場進行，同時串流直播至布
突破界限… 創造連結拉格和維也納。
現場和串流媒體表演，橫跨室樂團演出
LOGOS 弦樂四重奏
香港布拉格維也納
1 9:30 香港時間 | 13 : 3 0 布拉格時間 | 1 3 : 3 0 維也納時間
第一部分 :
在音樂會的首 2 5 分鐘，來自香港、維也納和布拉格這
三個參與城市的代表將進行對話。
第二部分 :
海頓 (1732 – 1809)
三名音樂家在布拉格，另外三名在維也納，他們將共
同演奏海頓、布拉姆斯和馬天奈的弦樂六重奏奏鳴 • 降 B大調《弦樂四重奏》作品1之1
曲，接下來還會有單簧管二重奏。演出將在香港進行 I – 急板
直播。 II – 小步舞曲
III – 慢板
弦樂六重奏 : VI – 小步舞曲
- 兩支小提琴 Anna Perl ( 維也納 ) V – 終曲 - 急板
Pavla Tesařová ( 布拉格 ) *
Milan Al-Ashhab ( 布拉格 ) ** 客席演出
- 兩支小提琴 Yan Lok Hoi ( 維也納 ) 香港中樂團胡琴弦樂六重奏
Matouš Hasoň ( 布拉格 ) *
兩支小提琴 , 兩支中提琴 , 兩支大提琴
Petr Holman ( 布拉格 ) **
- 兩支小提琴 Constantin Sieperman ( 維也納 )
Alessandro Matricci ( 布拉格 ) * 胡琴六重奏成員 :
Petr Nouzovský ( 布拉格 ) ** 環保高胡：黃心浩
單簧管演奏家 : Felicia Bulenda ( 維也納 ) 環保二胡：徐慧
Jana Krejčí ( 布拉格 ) 環保二胡：韓婧娜
環保中胡：毛清華
節目內容
環保革胡：董曉露
海頓 (1732 – 1809) 環保低音革胡：齊洪瑋
• “The Echo” for String Sextet (excerpts) *
布拉姆斯 (1833 – 1897) 香港中樂團胡琴重奏小組

• String Sextet Op.18, No.1, in B flat major * - 胡琴是弦樂器家族
1st Movement: Allegro ma non troppo 環保胡琴系列左起 :
高胡、中胡、二胡、低音革胡、革胡
馬天奈 (1890 – 1959)
• String Sextet ** 趙俊毅
1st Movement: Lento – Allegro poco moderato
• 七彩風車
斯塔克 (1925-)
華彥鈞李煥之編曲
• Duet for two clarinets • 二泉映月 (選段)
14
香港蕭邦社將於 2 0 2 4 年美樂聚音樂節的節目中，增添一輸技術，目的是為音樂合作、教育、表演和推廣創造新機會。
項非凡活動，繼續帶來「低延遲」演出，「低延遲」技術讓來自不同城市和國家的音樂家和其他表演者可以輕鬆地一
我們在傳輸影像時，減少延遲時間，讓我們於全球面臨困起演奏，彷彿站在同一個舞台上，而且不會影響表演的音
難和疫情挑戰時，線上「點名」時仍能隔空實時「報到」。樂性，視頻傳輸質量亦支援電視現場演出節目的高畫質製
隨著最艱難的時期已經過去，我們很高興，看到透過轉播作。M V T P（模組化視頻傳輸設備）技術的推出，讓視頻傳
來自世界各地演出所獲得的最佳成果，這得益於我們和無輸達到 8 K 解析度，延遲不超過 3 毫秒。
與倫比的機構建立連結，他們接納我們這個香港的組織，值得強調的是，我們並不希望用串流取代現場表演，而是
讓我們成為連結的一部分。這次，我們將再次把香港與維希望開創新的遠程合作可能性。我們的技術為音樂創造了
也納和布拉格連接起來，於美樂聚音樂節期間共同演出。全新機會，例如同時演奏多個風琴、遠程學習、音樂學院之
在 10 月 19 日（星期六），維也納（m d w - 維也納音樂與間的遠程試音、使用時代樂器與其他音樂家一起演奏以及
表演藝術大學）、布拉格（布拉格表演藝術學院音樂系）和其他創新活動。
香港（香港大會堂音樂廳）的觀眾，將共同參加這場跨越三這項技術於 2020 年榮獲 Eu ropa Nost ra / Creat ive
個地區的音樂會。由於香港與維也納和布拉格有六小時的 Europe 獎，以表彰在歐洲古典音樂合作方面的貢獻。2 0 2 2
時差，當我們在香港的音樂之夜於晚上七時半開始時，維年亦於 Czech Head 的工業類別，獲頒捷克最創新產品開
也納和布拉格的觀眾將於下午一時半，在各自的場地聚首。發獎項。」
第一部分 : 在音樂會的首 2 5 分鐘，來自香港、維也納和布當然，要以這種創新方式呈現音樂節，需要歸功於以下機

拉格這三個參與城市的代表將進行對話。構的合作和贊助：
第二部分 : 三名音樂家在布拉格，另外三名在維也納，他們 * CESNET：這項技術的開發者將會部分贊助此次活動，

將共同演奏海頓、布拉姆斯和馬天奈的弦樂六重奏奏鳴曲，並派遣工程師伊里•梅爾尼科夫先生從布拉格來到香
接下來還會有單簧管二重奏。演出將在香港進行直播。港。伊里•梅爾尼科夫先生將會為我們帶來 M V T P 技
術（模塊化視頻傳輸平台）設備，以作傳輸。
第三部分：將會有一場由 L o g o s 室樂團演出的室樂表演，
* 音響工程師沃爾克•維爾納：他將從維也納飛來與我們
隨後香港中樂團也將登場，作拉弦樂器六重奏客席演出。
合作，並領導當晚的演出執行工作。沃爾克•維爾納專
這一部分的演出將在香港現場進行，同時串流直播至布拉
注於音樂會和表演的音效設計、音頻、視頻製作以及
格和維也納。
電影音樂。
這場獨特和同步的實時表演，將布拉格、維也納和香港三 * mdw，維也納音樂與表演藝術大學：他們除了參加今次

個遙遠地點連接在一起，將藝術與技術結合，創造出一個的低延遲演出，亦會提供維也納的場地，作為今次的演
既獨特、又不可錯過的體驗：出地點之一。他們將為我們帶來今次表演中的一半音
我們將利用 C E S N E T 的 M V T P 技術，實時連接全球音樂家，與布拉格表演藝術學院的音樂家共同演出，讓我
樂家，以可編程硬件實現低延遲的網絡傳輸。C E S N E T 的們得以在香港享受這場美好的表演。
M V T P 技術於 2 0 2 0 年獲得 E u r o p a N o s t r a 獎項，並於
* 布拉格表演藝術學院音樂系：他們將部分贊助今次的
2 0 2 2 年獲得了 Czech Head 獎項。
活動，並提供歐洲的另一個地點場地。他們將為我們帶
來表演中的一半音樂家，與維也納的音樂家共同演出，
這種 M V T P 技術（模組化視頻傳輸設備）的設備，能夠幫
讓我們得以在香港大會堂音樂廳欣賞這場音樂會。
助較受通訊延遲影響的領域（如現場藝術表演），實現遠
* 香港 H G C：他們將為我們提供不可或缺的連接系統，
程協作。
讓此次活動得以順利舉行。過去數個月，他們無條件支
和團隊一起研發這項解決方案的 C E S N E T 網絡應用技術
持我們，透過在他們的場地安裝反射器，測試布拉格與
部門負責人斯文•烏比克博士（Dr. Sven U bik）表示：
香港之間的連接。他們亦一直與布拉格的斯文•烏比克
「C E S N E T 開發的超低延遲 M V T P 視聽傳輸技術，讓身
博士保持聯繫，為今次活動做準備。
處維也納和布拉格音樂學院的音樂家可以一同互動。計上
發射器、接收器及網絡傳輸中的所有處理過程，音樂家之
我們將會繼續更新有關今次活動的所有資訊，包括完整的
間的總延遲約 6 毫秒，大約相當於兩米的聲音傳播距離，
節目表。與此同時，我們希望香港的朋友，能夠在這天與我
音樂家演奏時能夠如同站在同一舞台上。
們一起同行，共同推動及見證香港的藝術和技術發展，與
世界各地建立更緊密的聯繫。
關於 M V T P 低延遲技術在表演藝術中的應用：
自 2 0 10 年以來，C E S N E T 一直致力於開發超低延遲的傳
15
Programme notes
The Joy of Music Festival 2024 days. Brahms’ First Sextet (Op.18) was composed in 1860
19th October 2024 and premiered by an ensemble led by the great violinist
Joseph Joachim. The richness and warmth conferred by the
Live and streamed performances from Hong Kong, additional instruments (a viola and cello) to a traditional
Vienna and Prague
string quartet is evident from the opening page. The feeling
of nobility in the first movement’s opening theme, despite
HAYDN The Echo for string sextet (Excerpts)
Brahms’ relative youth, would be a continuing thread from
BRAHMS String Sextet No.1 in B flat major, Op.18 his First Piano Trio (Op.8) all the way to his First Symphony
1. Allegro ma non troppo (Op.68).
Czech composer Bohuslav Martinu’s String Sextet was

MARTINU String Sextet
composed in 1932, and was awarded the Elizabeth Sprague-
1. Lento – Allegro poco moderato
Coolidge prize of a thousand American dollars, fending
SESTAK Duet for two clarinets off competition from 144 other entries. He did not initially
receive the money, thinking it was a joke played on him by
HAYDN String Quartet in B flat major, Op.1 No.1 his friends, but later used the money to buy himself a piano.
1. Presto He composed the three-movement work within the space of
2. Minuet a week. The first movement opens slowly (Lento) in C minor,
3. Adagio highly chromatic in harmony, but soon gives way to a faster
4. Minuet (Allegro poco moderato), kinetic and syncopated style more
5. Finale. Presto typical of his music, before closing more optimistically in C
major.
Joseph Haydn is widely credited as the “father of the string
quartet” but he wrote much more music than that, essentially
being a pioneer of the classical form, chamber music and Programme notes by Chang Tou Liang
symphony as we know it. He was a salaried musician in
service of the court of Esterhazy, where much of his creativity
was honed. He famously proclaimed, “I was cut off from the
world. There was no one to confuse or torment me, and I was
forced to become original”.
His Divertimento in E flat major (Hob.II:39) was unusually

scored for two pairs of two violins and cello, placed in
separate chambers. This string sextet carries the nickname
Echo (Das Echo) simply because the offstage trio repeats
what is played by the trio on stage. This effect must have been
amusing to its earliest audiences as its recurs in all of its five
movements which comprise Presto and Minuet movements
sandwiching a central Adagio. Today’s performance is a bit
special as the two trios are separated by some 250 kilometers,
playing in Vienna and Prague, but connected by modern
technology. The innovative spirit in Haydn would have been
delighted.
Haydn’s first string quartets (catalogued by the publisher

Pleyel as Op.1) came before the traditional four-movement
form he pioneered became firmly established. The first three
quartets, dating from 1757-59, were divertimentos with five
movements each, carrying the title of Divertimento-Quartets.
The very first movement of Haydn’s very first quartet, is a
Presto based on the ascending notes of the B flat major triad,
its jaunty quality lending it the nickname of “The Hunt”.
The string sextet, formed by pairs of violins, violas and

cellos, was a creation of Luigi Boccherini but it is the two
sextets by Johannes Brahms which are most performed these
16
Sunday, 20th October
Ilya Rashkovskiy
1st Prize, The 1st Hong Kong International Piano Competition 2005
&
PROGRAMME
FRÉDÉRIC CHOPIN (1810-1849) Second Part

• 24 Preludes, Op. 28
GABRIEL FAURÉ (1845-1924)
1. C major 13. F sharp major
2. A minor 14. E flat minor • Élégie for cello and piano, Op. 24
3. G major 15. D flat major
4. E minor 16. B flat minor • Piano Quintet No.1, in D minor, Op. 89
5. D major 17. A flat major I – Molto moderato
6. B minor 18. F minor II – Adagio
7. A major 19. E flat major III – Finale, Allegretto moderato
8. F sharp minor 20. C minor
9. E major 21. B flat major
10. C sharp minor 22. G minor Charlotte Scott (violin)
11. B major 23. F major Emma Parker (violin)
12. G sharp minor 24. D minor Joel Hunter (viola)
Pierre Doumenge (cello)
Ilya Rashkovskiy (piano) Ilya Rashkovskiy (piano)
程函霏 CHENG Hanfei (結他)

JOHANN SEBASTIAN BACH (1685-1750)
• BWV 1005 Violin Sonata No 3 in C
- Allegro assai
AGUSTIN BARRIOS MANGORE (1885-1994)
• La Catedral
I – Preludio Saudade
II – Andante Religioso
III – Allegro Solemne
17
2024 年 10 月 20 日 ( 星期日 )
蘭殊•高夫斯基 ( 鋼琴 )
2 0 0 5 年第一屆香港國際鋼琴大賽冠軍
及
LOGOS 弦樂四重奏
夏洛特•斯科特 ( 小提琴 ), 艾瑪•帕克 ( 小提琴 )
喬爾•亨特 ( 中提琴 ), 佩爾•多明戈 ( 大提琴 )
節目內容
蕭邦 (1810-1849) 第二部份
• 《24首前奏曲》作品28 佛瑞 (1845-1924)
1. C 大調 13. 升 F 大調 • 《大提琴及鋼琴輓歌》作品24
2. A 小調 14 . 降 E 小調
3. G 大調 1 5. 降 D 大調 • D小調《第一鋼琴五重奏》作品89
4. E 小調 16 . 降 B 小調
5. D 大調 17. 降 A 大調 I - 非常中板
6. B 小調 18 . F 小調 II - 慢板
7. A 大調 19. 降 E 大調 III - 終曲 , 稍快中板
8. 升 F 小調 20. C 小調
9. E 大調 21. 降 B 大調夏洛特•斯科特 ( 小提琴 )
10 . 升 C 小調 22. G 小調
11 . B 大調 23. F 大調
12. 升 G 小調 24. D 小調喬爾•亨特 ( 中提琴 )
蘭殊•高夫斯基 ( 鋼琴 ) 蘭殊•高夫斯基 ( 鋼琴 )

JOHANN SEBASTIAN BACH (1685-1750)
• BWV 1005 Violin Sonata No 3 in C
- Allegro assai
AGUSTIN BARRIOS MANGORE (1885-1994)
• La Catedral
I – Preludio Saudade
II – Andante Religioso
III – Allegro Solemne
18
Programme notes
The Joy of Music Festival 2024 The familiar A major (No.7) is the shortest Mazurka Chopin
20 October 2024 ever wrote, while the big tragic chords of the C minor (No.20)
recall a funeral march. Perhaps the most astonishing sequence
ILYA RASHKOVSKIY, Piano of preludes takes place between No.13 (F sharp major) and
1st Prizewinner, Hong Kong International Piano Competition No.17 (A flat major), which encompasses pure lyricism, angst
2005 and agitation (No.14 in E flat minor), contemplation (No.15
in D flat major, the “Raindrop” and jewel in the crown), brief
JONAS STARK, Piano relentless violence (the etude-like No.16 in B flat minor)
1st Prizewinner, Hong Kong International Piano Competition and contentment, a veritable roller-coaster ride of emotions.
2022 Leaving the most dramatic for the last, No.24 (D minor) is
another etude-like number which closes with three fateful low
Logos Chamber Group: Ds, resounding like metaphorical nails in a coffin.
CHARLOTTE SCOTT & EMMA PARKER, Violins
JOEL HUNTER, Viola French composer Gabriel Fauré wrote ten major chamber
PIERRE DOUMENGE, Cello works and shorter instrumental pieces, all of exquisite quality.
He helped define the French Belle Epoque aesthete, which
CHOPIN 24 Preludes, Op.28 prized beauty and lyricism over the more Germanic values
of contrapuntal rigour. Fauré’s Élégie in C minor is his most
FAURE Élégie in C minor for Cello & Piano, Op.24 popular and memorable cello work, composed in 1880
originally as a slow movement of a projected cello sonata.
FAURE Piano Quintet No.1 in D minor, Op.89 That sonata never came to fruition, and the elegiac piece was
1. Molto moderato published as a standalone work three years later. Described as
2. Adagio “one of last manifestations of French musical Romanticism”, it
3. Finale. Allegretto moderato is one of pathos and restraint, contrasted with a tempestuous
and passionate central section, before closing with subdued
Russian pianist Ilya Rashkovskiy opens this concert with tones and reverential calm.
Frédéric Chopin’s wonderful set of 24 Preludes, which
By the time Fauré’s First Piano Quintet in D minor was
like the precedent set by Johann Sebastian Bach in two books
completed in 1906, the composer had adopted a more austere
of The Well-Tempered Clavier, covers all twenty-four major
and seemingly elusive idiom in his compositions. After a
and minor keys. These were composed between 1835 and
prolonged gestation of almost twenty years, it was premiered
1839, including a well-documented sojourn in Mallorca where
by the composer at the piano with the dedicatee Belgian
Chopin had escaped the winter with his mistress George Sand
violinist Eugene Ysaÿe’s string quartet. The work is in three
and her children.
movements, with the customary Scherzo omitted.
These short pieces were unusual in their own right, self-
The first movement opens with a melancholic unison string
contained entities which do not precede larger forms like
melody heard over harp-like arpeggios on the piano. This
fugues, suites or operas. Beginning with C major, these
is contrasted with a recurrent string motif and a more
alternate between major and minor modes in a circle of fifths,
rustic melody played by the second violin and later the
before closing in D minor. The shortest in duration plays for
cello. All three interact in this sonata-form, which rises to
under half a minute (No.7 in A major) while the shortest in
an impassioned climax before calmly receding. The slow
composition comprises just 12 bars (No.9 in E major). No
movement in G major establishes a gentle cantabile on the
number is longer than 90 bars (No.18 in A flat major), while
first violin which gradually builds up in intensity, but the
the longest can take about six minutes (No.15 in D flat major),
overall mood never goes beyond that of uneasy repose. A
the famous “Raindrop” Prelude.
spirit of levity possesses the Finale, where the piano begins
Chopin never performed more than four preludes as a group a canon-like procession in D major. The strings open with
in his salon recitals, but it is now customary to hear all 24 in a pizzicatos and enter the fray in a myriad of ways as if in a
single sitting at piano recitals and competitions today. In this series of variations. The restlessness gradually builds up in
journey through all keys, Chopin traverses a kaleidoscopic intensity before closing on an optimistic high.
range of styles, moods and nuances. The opening prelude
is a chorale built on the C major triad, the second (A Programme notes by Chang Tou Liang
minor) a dirge-like procession unusual for its dissonance,
the cheery third (G major) delights in a swift-flowing left
hand figurations, while the fourth (E minor) is a simple yet
celebrated representation of grief based on a falling interval of
just two notes. The great conductor-pianist Hans von Bülow,
who provided titles to each number, so eloquently called it
“Suffocation”.
19
2024 年 10 月 21 日 ( 星期一 )
金弘基
2 0 19 年第五屆香港國際鋼琴大賽冠軍
節目內容
李斯特 (1811 - 1886) 第二部份
• 《三首音樂會練習曲》 S.144
〈悲傷〉利亞普諾夫 (1859 - 1924)
〈輕快〉 • 《十二首超技練習曲》作品 11 ( 最後六首 )
〈嘆息〉 V I I - A 大調〈田園樂曲〉
V I I I - 升 F 小調〈史詩歌曲〉
利亞普諾夫 (1859 - 1924) I X - D 大調〈風琴〉

X - B 小調〈列茲金卡〉
• 《十二首超技練習曲》作品 11 ( 首六首 )
X I - G 大調〈精靈之舞〉
I - 升 F 大調〈搖籃曲〉
X I I - E 小調〈紀念李斯特的輓歌〉
I I - 升 D 大調〈幽靈舞曲〉
I I I - B 大調〈鐘琴〉
I V - 升 G 小調〈捷列克〉
V - E 大調〈夏夜〉
V I - 升 C 小調〈風暴〉
曾瀚萱 ZENG Hanxuan (小提琴)
HENRYK WIENIAWSKI (1835-1880)

• Variations on an original theme for violin and piano, Op.15
20
Monday, 21st October
Honggi Kim
1st Prize winner, The 5th Hong Kong
International Piano Competition - 2019
PROGRAMME
FRANZ LISZT (1811 - 1886) Second Part

• 3 Etudes de Concert S.144
SERGEI LYAPUNOV (1859 - 1924)
Il Lamento
La Reggierezza • 12 transcendental Etudes op.11 (last 6 etudes)
Un Sospiro VII – Idylle in A major
VIII – Chant épique (“Epic song”) in F sharp minor
SERGEI LYAPUNOV (1859 - 1924) IX – Harpes éoliennes (“Aeolian harps”) in D major
• 12 transcendental Etudes op.11 (first 6 etudes) X – Lesghinka in B minor
I – Berceuse (“Lullaby”) in F sharp major XI – Ronde des sylphes (“Dance of the sylphs”)
in G major
I I – Ronde des Fantômes (“The ghosts’ dance”)
in D sharp minor XII – Élégie en mémoire de François Liszt
III – Carillon (“Bells”) in B major (“Elegy in memory of Liszt”) in E minor
IV – Térek in G sharp minor
V – Nuit d’été (“Summer night”) in E major
VI – Tempête (“Storm”) in C sharp minor
曾瀚萱 ZENG Hanxuan (小提琴)
HENRYK WIENIAWSKI (1835-1880)

• Variations on an original theme for violin and piano, Op.15
21
Programme notes
The Joy of Music Festival 2024 Alternating between major and minor keys, Lyapunov
21st October 2024 varies the mood and temp of each study, all of which have
distinctive titles. There are four slow pieces, with Berceuse in
HONGGI KIM, Piano F sharp major (No.1) opening the set, a gentle cradle song in
1st Prizewinner, Hong Kong International Piano F sharp major. Nuit d’été (Summer Night, No.5) in E major,
Competition 2019 with its lyrical line sometimes carried over three staves, bears
more than a passing resemblance to Liszt’s Ricordanza. Idylle
LISZT Three Etudes de Concert S.144 (No.7) in A major is perhaps the least technically demanding
1. Il lamento number, much in the same way as Liszt’s Paysage. Harpes
2. La leggierezza éoliennes (Aeolian Harps, No.9) in D major delights in
3. Un sospiro long stretches of hemidemisemiquavers (1/64 notes), with
murmuring and shimmering textures mimicking billowing
LYAPUNOV 12 Transcendental Etudes, Op.11 passages of wind.
1. Berceuse
2. Ronde des Fantômes The fast and furious etudes are more than a match for Liszt’s,
3. Carillon beginning with Ronde des Fantômes (Phantoms’ Dance,
4. Terek No.2) in D sharp minor in a very swift 6/8 tarantella rhythm.
5. Nuit d’été Extreme fleetness is key here. Terek (No.4) in G sharp minor
6. Tempête depicts the raging torrents of the Terek River as it empties into
7. Idylle the Caspian Sea, but has time for a folk melody as if heard on
8. Chant épique flute and piccolo. Tempête (Tempest, No.6) in C sharp minor
9. Harpes éoliennes closes the first half-dozen amid a storm. A folk-derived
10. Lesghinka melody also heard in Rimsky-Korsakov’s Antar (Symphony
11. Rondes des sylphes No.2) may be discerned through the storm.
12. Elegie en memoire de Francois Liszt Lesghinka (No.10) in B minor is the best known, and most
often performed of the dozen. Based on the ethnic dance
Honggi Kim’s solo recital comprises wholly piano studies of the Lesghin people of the North Caucasus (including
with the unique imprimatur of Franz Liszt. Far from being the lands of Azerbaijan and Dagestan), this coruscating
technical exercises of a didactic or instructional kind, Liszt’s showpiece owes a debt of influence to Balakirev’s famous
etudes, much like Chopin’s, marry finger virtuosity with Oriental fantasy Islamey, which Lyapunov also orchestrated.
poetic sensibilities, and are crafted as miniature tone poems. The penultimate study, Ronde des Sylphes (Dance of the
His Three Concert Studies (S.144) also carry the title Trois Sylphes, No.11) in G major is Lyapunov’s answer to Liszt’s
Caprices Poetiques, providing a clue to their inspirations. Feux follets, the ultimate exercise of feathery lightness and
Each is very different in character. Il Lamento is the longest, mercurial swiftness.
with a seamless bel canto line ornamented by cadenzas in the Then there are the epic studies. The tolling of many bells in
manner of Liszt’s fantasies on operatic themes. La Leggierezza Carillon (No.3) in B major, a tribute to the Russian Orthodox
is the study of silky smoothness and feathery lightness par Church, hails from a hallowed Mussorgskyan tradition. This
excellence, a favourite of Martha Argerich’s. Un Sospiro (A glorious piece sits well alongside similar contemporaneous
Sigh) is one of Liszt’s most famous melodies, in the classic examples by Rachmaninov and Medtner. Chant épique (Epic
lyrical key of D flat major. One is also reminded of Liszt’s Song, No.8) in F sharp minor is perhaps the most Russian
Third Consolation, Chopin’s Berceuse, Fantaisie-Impromptu piece of the set, with the quote of Russian song Out Of The
and Nocturne (Op.27 No.2), which all make for perfect Woods, Dark Woods and piano arpeggios and staccato
encores. passages simulating the plucked strings of a harp or psaltery.
Sergei Lyapunov (1859-1924) was a Russian nationalist The final study in E minor is titled Elegy in Memory of Franz
composer who studied with Mily Balakirev (of the “Mighty Liszt (No.12), a tribute in the heroic funereal mode of his
Handful”) and Liszt’s student Karl Klindworth, whose fame First Hungarian Rhapsody, bringing this monumental set to a
lies almost wholly in his twelve Transcendental Études for momentous close.
piano. The title is deliberate as he sought to complete the
work of Liszt’s own Transcendental Études (S.139, published Programme notes by Chang Tou Liang
in 1852) by writing studies in the major and minor keys
not covered in the original set. Composed between 1897
and 1905, the twelve pieces replicate the challenge of
Liszt’s technical mastery but coloured with clear Russian
accents. There are quotes of Russian folksongs, reminiscent
of Rimsky-Korsakov and Borodin, and some have direct
references to Liszt’s originals.
22
Tueday, 22nd October
Members of the
LOGOS Chamber Group:
Charlotte Scott (violin),
Emma Parker (violin),
Joel Hunter (viola)
&
PROGRAMME
First Part
INTERMISSION
WOLFGANG AMADEUS
Second Part
MOZART (1756 – 1791)
• Sonata for violin & piano No.21, JOSEPH - ERMEND BONNAL (1880-1944)
in E minor, K304 • Petit poème for voilin, viola & piano, Op.29
I – Allegro
II – Tempo di Menuetto
Joel Hunter (viola)
Charlotte Scott (violin) Giuseppe Andaloro (piano)
CÉSAR FRANCK (1822-1890)

NICOLA MATTEIS JR. (C.1690 - C.1749) • Sonata in A major for violin & piano
• Fantasia in A minor for solo violin I – Allegretto ben moderato
II – Allegro molto
Charlotte Scott (violin) III – Recitativo – Fantasia: Ben moderato
VI – Allegretto poco mosso

ANTONÍN D VOŘ ÁK (1841 – 1904) Giuseppe Andaloro (piano)
• Terzetto
I – Introduzione: Allegro ma non troppo
II – Larghetto
III – Scherzo: Vivace – Trio: Poco meno mosso
VI – Tema con Variazzioni. Poco adagio - Molto
Charlotte Scott (violin) 吳幽 NG Yau (大提琴)

Joel Hunter (viola) JOHANNES BRAHMS (1833-1897)
• Cello Sonata No.1, Op.38, 1st movement
23
2024 年 10 月 22 日 ( 星期二 )
LOGOS 室樂團成員：
&
節目內容
第一部份
中場休息
莫札特 (1756-1791)
第二部份
• E 小調《第二十一號鋼琴與小提琴奏鳴曲》K.304
I – 快板 JOSEPH - ERMEND BONNAL (1880-1944)
II – 小步舞曲速度 • Petit poème for voilin, viola & piano, Op.29
夏洛特•斯科特 ( 小提琴 ) 喬爾•亨特 ( 中提琴 )
馬泰斯 (C.1690 - C.1749) 法朗克 (1822-1890)

• A小調小提琴獨奏幻想曲
• A 大調小提琴與鋼琴奏鳴曲
I – 中等的稍快板
夏洛特•斯科特 ( 小提琴 ) II – 甚快板
III – 宣敘調 – 幻想曲 : 適中的中板
V I – 稍快的小快板
德伏扎克 (1841 – 1904)
• 三重奏
I – 引子 : 從容的快板
II – 小廣板
III – 詼諧曲 : 活潑的 – 三重奏 : 稍稍慢一點的青少年音樂英才系列
V I – 主題與變奏 . 略為緩慢地
吳幽 NG Yau (大提琴)
艾瑪•帕克 ( 小提琴 ) JOHANNES BRAHMS (1833-1897)
喬爾•亨特 ( 中提琴 ) • Cello Sonata No.1, Op.38, 1st movement
24
Programme notes
The Joy of Music Festival 2024 Antonin Dvorak’s 14 string quartets occupy an important
22nd October 2024 part in Romantic era chamber music, often overshadowing
his other string music, all of which conceived with care and
GIUSEPPE ANDALORO, Piano craftsmanship. His Terzetto in C major, a charming four-
1st Prizewinner, Hong Kong International Piano movement string trio, is such a work. Its Italian title refers to
Competition 2011 a work for three voices, in this case two violins and a viola. It
was composed in 1887 for a chemistry student, an amateur
Members of Logos Chamber Group: violinist boarding in Dvorak’s household who found it beyond
CHARLOTTE SCOTT & EMMA PARKER, Violins his technical capabilities.
JOEL HUNTER, Viola The very congenial first movement is titled an Introduction,
specifically to the second movement’s Larghetto, which
MOZART Violin Sonata No.21 in E minor, K.304 continues in this very affable Hausmusik thread. The ensuing
1. Allegro
Scherzo in A minor, with its Trio in A major, is a genuine
2. Tempo di menuetto
Slavonic dance - the furiant. The theme of the finale’s set of
variations, in dotted rhythm, is not immediately apparent.
MATTEIS Fantasia in A minor The relative brevity and tightness of the ten variations that
follow suggests this to be a well-disguised passacaglia. There
DVORAK Terzetto in C major for two violins & is even a soloistic recitative for first violin – which the original
viola, Op.74 dedicatee had probably found too forbidding - before the
1. Introduzione: Allegro ma non troppo
work closes in a short-winded blaze of fireworks.
2. Larghetto
3. Scherzo: Vivace – Trio: Poco menno mosso If audiences and musicians were polled as to which violin
4. Tema con Variazioni: Poco adagio – Molto allegro sonata was the most popular ever, chances are César
Franck’s Sonata in A major would top the list. Trumping
FRANCK Violin Sonata in A major the likes of Beethoven, Brahms and Mozart, it carried the
1. Allegretto ben moderato designation “sonate pour piano et violon”, indicating the
2. Allegro molto piano’s primacy. It was composed in 1886 for fellow Belgian
3. Recitativo – Fantasia: Ben moderato the great violinist Eugene Ysaÿe as a wedding present. At its
4. Allegretto poco mosso public premiere in a Brussels art museum, the musicians were
obliged to perform in virtual darkness (due to a prohibition
This concert by Giuseppe Andaloro and members of the of artificial lighting) and did so completely from memory.
Logos Chamber Group opens with what is possibly the most
performed of Wolfgang Amadeus Mozart’s 36 or so Its four movements are distinguished by sublime melodies and
violin sonatas. The designation of sonata for piano and violin the unity of recurring motifs. The opening movement’s serene
underlined the dominant role assumed by the piano, but as theme is heard again in the second and third movements,
Mozart matured, the violin soon gained parity. The E minor returning first passionately and later like some long-lost
sonata, the only one in a minor key, was composed in 1778 in friend. The turbulent second movement is technically far
Paris where Mozart was touring, accompanied by his mother. more challenging for piano than violin, its outward brilliance
This fateful trip saw her die from an unknown illness, the tempered with moments of reflection.
grief of which was channeled into his music. The Recitativo-Fantasia third movement is pivotal, being a
The pathos is immediately apparent in the opening bars, meditation on motifs that appear in all four movements, the
a melancholy coloured with some degree of urgency perfect embodiment of cyclical form. Two motifs, described
which never lapses into melodrama or bathos. The second as dolce and drammatico, would later figure prominently in
movement is in the form of short variations, with its the finale. The finale is a rondo in the form of a canon, with
bittersweet minuet subject treated with loving reverence. An the violin following in imitation exactly one bar after the
excursion into E major provides brief moments of sunshine, piano. Being out of phase yet sounding totally in harmony is
but this soon returns to the earlier unease to close. the chief pleasure of this movement, capping a work of great
stature and beauty. This music exists in versions for solo
Nicola Matteis Jr. (1670-1737) was born in London, the piano (by Alfred Cortot), flute, viola and cello, just to name a
son of a Neapolitan violin virtuoso of the same name who few instruments.
had emigrated to England as a young man and revolutionised
violin playing there. The younger Matteis later moved to
Programme notes by Chang Tou Liang
Vienna where he served at the Habsburg court as a composer
of operas and ballets. Almost totally forgotten today, his fame
lies in two fantasias for solo violin composed in 1720. The
A minor Fantasia, also known as Alla Fantasia, is a virtuoso
arpeggio study centred on the A minor triad, a technique later
perfected by composers from Paganini to Arvo Pärt.
25
Sat, 19th - Mon, 21st October 13:00-19:00 2024 年 10 月19 -21日
Hong Kong City Hall, Recitals Hall (High Block 8/F) 香港大會堂高座 8 樓演奏廳
G
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A
R
香港美樂聚音樂節
M
A 阿爾瓦羅．皮耶里與結他
S 香港大會堂高座 8 樓演奏廳
T 節目
E 10 月19 - 21 日
R 在過去的約 2 0 年中，香港蕭邦社很榮幸能邀請到世界些受邀的結他手在 2 0 2 4 年 5 月齊聚香港，通過 Z O O M
知名結他音樂家阿爾瓦羅．皮耶里，為我們演奏獨奏、室接受阿爾瓦羅的結他課程。
樂及協奏曲等。
C 這群年輕的結他手連同其他幾位結他手，現在有機會與
多年來，不論是獨奏還是與其他樂器合奏，一系列精彩阿爾瓦羅合作。阿爾瓦羅將於 10 月親自來香港，參加
L 結他音樂，都展現了結他不可思議的潛力。除了讓香港觀 2 0 2 4 年的美樂聚音樂節。
A 眾能更深入了解結他及結他曲目，阿爾瓦羅．皮耶里還教

授香港和中國內地的新晉結他音樂家，以傳承結他演奏
一直與阿爾瓦羅．皮耶里合作的香港結他手黃文錦，今年
亦有為這群年輕結他手及阿爾瓦羅．皮耶里進行協調和
S 藝術並引領他們了解音樂的精髓。他從結他的角度出發，

讓他們了解音樂如何隨著時間、地點、文化和傳統等演
合作。
大師班課程的節目內容和參與學生名單，請參照以下詳
S 變。情。
E 阿爾瓦羅．皮耶里以其無可挑剔的技術和詮釋，已成為課程和講座將以英語進行，但將提供中文即時傳譯。
S 全球最優秀的結他音樂家之一，世界各地的樂迷都沉醉
於他的音樂之中。如果您有興趣以觀眾身份參與大師班，可以通過電
郵聯繫 A n a b e l l a 註冊：a f r e r i s @ n e t v i g a t o r . c o m，
阿爾瓦羅每年都在美樂聚音樂節上亮相，吸引了香港和或通過 W h a t s A p p 聯繫 A n a b e l l a 手提號碼：
結中國內地的音樂愛好者。他的大師班和講座 / 示範也吸
引了那些學習結他的人。
+ 8 52 9 0 2 7 14 2 9。由於場地限制，請在電郵 / 訊息中留
下您的姓名、手機號碼和 W h a t s A p p 號碼（如適用），
他今年亦不例外，阿爾瓦羅將於 2 0 2 4 年 10 月 16 日至 2 2
日的美樂聚音樂節期間亮相。
以及電子郵件地址，並提供希望參加的人數、日期和場
次。我們在回覆您時將逐一確認以上請求。
大為了體現他的教學成果，蕭邦社決定提供中間平台，讓阿

爾瓦羅．皮耶里與來自香港及中國內地的結他手合作。這
師
班
26
2024 年 10 月19 -21日 13:00-19:00 Sat, 19th - Mon, 21st October
香港大會堂高座 8 樓演奏廳 Hong Kong City Hall, Recitals Hall (High Block 8/F)
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ALVARO PIERRI AND THE GUITAR M

AT THE HONG KONG A
JOY OF MUSIC FESTIVALS
Hong Kong City Hall, Recitals Hall (High Block 8/F) S
THE PROGRAMME DAY BY DAY T
(19th - 21st OCTOBER, 2024) E
The Chopin Society of Hong Kong is proud to have been selected group of guitarists from Hong Kong and China, R
presenting the world-known guitarist Alvaro Pierri in who gathered in Hong Kong and received classes from
solo, chamber music and concerto performances for the Alvaro who taught them via ZOOM during the month of
past almost 20 years. May 2024.
C
A fantastic reper toire of music for g uitar has been This group of young guitarists plus a few additional ones,
performed along the years, displaying the incredible are now having the chance of working with Alvaro when L
potential of this instrument either when played by itself he will be physically in Hong Kong in October, taking part
or playing together with other instruments. Apart from of the Joy of Music Festival 2024. A
having been offering the public in Hong Kong such a Hong Kong based g uitarist: Chris Wong, has been
treat in getting to know the guitar and its repertoire, working with Alvaro Pierri putting together this group of S
Alvaro Pierri has been teaching budding guitarists of young guitarists working with Alvaro this year.
Hong Kong and China, the art of playing the guitar as The programme to be presented during the masterclasses S
well as introducing them to the essence of music and the is detailed below as is the list of names of the participating
way it has evolved through times and places, cultures students. E
and traditions, looking at it from the point of view of the
guitar. The classes and lectures will be in English but there will
be a simultaneous translation into Chinese.
S
Making use of an impeccable technique always at the
service of an interpretative potential at the guitar which Those interested in attending t he masterclasses as
positions Alvaro among the best guitarists in the world members of the audience, should be able to register by
nowadays, he has never failed to enchant his followers who contacting Anabella at the following e-mail: afreris@
netvigator.com or by WhatsApp at: +852 9027 1429 (also
結
are spread all over the world.
Anabella’s mobile).
Each year, Alvaro’s presence at the Joy of Music Festival Since there is a limited capacity in the venue, when 他
has become an attraction for the music lovers of Hong sending the request please, write your name, mobile and
Kong and China and his teaching through masterclasses
and lecture/demonstrations, a magnet for those learning
WhatsApp number (if applicable) and your e-mail address,
as well as the number of people requesting to attend and
大
how to play this instrument. which days and sessions.
This year is not going to be an exception, and Alvaro will We will reply to each one of the requests to confirm your 師
be featured in our Joy of Music Festival to be presented registration.
between the 16th and the 22nd October 2024.
To extract the most of the privilege of benefiting from his
班
teaching, our Society has decided to create an intermediate
stage this year by having Alvaro Pierri working with a
27
ALVARO PIERRI AND THE GUITAR

G AT THE HONG KONG JOY OF MUSIC FESTIVALS
U Hong Kong City Hall, Recital Hall (High Block 8/F)
I Saturday 19th Oct., 2024

T
A 香港美樂聚音樂節
R 阿爾瓦羅．皮耶里與結他
香港大會堂高座 8 樓演奏廳
M 2024 年 10 月 19 日 ( 星期六 )
A
S
Masterclasses
T
結他大師班
E 13:00 to 13:40
R CHENG Hanfei 程函霏

Repertoire:
- Allegro assai from BWV 1005 Violin Sonata No.3 in C by J.S. Bach (1685-1750)
C 13:45 to 14:25
HE Jinghan 賀敬涵
L Repertoire:
A - Fuga and Allegro, BWV 998 by J.S. Bach (1685-1750)
S 14:30 to 15:10
YU Jing Yin, Eric 余敬賢
S Repertoire:
- Prelude from BWV 998 by J.S. Bach (1685-1750)
E - 1st and 2nd movements, All in Twilight by TŌru Takemitsu (1930-1996)
S 15:15 to 15:30 BREAK
15:30 to 16:10
ZHU Yiwei 朱一瑋
結 Repertoire:
- 3rd movement, “Tempo di menuetto” from Guitar Sonata in D major,
他 Op.77 “Omaggio a Boccherini” by Mario Castelnuovo-Tedesco (1895-1968)
16:15 to 16:55
大 LI Zehao 李澤皓
Repertoire:
師 - 1st and 2nd movement, Sonata Giocosa by Joaquin Rodrigo (1901-1999)
28
G
Recitals U
結他演奏會 I
2024 年 10 月 19 日 ( 星期六 ) T
A
Saturday 19th Oct., 2024 17:30 to 18:30 R
Guitar recitals showcasing guitarists participating in the cycle:
Alvaro Pierri’s Guitar Masterclasses in Hong Kong 2024.
Venue: Hong Kong City Hall Recital Hall M
A
S
GUO, Shenglin 郭升霖
Repertoire:
T
- Fuga BWV 1000 by J. S. Bach (1685-1750) E
CHAN, Cham Man 陳澤文 R
Repertoire:
- Scherzo & Finale Allegretto from Sonate VI by Wenceslaus Matiegka (1773-1830)
FU Hoi Man, Kevin 付凱文

C
Repertoire: L
- Fantaisie Hongroise by J.K.Mertz (1806-1856)
A
CHEUNG Ka Tung, Tony 張嘉東
Repertoire:
S
- Asturias by Isaac Albeniz (1860-1909)
S
ZHU Rofay 祝若菲 E
Repertoire:
- 2nd and 3rd movement, La Catedral by Augustin Barrios (1885-1944) S
YE Yaokun 叶耀焜
Repertoire:
- 2nd and 3rd movement, Aquarelle by Sergio Assad (1852- ) 結
LI Zehao 李澤皓他
Repertoire:
- 1st and 2nd movement, Sonata Giocosa by Joaquin Rodrigo (1901-1999) 大
LI Haoqi 李灝淇
Repertoire:
師
- Etude No.4 by Giulio Regondi (1822-1872)
- 3rd movement, Sonata Giocosa by Joaquin Rodrigo (1901-1999) 班
29

I Sunday, 20th October 2024

T
M 2024 年 10 月 20 日 ( 星期日 )
A
S Masterclasses
T
結他大師班
E 13:30 to 14:10
R LI Xin 李鑫
Repertoire:
- BWV 1004 Ciaccona by J.S. Bach (1685-1750)
C 14:15 to 14:55
L GUO Shenglin 郭升霖

Repertoire:
A - 3rd movement, Fuoco, Libra Sonatine by Roland Dyens (1955-2016)
S 15:00 to 15:40
CHAN Cham Man 陳澤文
S Repertoire:
- 1st movement, Danzas Rituales y Festivas by Leo Brouwer (1939)
E
S 15:45 to 16:00 BREAK
16:00 to 16:40
FU Hoi Man Kevin 付凱文
結 Repertoire:
- Elogio de la Danza by Leo Brouwer (1939)
他 16:45 to 17:25
CHEUNG Ka Tung Tony 張嘉東
大 Repertoire:
- Cadenza and 3rd movement, Concerto for guitar by Heitor Villa-Lobos (1887-1959)
師 17:30 to 18:10
ZHU Rofay 祝若菲
班 Repertoire:
- Etude No.1 by Heitor Villa-Lobos (1887-1959)
30
G
U
I
T
Recitals A
結他演奏會 R
2024 年 10 月 20 日 ( 星期日 )
M
Sunday, 20th October 2024 18:30 to 19:30 A
Guitar recitals showcasing guitarists participating in the cycle:
Alvaro Pierri’s Guitar Masterclasses in Hong Kong 2024. S
Venue: Hong Kong City Hall Recital Hall T
E
CHEN Yixin 陳奕欣 R
Repertoire:
- Sonata K491 by Domenico Scarlatti (1685-1757)
WANG Jinxiang 汪錦湘

C
Repertoire:
- Fantasia Op.7 by Fernando Sor (1778-1839)
L
A
HE Jinghan 賀敬涵
Repertoire: S
- Le Depart, Fantaisie Dramatique, Op. 31 by Napoleon Coste (1805-1883)
S
LIANG Haoyao 梁皓垚 E
Repertoire:
- Capricho Arabe by Francisco Tarrega (1852-1909) S
ZHU Yunai 朱芸爱
Repertoire:
- Variations on the theme “Carnival of Venice” by Francisco Tarrega (1852-1909) 結
LI Xin 李鑫他
Repertoire:
- 1st Movement, Concierto de Aranjuez by Joaquín Rodrigo (1901-1999) 大
HUANG Hanyuan 黃瀚源
Repertoire:
師
- Invocation et Danse by Joaquin Rodrigo (1901-1999)
班
31

I Monday, 21st October 2024

T
M 2024 年 10 月 21 日 ( 星期一 )
A
S Masterclasses
T
結他大師班
E 13:00 to 13:40
R YE Yaokun 叶耀焜
Repertoire:
- BWV 1004 Ciaccona by J.S. Bach (1685-1750)
C 13:45 to 14:25
L LIANG Haoyao 梁皓垚

Repertoire:
A - Fantasia on Themes from La Traviata by Francisco Tarrega (1852-1909)
S 14:30 to 15:10
CHEN Yixin 陳奕欣
S Repertoire:
- Fandango by Joaquin Rodrigo (1901-1999)
E
15:15 to 15:30 BREAK
S
15:30 to 16:10
ZHU Yunai 朱芸愛
Repertoire:
結 - Toccata (1933) by Joaquin Rodrigo (1901-1999)
他 16:15 to 16:55
HUANG Hanyuan 黃瀚源
大 Repertoire:
- Nocturnal Op.70 by Benjamin Britten (1913-1976)
師 17:00 to 17:40
WANG Jinxiang 汪錦湘
班 Repertoire:
- 3rd movement, Aquarelle by Sergio Assad (1952)
32
THE PARTICIPATING GUITAR PLAYERS G

U
CHAN Cham Man 陈泽文 CHEN Yixin 陈奕欣 I
T
Age: 19 Age: 19
Year 2, Lingnan Normal University Year 2, Xinghai Conservatory of Music
Gold prize of the 18 to 21 division in the Grand Master
Music Competition 2023 Second prize of guitar division
Second prize of Open Group in the 4th Henan Altamira
Classical Guitar Competition 2023 organised by the
A
in the Wuhu Teenagers Musical Playing Competition Henan Guitar Association Third prize in the 1st Jiangxi R
2023 Gold prize of both teenagers and adults division in Guitar Art Festival 2023
the Symphony International Guitar Festival & Second
Teacher: Kenneth Kwan
National Guitar Invitational Competition 2023
M
Teacher: ZHANG Chongyi
A
FU Hoi Man, Kevin 付凱文 S
T
Age: 2 0
CHEUNG Ka Tung, Tony 張嘉東 Year 4, Music Department, CUHK
Age: 2 2
Year 3 , BA Music, BU
First prize of Guitar Solo Senior Section in 73rd Hong
Kong Inter-School Music Festival Competition 2021 First
E
Teacher: Chris Wong prize of Guitar Solo Open Section in the 21st China R
(Zhuhai) Guitar Art Festival and “Corbin Cup”Guitar
Competition 2022
CHENG Hanfei 程函霏

Teacher: Chris Wong C
Age: 8
3rd Grade, Shanghai Xuhui Guangqi Primary School
L
The Silver Award of the 17th Chinese Youth Art Festival, A
Guitar Pre-Sch Group in 2021 T he Silver Award of
Shanghai Youth Training Competition,Children´s Solo
GUO Shenglin 郭升霖
Age: 2 4
S
Singing Public Toddler Group in 2021 The Silver Award
of Shanghai Youth Training Competition,Classical Guitar
G r adu a t e o f Ad m i r a lt y Con s e r v a t o r y o f Mu s ic , S
Shen zhen Universit y
Solo Public Toddler Group in 2021 The Second Prize of
Xuhui Student Art Individual Competition, Vocal Music
Teacher: FANG Fang E
Special Toddler Group in 2021 and 2022 The Gold Medal S
of Shanghai Youth Training Competition, Children´s
Solo Singing Public Toddler Group in 2022 The First
Prize of Xuhui Student Art Individual Competition, Vocal HE Jinghan 贺敬涵
Music Special Primar y School Group A in 2023 The Age: 17 結
Champion of Shanghai Children´s Sports League Kendo 12th Grade, T he Music School at tached to X inghai
Competition Finals, Second Grade Regulation Movement Conservatory of Music Second prize of Open Group in
the Martini National Guitar Competition 2023 Third
他
Group in 2023 The Champion of Jiaxing National Guitar
Invitational Competition, Classical Guitar Solo Children
Group C in 2023 The Gold Medal of the 5th National
Prize in the Qingdao Shanhai Impression International
Guitar Art Competition 2023
大
Youth Art Creation Theme Competition, Primary School
Junior Instrumental Group in 2023 The Second Place of
Teacher: WANG Zixuan
師
Symphony International Guitar Festival and the 3rd Guitar
Invitational Competition, Classical Guitar Solo Children 班
Group B Gold Medal Ranking Finals in 2024
Teacher: LIU Xianji
33
G THE PARTICIPATING GUITAR PLAYERS

U
I HUANG HanYuan 黄瀚源 WANG Jinxiang 汪锦湘
T
Age: 2 6 Age: 16
Yea r 2, Gradu ate S c ho ol of X i ng H a i Con sevator y 12th Grade, T he Music School at tached to X inghai
A o f mu s ic 1s t p r i z e i n t he T h a i l a nd I nt e r n at ion a l
Guitar Competition 2017 2nd prize in the ShenZhen
Conservatory of Music
Teacher: Kenneth Kwan
R International Guitar Competition 2019 Silver prize in
the the Gold Hibiscus Music Award Classical Guitar
Artist Competition 2021
M Teacher: Kenneth Kwan

YE Yaokun 叶耀焜
A Age: 19
11th g rade, Guang zhou Peiy ing H igh School
S Teacher: TAN Lei
T LIANG Haoyao 梁皓垚

Age: 18
E Year 2 , X inghai Conser vator y of Music
R Teacher：Bastian Hildner YU King Yin, Eric 余敬賢

HK BU (B. A.)
Manhat t an School of Music (Master of Gu it a r
Pe r f o r m a n c e) 1s t p r i z e o f 2n d T i z i a n o R o s s e t t i
C International Music Competition (Lugano. Switzerland)
LI xin 李鑫
L Age: 2 5
Teacher: Chris Wong
A Year 1, Graduate School of XingHai Consevatory of

mu sic 2nd P r i ze of O pen Gr oup i n t he Q i ng L i ng
S International Guitar Festival 2023
ZHU Yiwei 朱一玮
S Teacher: Kenneth Kwan
Age: 14
E
8th Grade, Shanghai Conservatory of Music Affiliated
M idd le S c ho ol 1s t pr i z e of t he C h i ld r en´s Gr oup
S Gold Award in “Donggong Cup” Shanghai Guitar

Competition 2019 1st prize of the children´s preliminary
LI Zehao 李泽皓 round Shanghai Division in the Martini Classical Guitar
Age: 17
Competition 2020 1st prize of Division Classical Guitar
12th grade, Shenzhen Art School
結 First prize of Junior Division in GFA 2019 Fourth prize
in China Youth Music Competition Hummingbird Music
Award Shanghai (Provincial) 2021 2nd Prize in National
of Senior Division in GFA 2024
他 Teacher: Alvaro PIERRI
Classical Guitar Competition 2021 1st prize of the Youth
Group Gold Awa rd i n “Donggong Cup”Sha ng ha i
Guitar Compet it ion and Natasha Zheng´an Guitar
大 National Guitar Invitation Competition 2021 1st prize
of the Professional Group Gold Award in “Donggong
師 Cup” Shanghai Guitar Competition and Natasha Guitar
National Guitar Invitation Competition 2023
班 Teacher: LIU Xianji
34
THE PARTICIPATING GUITAR PLAYERS G

U
ZHU Yunai 朱芸爱 I
T
Age：19
Year 2, Xinghai Conservatory of Music
1st prize of Junior Section in the Changsha International
Classical Guitar Competition 2019 2nd prize of Open
A
Group in the Qingdao International Classical Guitar R
Competition 2022 2nd pri ze of Junior Group in the
Albania Guitar Festival 2022 2nd prize of Open Group
In the International Fringe Virtual Competition in Hong
Kong 2022 3rd prize of the Player Group in the 28th
M
International Competition of Musical Performance for
Guitar – City of Mottola (ITALY) 2022 3rd prize of the
A
Player Group in the Houston International Classical S
T
Guitar Competition 2022
Teacher：Bastian Hildner
E
R
ZHU Rofay 祝若菲
Age: 11 C
6t h Grade, Shen zhen Fut ian X i n zhou P r i ma r y
School
L
Teacher: FANG Fang A
S
S
E
S
鋼琴 / 弦樂 / 結他大師班
所有大師班均免費向公眾開放。有興趣參加者，請事先以電郵 ( a f r e r i s @ n e t v i g a t o r . c o m ) 或
電話 (2868 3325 / 9027 1429) 向蕭邦社登記 ( 留下姓名 , 電話 , 電郵及參加人數 )，我們隨後
會確認閣下之登記。參與大師班的名單和節目稍後將於本社的網站 w w w . c h o p i n s o c i e t y h k . o r g
結
上預先公佈。
他
REGISTERING ATTENDANCE TO THE PIANO/STRINGS/GUITAR MASTER CLASSES
大
Attendance to all master classes will be open to the public and free of charge, but we require that
bookings are made in advance by getting in touch with the office of the Festival preferably by e-mail at:
[email protected] or by phone at: 2868 3325 / 9027 1429 and telling us the number of seats
師
requested and providing us with your contact information: name, mobile number and e-mail
address. We will be sending you a confirmation of your booking. The name of the participating 班
artists and the programme to be performed by each one of them will be published in our website
www.chopinsocietyhk.org in due time.
35
Sat, 19th and Mon, 21th October 10 月19日及 21 日 ( 星期六及星期一 )
Hong Kong City Hall Concert Hall 香港大會堂音樂廳
P
I
A
N
O
M
A PIANO MASTERCLASSES
S Hong Kong City Hall, Concert Hall
T THE PROGRAMME DAY BY DAY
(19th & 21st OCTOBER, 2024)
E
R
Saturday, 19th October
Piano master classes by Giuseppe Andaloro
C 2024 年 10 月 19 日 ( 星期六 )
L 朱塞佩•安達羅洛
A 10:00 - 13:00
S
1. 10:00-10:50
S NIE Chenyang
E Franz Liszt (1811-1886)
- Two Transcendental Etudes, No.4 Mazeppa &
S No.8 Wilde Jags
2. 11:00-11:50
SHI Yu Xu
鋼 Johannes Brahms (1833-1897)
- Variations on a Theme by Paganini, Book 1
琴 3. 12:00-12:50
Linda ZHANG
大 Franz Liszt (1811-1886)
- Spanish Rhapsody S.254
師
班所有大師班均免費向公眾開放。有興趣參加者，請事先以電郵 ( a f r e r i s @ n e t v i g a t o r . c o m ) 或
上預先公佈。
36
10 月19日及 21 日 ( 星期六及星期一 ) Sat, 19th and Mon, 21th October
香港大會堂音樂廳 Hong Kong City Hall Concert Hall
P
I
鋼琴大師班 A
香港大會堂音樂廳 N
O
Monday, 21st October
Piano master classes by Ilya Rashkovskiy
M
2024 年 10 月 21 日 ( 星期一 )
蘭殊•高夫斯基
A
10:00 - 13:00 S
T
1. 10:00-10:50
Alexander LAU
E
Franz Liszt (1811-1886) / Johann Sebastian Bach (1685-1750) R
- Variations on Weinen, Klagen, Sorgen, Zagen, S. 180
2. 11:00-11:50
Jerry CHANG C
Frederic Chopin (1810-1849)
- Sonata No.2, Op.58, 1st movement L
3. 12:00-12:50 A
Chadwick LAM
Frederic Chopin (1810-1849)
S
- Ballade No.1, Op.23 S
E
S
鋼
琴
大
師
[email protected] or by phone at: 2868 3325 / 9027 1429 and telling us the number of seats
班
address. We will be sending you a confirmation of your booking. The name of the participating
37
Sunday, 20th October 10:00-13:00 2024 年 10 月20 日 ( 星期日 )
S
T
R
I
N
G
S
STRINGS MASTERCLASSES
M Hong Kong City Hall, Recital Hall (High block 8/F)
A Sunday, 20th October
S 10:00 - 13:00
T
E Strings Master Classes by*
R Charlotte Scott (violin), Emma Parker (violin),
Joel Hunter (viola) & Pierre Doumenge (cello)
C 1. 10:00-10:40 3. 11:30-12:10
L NG Yau (cello) CHIU Sung Hong (violin)
11 years old 17 years old
A Repertoire: Repertoire:
S CÉSAR FRANCK (1822-1890) MAX BRUCH (1838-1920)
• Sonata in A major for cello and piano, • Violin Concerto No. 1, First movement
S 4th Movement
E
S 4. 12:15-12:55
2. 10:45-11:25 ZENG Hanxuan (violin)
Eugene Oscar YUEN (cello) 12 years old
29 years old Repertoire:
弦 Repertoire: CAMILLE SAINT-SAENS (1835-1921)
JOHANN SEBASTIAN BACH (1685- • Violin Concerto No.3 in B minor, Op.61, 1st
樂 1750) movement
• Sarabande, Gavotte I & II, Cello
大 Suite
No.6 in D major, BWV 1012
師
班所有大師班均免費向公眾開放。有興趣參加者，請事先以電郵 ( a f r e r i s @ n e t v i g a t o r . c o m ) 或
上預先公佈。
38
2024 年 10 月20 日 ( 星期日 ) 10:00-13:00 Sunday, 20th October
S
T
R
I
N
G
S
弦樂大師班
香港大會堂高座 8 樓演奏廳 M
2024 年 10 月 20 日 ( 星期日 )
A
10:00 - 13:00
S
T
弦樂大師班 * E
夏洛特•斯科特（小提琴）, 艾瑪•帕克（小提琴）,
喬爾•亨特 ( 中提琴 ) 及佩爾•多明戈 ( 大提琴 )
R
1. 10:00-10:40 3. 11:30-12:10 C
吳幽 (大提琴) 趙崇康 (小提琴) L
11 歲 17 歲
曲目：曲目： A
CÉSAR FRANCK (1822-1890) MAX BRUCH (1838-1920) S
• Sonata in A major for cello and piano, 4th • Violin Concerto No. 1, First movement
Movement S
E
4. 12:15-12:55 S
2. 10:45-11:25 曾瀚萱 (小提琴)
袁乙熙 (大提琴) 12 歲
29 歲曲目：
曲目： CAMILLE SAINT-SAENS (1835-1921) 弦
JOHANN SEBASTIAN BACH (1685-1750) • Violin Concerto No.3 in B minor,
• Sarabande, Gavotte I & II, Cello Suite Op.61, 1st movement 樂
No.6 in D major, BWV 1012
大
師
[email protected] or by phone at: 2868 3325 / 9027 1429 and telling us the number of seats 班
address. We will be sending you a confirmation of your booking. The name of the participating
39
藝術家 ( 以表演次序排列 ) The Artists (In order of appearance)
夏洛特•斯科特 ( 小提琴 ) Charlotte Scott (Violin)

作為一位備受追捧的小提琴家和合作者，夏 As a highly sought after violinist and collaborator,
Charlotte enjoys a varied career as a soloist,
洛特享有獨奏家、室樂音樂家和總監等多種
chamber musician and director. Discographies that
職業。獲得高度好評的包括 Linn Records、
received high critical acclaim include recordings
Champs Hill 和 Apple Music 的錄音。 for Linn Records, Champs Hill and Apple Music.
Oculi 合奏的創辦人和第一小提琴手，夏洛

Co-founder and first violinist of the Oculi
Ensemble, Charlotte previously held the latter
特以前擔任過 Piat t i 和 Bad ke 四重奏中的
position in the Piatti- and Badke Quartets. As
第一小提琴手。作為一位充滿熱情的總監 a passionate director and concertmaster, she
和首席小提琴手，她經常與蘇格蘭室樂團、 frequently plays with the Scottish Chamber
Musica Vitae、荷蘭室樂團以及世界各地其 Orchestra, Musica Vitae, Nederlands Chamber
他樂團合作演出。 Orchestra and various others worldwide.
Regular performances both as a soloist and chamber musician

作為獨奏家和室樂音樂家，她定期在威格摩爾音樂廳、 include venues such as the Wigmore Hall, Concertgebouw
Concer tgebouw 和 Fest ival 音樂廳等場地以及一系列國 and Festival Hall, as well as an array of international summer
際夏季室樂音樂節上進行演出。 Chamber music festivals.
40
藝術家 ( 以表演次序排列 ) (In order of appearance) The Artists
艾瑪•帕克 ( 小提琴 ) Emma Parker (Violin)

艾瑪於 2 0 0 6 年畢業於皇家音樂學院。她將 Emma graduated from the Royal Academy of
自己的大部分職業生涯致力於室樂。2 0 0 2 至 Music in 2006. She has dedicated much of her
2 0 1 5 年，她擔任 B a d k e 四重奏第二小提琴， career to chamber music. From 2002 to 2015
並獲得第五屆墨爾本國際室樂比賽冠軍和觀
she was second violin in the Badke Quartet,
winners of First Prize and Audience Prize in the
眾獎。隨後，從 2 0 16 到 2 0 2 3 年作為 A l b i o n
Fifth Melbourne International Chamber Music
四重奏的成員，艾瑪定期在歐洲許多最負盛名 Competition. Subsequently, as a member of
的室樂音樂廳演出，包括威格摩爾音樂廳（倫 the Albion Quartet from 2016 to 2023, Emma
敦）、S n a p e M a l t i n g s（奧德堡音樂節）、 performed regularly at many of Europe’s most
Kon zer tgebeouw（阿姆斯特丹）、羅浮宮（巴 prestigious chamber-music halls, including
黎）和 E s t e rh a z y（匈牙利）。她在 A lbion 時
the Wigmore Hall (London), Snape Maltings
(Aldeburgh Festival), the Konzertgebeouw
曾為 Sig num Records 製作了多張唱片，他們
(Amsterdam), the Louvre (Paris) and Esterhazy
最新的 C D 被選為年度評論家精選獎和留聲 (Hungary). With the Albion she also made
機雜誌的編輯精選獎。艾瑪於廣播電台並不陌生，她定期 a number of discs for Signum Records, their latest CD
在 BBC 廣播電台第三台演出。除了四重奏，她是 Oculi 合 being voted Critic’s Choice of the Year and Editor’s Choice
奏的創辦人之一。室樂之外，艾瑪還在 2 0 14 至 2 0 19 年擔 in Gramophone Magazine. No stranger to the airwaves,
任曼徹斯特 Camerata 第二小提琴首席。
Emma has regularly performed on BBC Radio 3. Alongside
her quartet work, she is a founder member of the Oculi
Ensemble. Outside chamber music, Emma served in 2014-
2019 as Principal Second Violin of the Manchester Camerata.
41
喬爾•亨特 ( 中提琴 ) Joel Hunter (Viola)

出生於英國的喬爾，為其約克郡人的身份感 Born in the UK and a proud Yorkshireman, Joel
到自豪，七歲開始接觸中提琴，在獲頒獎學金 was drawn to the viola as a 7 year old and decided
後，決定就讀於曼徹斯特切塔姆音樂學校，
many years later after being offered a scholarship,
to continue his studies at Chethams School of
後再到倫敦皇家音樂學院深造。從那時開始，
Music in Manchester and subsequently at the
他一直在世界各地與許多主要管弦樂隊和樂 Royal Academy of Music in London. Since then
團合作演出。 Joel has been performing all over the world with
many leading orchestras and ensembles.
於倫敦完成學業後，喬爾獲格拉斯哥 B B C 蘇
Immediately after finishing his studies in London
格蘭交響樂團聘為聯合首席中提琴，數年後 he was appointed co-principal viola with the BBC
於斯德哥爾摩瑞典廣播交響樂團擔任首席中 Scottish Symphony Orchestra in Glasgow, moving
提琴，直至 2 0 14 年。他目前為馬勒室樂團的 on to the Swedish Radio Symphony Orchestra
首席中提琴，同時身兼自由身音樂家四處出演。 in Stockholm a few years later where as principal viola he
worked until 2014. He is currently the principal violist of the
Mahler Chamber Orchestra which he combines with a busy
他獲英國各大樂團聘為客席首席中提琴，包括 B B C 交響樂
freelance career.
團、英國愛樂樂團 ﹑英國皇家愛樂樂團 ﹑倫敦愛樂樂團 ﹑伯
明翰城市交響樂團、皇家蘇格蘭國家交響樂團 ﹑蘇格蘭室 He has appeared as a guest principal violist in most
內樂團、倫敦室內樂團、極光樂團、音樂會管弦樂團 ﹑皇家 UK orchestras, including all of the BBC orchestras, the
Philharmonia, Royal Philharmonic, London Philharmonic,
北部交響樂團等；其他地方的樂團包括：巴伐利亞廣播交響
City of Birmingham Symphony, Royal Scottish National
樂團、班堡交響樂團、奧斯陸愛樂樂團 ﹑慕尼黑愛樂樂團 ﹑ O rc h e s t r a , S c ott i s h C h a m b e r O rc h e s t r a , L on d on
萊比錫布業大廳管弦樂團、琉森節慶管弦樂團及阿姆斯特 Chamber Orchestra, Aurora, Royal Northern Sinfonia
丹小交樂團。 and internationally with the Symphonie Orchester
des Bayerischen Rundfunk, Bamberg Symphony, Oslo
作為一名室內樂音樂家，喬爾曾在世界各地的音樂會上，與 Philharmonic, Munich Philharmonic, Leipzig Gewandhaus
Orchestra, Lucerne Festival Orchestra and the Amsterdam
許多著名藝術家合作，包括克里斯蒂安•特茨拉夫、艾莉莎•
Sinfonietta.
魏勒絲坦、帕斯卡• 羅傑、內田光子和安斯涅。他最近錄製
的唱片包括：山度士唱片出版的《康果爾德弦樂六重奏》， As a chamber musician Joel has collaborated with many
以及與安斯涅合作並由索尼經典唱片出版的《莫扎特鋼琴 eminent artists, including Christian Tetzlaff, Alisa
Weilerstein, Pascal Roge, Mitzuko Uchida and Leif Ove
四重奏》。他亦是 L o g o s 室樂團的創團成員之一，該樂團
Andsnes in concerts throughout the world. Recent recordings
每年都會為香港蕭邦社年度「香港美樂聚音樂節」和「香港
include the Korngold String Sextet for Chandos and the
國際鋼琴大賽」演出。 Mozart Piano Quartets with Leif Ove Andsnes for Sony
Classical. He is a founding member of the Logos Chamber
2 0 0 1 年，為表彰其於專業領域之貢獻，獲倫敦皇家音樂學 Group playing annually at the Joy Of Music Festival and
院頒發「院士」稱號。喬爾現與家人於柏林定居。 International Piano Competition in Hong Kong.
In 2001 he was made an ‘Associate member’ of the Royal

Academy of Music in London (ARAM) for his services to the
profession. Joel is now based in Berlin where he lives with his
family.
42
佩爾•多明戈 ( 大提琴 ) Pierre Doumenge (cello)

佩爾• 多明戈為挪威卑爾根管弦樂團首席大提 Pierre Doumenge is the principal cellist of the
琴，以及卑爾根弦樂四重奏的成員，並時常為其 Bergen Philharmonic Orchestra and a member
of the Bergen String Quartet. He is also guest
他樂團擔任客席首席大提琴，包括奧斯陸愛樂
principal cello with many orchestras including
樂團、荷蘭愛樂樂團、蘇格蘭室樂團、倫敦小交
Oslo Philharmonic, Netherlands Philharmonic,
響樂團、馬勒室樂團、阿姆斯特丹交響樂團、啟 Scottish Chamber Orchestra, London
蒙時代管弦樂團等。 Sinfonietta, Mahler Chamber Orchestra,
Amsterdam Sinfonietta, Orchestra of the Age
佩爾亦為但丁弦樂四重奏擔任大提琴手，音樂 of Enlightenment.
足跡遍佈各大國際音樂節（奧爾德伯勒、庫赫 Pierre was the cellist of the Dante Quartet and
莫、布加勒斯特、維也納、奧索爾、紐倫堡、伯 has appeared at many international festivals
格斯塔登、H i n d s g a v l 音樂節、I M S 音樂節、 (Aldeburgh, Kuhmo, Bucharest, Vienna, Osor,
斯泰倫博斯、新加坡、香港、紐約、華盛頓、溫哥華和波士頓、 Nuremberg, Hindsgalv, IMS Prussia Cove, Stellenbosch,
德巴里洛切等地）。獲達頓、Me r id i a n、亥伯龍、山度士等
Singapore, Hong Kong, New York, Washington DC,
Vancouver, Boston, Bariloche). He has recorded for the
唱片公司錄製發行專輯，好評如潮。他亦定期與不同藝術
Dutton, Meridian, Hyperion and Chandos labels to great
家和樂團合作表演，包括：帕斯卡爾•羅傑、丹尼爾•霍普、 critical acclaim. His regular chamber music partners include
佩卡•庫西斯托、勞倫斯•波沃爾、貝爾琪亞四重奏、阿萊格里、 Pascal Rogé, Daniel Hope, Pekka Kuusisto, Lawrence Power,
薩科尼四重奏、皮亞堤、倫敦海頓弦樂四重奏、阿羅諾維茨 the Belcea, Allegri, Sacconi, Piatti, London Haydn quartets,
樂團、納許合奏團等等。2 0 0 8 年，他被選為梅紐因國際小 Aronowitz Ensemble and the Nash Ensemble. In 2008 he was
提琴比賽的指定大提琴手，與九名半決賽選手，演奏拉威
chosen to be the official cellist of the Menuhin International
Violin Competition, performing the Ravel Duo Sonata with
爾二重奏奏鳴曲。
the nine semi-finalists.
佩爾在 2 0 0 3 年至 2 0 0 9 年，於梅紐因音樂學校任教，2 0 0 5 Pierre taught at the Yehudi Menuhin School from 2003-
年至 2 0 17 年期間，為倫敦市政廳音樂及戲劇學院擔任大 2009 and was professor of cello at the Guildhall School of
Music from 2005-2017. He gives annual masterclasses at
提琴教授。他每年亦會主持大師班，包括英國國際大提琴
the International Cello Courses UK, Oxford Cello School,
課程、牛津大提琴學校、倫敦大提琴學會、巴黎音樂師範學 Violoncello Society of London, Ecole Normale de Musique
院、西赫爾辛基音樂學院、蒙斯皇家音樂學院和日本富山 de Paris, West Helsinki Music Institute, Conservatoire Royal
的西蒙•戈德堡研討會。他亦曾於多個地方公開講課，包括 de Mons and the Szymon Goldberg Seminars in Toyama,
紐約茱莉亞學院，以及布盧明頓、尤金、薩克拉門托、溫哥 Japan. He has given public classes at the Juilliard School
華、斯泰倫博斯、新加坡、香港和維也納等地多間音樂大學。 in New-York and the music universities of Bloomington,
Eugene, Sacramento, Vancouver, Stellenbosh, Singapore,
Hong Kong and Vienna.
43
喬納斯•斯塔克（鋼琴） Jonas Stark (piano)

德國鋼琴家喬納斯•斯塔克於 2 0 2 2 年榮獲香 German pianist Jonas Stark, winner of the Hong
港國際鋼琴大賽冠軍，曾在全球不同地方演 Kong International Piano Competition 2022,
出，包括德國各大城市、法國、荷蘭、英國、愛
has performed extensively through all major
German cities, France, the Netherlands, the UK,
爾蘭、波蘭、斯洛伐克、奧地利、瑞士、意大利、
Ireland, Poland, Slovakia, Austria, Switzerland,
俄羅斯、香港和澳洲等。為多個樂團協奏曲演 Italy, Russia, Hong Kong and Australia. As a
出擔任鋼琴獨奏，包括海德堡愛樂樂團、德國 soloist in piano concertos he appeared with the
廣播愛樂樂團、杜伊斯堡愛樂樂團、北德意志 Heidelberger Philharmoniker, Deutsche Radio
愛樂樂團、慕尼黑室內樂團和海頓愛樂樂團， Philharmonie, Duisburger Philharmoniker,
合作的指揮家包括馬林•阿爾索普、馬庫斯•博
Norddeutsche Philharmonie, Münchener
Kammerorchester and Haydn Philharmonie
斯、馬丁•弗拉茨、迪特格•霍爾姆和黃佳俊等。
under the baton of Marin Alsop, Marcus Bosch,
Martin Fratz, Dietger Holm and Kahchun Wong.
他於多個國際音樂比賽中屢獲殊榮，包括 2 0 0 9 年巴黎法
國國際音樂比賽冠軍、2 0 14 年青少年音樂大賽聯獎以及 Further achievements include the 1st prize at ‘Concours
Musical de France’ in Paris in 2009, the 1st federal prize and
兩個特別獎、2 0 17 年季雪金比賽冠軍、2 0 2 1 年多特蒙德
two special prizes at ‘Jugend musiziert’ in 2014, the 1st prize
國際舒伯特比賽季軍、以及 2 0 2 2 年慕尼黑 A RD 國際音 at the Walter Gieseking competition 2017, the 3rd prize at the
樂比賽特別獎。 International Schubert Competition Dortmund in 2021 and
此外，喬納斯憑著其出色的獨奏表演，兩度獲得州特別獎， a special prize at the ARD International Music Competition
並於 2 0 2 1 年，獲選為成為青年施坦威藝術家。 Munich in 2022.
Moreover, Jonas twice received the special award of his

在學的同時，喬納斯還出席了由不同音樂家主持的大師班， state for outstanding solo performance and became Young
包括萊斯利•霍華德、彼得•弗蘭克爾、迪米特里•巴什基洛夫、 Steinway Artist in 2021.
羅伯特•麥克唐納、約翰•佩里、克里斯托弗•埃爾頓、帕斯卡·
Alongside his studies, Jonas has attended masterclasses by
德沃永、迪米特里•阿列克謝耶夫、史蒂文•奧斯本、伊莫金•
Leslie Howard, Peter Frankl, Dimitri Bashkirov, Robert
庫珀、馬丁•赫爾姆臣、阿里•瓦爾迪、賈尼娜•菲爾科斯卡、 McDonald, John Perry, Christopher Elton, Pascal Devoyon,
安娜•馬利科娃、貝恩德•戈茨克、格里戈里•格魯茲曼和米 Dimitri Alexeev, Steven Osborne, Imogen Cooper, Martin
多里等。 Helmchen, Arie Vardi, Janina Fialkowska, Anna Malikova,
Bernd Goetzke, Grigory Gruzman and Midori.
喬納斯•斯塔克五歲時開始師從耶萊娜•塞梅年科習琴。 Jonas Stark started piano lessons with Jelena Semenenko
2 0 18 年在德國薩爾高等音樂學院師從托馬斯•杜伊斯，取 when he was five years old. After his Bachelor of Music at the
得音樂學士學位後，在英國倫敦皇家音樂學院師從伊恩• HfM Saar, Germany with Professor Thomas Duis in 2018 he
方坦，攻讀碩士和專業文憑。 studied Master and Professional Diploma with Professor Ian
Fountain at the Royal Academy of Music in London. Since
2021 Jonas is studying Soloklasse with Professor Roland
直至 2 0 2 1 年，他繼續於漢諾瓦音樂、戲劇與媒體學院，師
Krüger at the HMTM Hanover where he is also holding a
從羅蘭•魯格，攻讀獨奏研究生課程，並自 2 0 2 3 年起擔任 teaching position for piano since 2023.
鋼琴教學職位。
Jonas is scholar of the Jürgen Ponto foundation, the German
National Academic Foundation, the German Academic
喬納斯亦榮獲多個基金獎學金，包括於爾根•彭托基金會、
Exchange Service, the Deutsche Stiftung Musikleben, the
德國國家學術基金會、德國學術交流總署、德國音樂生活 Hans-and-Ruth-Giessen-Foundation and the Countess of
基金會、漢斯和露絲 •吉森基金會以及英國蒙斯特女伯爵 Munster Musical Trust.
音樂基金獎。
44
朱塞佩．安達羅洛（鋼琴） Giuseppe Andaloro (piano)

19 8 2 年出生於巴勒莫，朱塞佩年紀很小時便 Born in Palermo in 1982, he started a passionate
對音樂充滿熱情及認真，並開始參加音樂會演 and intense concert activity at a very young age,
carrying out a wide repertoire which ranges
出，演奏的曲目範圍廣泛，由文藝復興、跨越到
from Renaissance to modern and contemporary
現代及當代音樂。他是多個著名音樂節的表演
music. He has been guest of renowned festivals
嘉賓（薩爾茨堡音樂節、魯爾鋼琴節、斯波萊 (Salzburger Festspiele, Ruhr Klavier, Spoleto
托兩個世界音樂節、布加勒斯特艾內斯科音樂 Due Mondi, Bucarest Enescu, Ravello, “Chopin”
節、香港美樂聚、拉維多音樂節、杜斯尼基 — Duszniki-Zdròj, A.B. Michelangeli di Brescia
茲德羅伊「蕭邦」音樂節、布雷西亞及貝爾加 e Bergamo, “Al Bustan” Beirut, “Mehli-Mehta”
Mumbai) and in some of the most important
莫米凱蘭傑利音樂節、貝魯特「阿爾布斯坦」
concert venues in the world, including La Scala
音樂節、孟買「梅利．梅塔」音樂節），以及在世
in Milan, Salle Gaveau in Paris, Konzerthaus in
界上最著名的音樂會場地演出，包括米蘭斯卡 Berlin, Gasteig in Munich, Royal Festival Hall
拉歌劇院、巴黎夏沃音樂廳、柏林音樂廳、慕尼黑加斯泰格 and Queen Elizabeth Hall in London, Santa Cecilia at “Parco
音樂廳、皇家節日音樂廳和倫敦的伊麗莎白女王音樂廳、羅 della Musica” in Rome, Rudolfinum Dvořák Hall in Prague,
馬「音樂公園禮堂」的聖則濟利亞廳、布拉格的魯道夫音樂 Anfiteatro Simón Bolívar in Mexico City, Teatro Oriente
in Santiago de Chile, Sumida Triphony Hall in Tokyo,
廳音樂廳、墨西哥城的西蒙．玻利瓦爾劇院、智利聖地牙哥
Esplanade Auditorium in Singapore, City Hall Concert Hall
東方劇院、東京墨田三聲音樂廳、新加坡濱海藝術中心、香
in Hong Kong, etcetera.
港大會堂音樂廳等等。
He regularly plays with major orchestras (London
Philharmonic, Tokyo NHK Symphony, Singapore Symphony,
他經常與知名的樂團合作演出（倫敦愛樂樂團、東京 N H K Hong Kong Philharmonic, Philharmonische Camerata
交響樂團、新加坡交響樂團、香港管弦樂團、柏林愛樂樂團、 Berlin, London Mozart Players, Czech Philharmonic
倫敦莫札特音樂家合奏團、捷克愛樂樂團），與多位出色的 Orchestra) and great conductors such as Vladimir
指揮家合作，例如弗拉基米爾• 阿殊堅納西、約翰 – 傑克• Ashkenazy, Jean-Jacques Kantorow, Gianandrea Noseda,
康投侯福、賈南德雷亞•諾賽德、安德魯．帕羅特等等，亦曾 Andrew Parrott and internationally acclaimed artists,
including Sarah Chang, Giovanni Sollima, Sergej Krylov,
與享負盛名的音樂家一同演出，包括張莎拉、喬萬尼• 索利
Anna Tifu, Svetlin Roussev, John Malkovich.
馬、謝爾蓋•克雷諾夫、安娜．蒂夫、斯飛特麟•盧塞夫、約翰•
馬爾科維奇等等。 First Prize Winner in some of the most prestigious
international piano competitions - such as “Ferruccio
Busoni” in Bolzano, London Piano Competition, Porto,
他曾於各大國際鋼琴賽事斬獲冠軍，包括波扎諾「布索尼 Sendai, Hong Kong - in 2005 he was praised for artistic merit
國際鋼琴比賽」、倫敦鋼琴比賽，及波爾圖、仙台和香港等 by the Italian Ministry for Heritage and Cultural Activities.
地的比賽，2 0 0 5 年獲意大利文化遺產及文化活動部，頒發
He has many records on his credit (Sony, Warner, Naxos,
藝術優等獎。 Fontec labels) and has been guest in various Radio-TV
broadcasts, such as NHK-BS2 Tokyo, BBC London, Radio
他擁有許多唱片（索尼、華納、N a x o s、香港 T h e A l p h a France Musique, Amadeus 103.7 Buenos Aires, Classic
O m e g a S o u n d 及 L a b e l s），並曾為各大電台及電視台 FM Radio Allegro Johannesburg, RTSI Lugano, RDP
擔任嘉賓，例如 N H K- B S2 東京、倫敦 B B C、法國音樂電 Radiodifusão Portuguesa, Rai Radio3 Italia, German Radio
SWR2, Vatican Radio, WRR Dallas Classical Radio, Hong
台、A m a d e u s10 3 . 7 布宜諾斯艾利斯、約翰內斯堡快板古
Kong Radio 4, Singapore Symphony 92.4FM, Fresno Valley
典音樂台、盧加諾 R T S I 電台、葡萄牙 R D P 電台、意大利 Public Radio, etc.
R A I 電台第 3 台、德國廣播電台 SW R 2、梵蒂岡廣播電台、
Andaloro gives master classes in Italy and abroad (Tokyo
W R R 達拉斯古典廣播電台、香港電台第 4 台、新加坡交響
Showa University, Fresno California State University,
樂團 9 2 . 4 F M、弗雷斯諾谷公共廣播電台等。 International Keyboard Academy of Thailand, Kuala
Lumpur Chopin Society, Hong Kong Chopin Society) and
安達洛羅於意大利及世界各地教授大師班（包括東京昭和 has served the jury in international piano competitions.
大學、加州州立大學弗雷斯諾分校、泰國國際鍵盤學院、吉
隆坡蕭邦社、香港蕭邦社），並為不同國際鋼琴比賽出任評
審。
45
阿爾瓦羅•皮耶里（結他）
阿爾瓦羅•皮耶里為全球公認的大師級結他音些音樂作品屢獲殊榮，至今他已兩次獲得加拿

樂家，世界各地的各大媒體讚譽不絕，「精湛大 F E L I X 年度最佳古典音樂大碟獎，最近，日
慎密的演繹」、「令人讚嘆的切句」、「非凡卓本 P i o ne e r Mu s i c s 亦為他發行輯錄了西班牙
越的技巧」、「以結他創造出獨一無二的音樂及南美結他音樂作品，德意志留聲機公司則再
光譜」。次發行皮耶里與阿斯托爾•皮亞佐拉的二人組
演出 DV D。
阿爾瓦羅•皮耶里深受大眾和評論家歡迎，為
世界各地主要音樂廳的常客，足跡遍布歐洲、作為一位蜚聲國際的導師，皮耶里許多門下弟
北美、南美、印度、日本、韓國和中國等。子都曾獲重大國際結他比賽獎項，發展優異音
樂事業，包括表演及錄製專輯。皮耶里曾於巴西
他於美國紐約的首次亮相，好評如潮：「皮耶里先生展現出聖瑪麗亞大學任職教授，其後於加拿大麥吉爾大學（音樂
的藝術成熟度，為稀世之珍」、「堪比塞戈維亞、布里姆、威學院）和滿地可魁北克大學蒙特利爾分校（音樂部門）開設
廉姆斯等藝術家」、
「才華橫溢、靈敏、多才多藝、令人驚嘆」結他班。2 0 0 2 年，他獲著名的奧地利維也納音樂學院（現
（紐約時報）。19 8 3 年，他與柏林愛樂管弦樂團合作表演，已改名為維也納音樂和表演藝術大學）聘為教授。
於德國首次亮相，其後，他成為全球各地電台和電視節目的
常客，除了獨奏表演，他亦曾與不同知名音樂家合作，例如：皮耶里亦在全球各地的音樂節教授大師班，包括紐約曼哈
弗蘭克• 彼得• 齊默爾曼、阿斯特•皮亞佐拉、查爾斯• 杜托頓大師班、美國 G FA 結他基金會、魁北克 F i g、奧福德音
伊特及多個大型管弦樂團。他亦曾與各大電台合作進行音樂節、加拿大 D o m a i n F o r g e t 音樂節、巴黎 S I G 國際結
樂表演製作，包括：德國廣播、紐約 P B S、加拿大哥倫比亞他研討會，足跡遍布西班牙波爾多、巴塞羅那、塞維利亞和
廣播公司、法國廣播電台、日本 N H K、韓國 K B S，以及位埃爾切、羅馬、薩爾茨堡莫札特音樂大學、維也納大師班、
於澳洲、西班牙、法國、丹麥、中國等地的電台。列支敦士登結他周、阿姆斯特丹、哥本哈根、赫爾辛基、烏
普薩拉、美因茨音樂別墅、柏林、科布倫茨、伊瑟隆、聖保羅、
阿爾瓦羅•皮耶里經常與不同出色的音樂家、樂團和管弦樂里約熱內盧、蒙得維的亞、孟買、新德里、東京、札幌、大阪、
隊合作演出，包括：查爾斯• 迪圖瓦和蒙特利爾交響樂團；首爾、香港、北京、上海等。
阿斯特•皮亞佐拉、平夏斯•斯坦伯格以及 W D R 科隆廣播
交響樂團；雅尼克• 內澤 - 塞甘、與沃伊切赫• 拉斯基及波阿爾瓦羅•皮耶里出生於烏拉圭蒙特維多的音樂世家，皮耶
蘭室樂愛樂樂團；馬里奧•貝爾納迪及 CBC 廣播交響樂團；里自小便由鋼琴家母親阿達• 埃斯塔德斯及烏拉圭結他手
倫敦室樂團、弗蘭克• 彼得• 齊默爾曼、埃爾諾•塞貝斯汀、阿姨奧爾加•皮耶里教授音樂，後師從著名傳奇大師亞伯•
雷吉斯•帕斯奎爾、哈托•拜爾勒、菲利普•穆勒、利奧• 布勞卡列瓦羅及作曲家吉多•桑托索拉，並入讀烏拉圭國立音樂
威爾、阿姆賈德• 阿里•汗、阿爾西德斯• 蘭扎、特雷西•西爾學院。從 11 歲起，他便展開其音樂演出生涯，並於國際結
弗曼、莫林•福雷斯特、愛德華多•費爾南德斯、伊薩耶四重他比賽中屢獲殊榮，包括阿根廷布宜諾斯艾利斯國際結他
奏、凱魯比尼四重奏、海龜島弦樂四重奏、維也納合奏團與比賽冠軍、巴西阿雷格里港國際結他比賽冠軍、以及第 18
萊納•霍涅克、瓦斯科•瓦西列夫、帕斯卡•羅傑等等。屆巴黎國際比賽金獎。
他的不少主要作品皆出自當代作曲家手筆，例如萊奧• 布勞 2 0 0 8 年，其家鄉蒙特維多向他頒發「榮譽市民」稱號，以

威爾、基多• 山杜梭拉、雅克• 赫圖、阿斯托爾•皮亞佐拉、肯定皮耶里出色的藝術才華及事業，並表彰其對音樂和文
亞貝爾•卡雷巴洛、卡羅•多明尼可尼和杜尚•博格達諾維奇等，化所作出的豐富貢獻。
這些樂曲亦由阿爾瓦羅傾情首演。
皮耶里的專輯獲世界各大品牌發行，如法國寶麗多、德國
藍天使 -2 0 0 1、加拿大米蘭唱片、加拿大 A n a l e k t a、加
拿大 A m p l i t u d e、加拿大 M a d a c y、日本 H O M A、日本
Pioneer Classics 和香港 A lpha Omega 等。他的唱片包
括獨奏唱片、室樂、結他音樂會和電子原音音樂。他憑著這
46
Alvaro Pierri (guitar)

Alvaro Pierri is internationally acclaimed as a Canadian FELIX award for the best classical CD
leading personality in the world of the guitar. of the year. Recently „Pioneer Classics Japan“
Press reviews around the world praise “his brought out a DVD featuring Spanish and
masterly thought-out interpretations“... “the South American guitar music, and “Deutsche
breathtaking phrasing“ ... “his phenomenal and Grammophon“ re-issued a DVD, Alvaro Pierri
brilliant technique” ... “the unmatched musical performing in duo with Astor Piazzolla.
colour spectrum that he creates on the guitar“.
Alvaro Pierri is also an internationally acclaimed
Popular with both the public and the critics, teacher. Many of his students have won major
Alvaro Pierri is regular guest in major concert international guitar competitions, and have
houses in Europe, North and South America, in t h e ms elve s out st an d i ng p e r for m i ng an d
India, Japan, Corea and China. recording careers. He was professor in Brazil
at the University of Santa Maria, later then in
His debut in the USA took place in New York and received
Canada at McGill University (Faculty of Music) and at the
outstanding reviews: “… Mr. Pierri revealed an artistic
UQAM (Department of Music) in Montreal. In 2002 he was
maturity not commonly encountered ” … “compared to
appointed professor at the famous Academy of music in
artists as Segovia, Bream, Williams” … “brilliant, sensitive,
Vienna (today University of Music and Performing Arts),
versatile, breathtaking” (New York Times). In 1983 he
Austria.
made his debut in Germany with the string soloists of the
Berlin Philharmonic; subsequently Alvaro Pierri appeared Pierri gives master classes at major music festivals such as
worldwide on numerous radio and television programmes New York Manhattan Masters, GFA Guitar Foundation
(as a soloist but also together with artists like Frank Peter of America, Québec FIG, Orford Festival, Domain Forget
Zimmermann, Astor Piazzolla, Charles Dutoit and big (Canada), SIG Séminaire International de Guitare in Paris
Orchestras) produced by stations like Deutsche Rundfunk, and Bordeaux, Barcelona, Sevilla and Elche in Spain,
PBS New York, CBC Canada, Radio France, NHK Japan, KBS Rome, Mozarteum Summer Academy in Salzburg, Wiener
Korea, Austrian, Spanish, French, Danish, Chinese Radios. Meisterkurse, LiGiTa Liechtenstein Guitar Week, Amsterdam,
Kopenhagen, Helsinki, Uppsala, Villa Musica Mainz, Berlin,
Alvaro Pierri is regularly performing with outstanding
Koblenz, Iserlohn, Sao Paulo, Rio de Janeiro, Montevideo,
musicians, ensembles and orchestras. He has shared the
Mumbai, New Delhi, Tokyo, Sapporo, Osaka, Seoul, Hong
stage with artists including Charles Dutoit and the Montreal
Kong, Beijing, Shanghai, a.o.
Symphony Orchestra, Astor Piazzolla and the WDR Radio
Orchestra Köln with Pinchas Steinberg, Yannick Nezet- Alvaro Pierri was born in Montevideo in Uruguay, in a
Séguin, Polnish Chamber Philharmoniic Orchestra with family of musicians. He received his early musical education
Wojciech Rajski, CBC Radio Orchestra with Mario Bernardi, from his mother, the pianist Ada Estades, and his aunt, the
London Chamber Orchestra, Frank Peter Zimmermann, uruguayan guitarist Olga Pierri. Later he studied with the
Ernö Sebestien, Regis Pasquier, Hatto Beyerle, Philippe legendary Maestro Abel Carlevaro, the composer Guido
Müller, Leo Brouwer, Amjad Ali Khan, Alcides Lanza, Tracy Santorsola and also at the Uruguayan National Institute of
Silverman, Maureen Forrester, Eduardo Fernandez, Isaye Musicology. From the age of 11 he was already performing
Quartett, Cherubini Quartet, Turtle Island String Quartet, in concerts and winning prizes in international guitar
Ensemble Wien with Rainer Honeck, Vasko Vassilev, Pascal competitions, including 1st Prize in the International Guitar
Rogé. Competition in Buenos Aires, Argentina, 1st Prize in the
International Guitar Competition in Porto Alegre, Brazil,
Contemporary composers such as Leo Brouwer, Guido
and the Gold Medal at the 18th International Competition in
Santorsola, Jacques Hétu, Astor Piazzolla, Abel Carlevaro,
Paris.
Carlo Domeniconi, Dusan Bogdanovic a. o. have written
major works for Alvaro Pierri, in each case he has premiered In recognition of his outstanding artistic talent and career
them brilliantly. and his permanent enriching contribution to music and
culture, 2008 Alvaro Pierri was appointed as honorary citizen
Alvaro Pierri’s CDs have been released by Metropole-Polydor
of his home town Montevideo.
(France), Blue Angel-2001 (Germany), Milan Records
(Canada), Analekta (Canada), Amplitude (Canada), Madacy
(Canada), HOMA (Japan), Pioneer Classics (Japan) and
Alpha Omega (Hong Kong). His discography includes solo
recordings, chamber music, guitar concerts and electro-
acoustic music. Several of his CDs have been honoured with
prices and nominations, he received already twice the coveted
47
蘭殊．高夫斯基（鋼琴） Ilya Rashkovskiy (piano)

19 8 4 年生於俄羅斯伊爾庫茨克。八歲首度於 Born in Irkutsk, Russia in 1984, Ilya Rashkovskiy
台上亮相，和伊爾庫茨克室樂交響樂團同台演 debuted at age 8 with the Irkutsk Chamber
出。於各大比賽屢獲殊榮，包括：2 0 0 1 年巴黎
Music Orchestra. He won the 2nd place at the
Long – J. Thibaud Competition (2001), 1st place
隆提博國際鋼琴大賽亞軍 ﹑2 0 0 5 年香港國際
at the Hong Kong International Competition
鋼琴大賽冠軍 ﹑2 0 11 年斯坦鋼琴大賽季軍和 (2005), 4th at the Queen Elisabeth Competition
濱松國際鋼琴比賽冠軍。就讀於新西伯利亞、 in Brussels, 3rd place at the Artur Rubinstein
漢諾威及巴黎等地，曾師隨弗拉基米爾•克拉 Piano Masters in Tel Aviv (2011) and the 1st
伊涅夫習琴。 place at the Hamamatsu International Piano
Competition. He studied in Novosibirsk,
Hannover and Paris; his main piano teacher was
獨奏方面，他曾與各大樂團合作，包括：法國
Vladimir Krainev.
廣播愛樂樂團、馬林斯基交響樂團、里爾國家
交響樂團、古爾本基安交響樂團、比利時國家交響樂團、捷 He collaborated as a soloist with the Orchestre
克國家交響樂團、俄羅斯國家交響樂團、羅馬尼亞國家交 Philharmonique de Radio France, Mariinsky Orchestra,
the Orchestre national de Lille, the Gulbenkian Orchestra,
響樂團等。蘭殊亦曾於全球多個著名音樂會場演出，如夏
the National Orchestra of Belgium, the Czech National
特雷劇院、皮勒耶音樂廳、科隆愛樂廳、阿姆斯特丹皇家音 Symphony Orchestra, Russian State Symphony, the Romanian
樂廳、莫斯科音樂學院大音樂廳、東京三得利音樂廳和台 National Orchestra amongst many others. Ilya performed
北國家音樂廳等。 in several prestigious concert venues throughout the world,
such as the Théatre du Châtelet, the Salle Playel, the Cologne
室樂方面，他曾與不同音樂家合作，包括諏訪內晶子、庄司 Philharmonic Hall, the Royal Concertgebouw in Amsterdam,
the Grand Hall of the Moscow Conservatory, the Suntory
紗矢香、加里•霍夫曼、丹尼爾•洛扎科維奇、博索里、鮑羅
Hall in Tokyo and Taipei National Concert Hall.
丁和上海四重奏等。他錄製了多張唱片，包括蕭邦練習曲
全集和斯克里亞賓鋼琴奏鳴曲全集。2 0 2 4 年 11 月受邀擔 He is also active as a chamber musician, having collaborated
任第十二回濱松國際鋼琴比賽評審。 with musicians such as Akiko Suwanai, Sayaka Shoji,
Gary Hoffman, Daniel Lozakovich, Bomsori, Borodin and
Shanghai String Quartets. He recorded several CDs including
2 0 17 年起，他亦於首爾誠信女子大學擔任客座教授。 Chopin Complete Etudes as well as Scriabin Complete
Piano Sonatas. In November 2024 he is invited to serve as
a Jury member of 12th Hamamatsu International Piano
Competition.
Since 2017 he is also a guest professor at Sungshin Woman’s

University in Seoul.
48
金弘基 ( 鋼琴 ) Honggi Kim (piano)

韓國鋼琴家金弘基榮獲多項大獎，包括 2 0 1 3 South Korean Pianist Honggi Kim won the
年尹伊桑國際音樂比賽冠軍、2 0 18 年第 6 0 屆 first prize at the Isangyun International Music
西班牙哈恩國際鋼琴比賽新秀特別獎、冠軍和 Competition in 2013 and the Special Prize for
Young Talents, the first prize and two special
兩項特別獎（最佳室樂演奏、最佳西班牙音樂
prizes (Best Performance in Chamber Music and
演奏）、2 0 19 年第五屆香港國際鋼琴大賽冠 Best Performance in Spanish Music) at the 60th
軍。 International Piano Competition of Jaén, Spain
in 2018, and also another first prize at the 5th
Hong Kong International Piano Competition in
他的音樂造詣備受肯定，榮獲多項國際獎項包
2019.
括：2 0 1 3 年中國國際鋼琴比賽季軍、2 0 14 年
He has also been recognized for his outstanding
第 6 9 屆日內瓦國際音樂比賽季軍、2 0 16 年德
musicianship by winning numerous
國舒伯特國際音樂大賽特別獎、2 0 18 年瑞士 international prizes, including the 3rd prize at
格扎安達音樂比賽最佳舒曼演奏特別獎。 the China International Piano Competition in 2013, the 3rd
prize at the 69th Geneva International Music Competition
他亦以獨奏家身分，在不同獨奏音樂會、室樂音樂會等演 in 2014, a special prize at the Schubert International Music
Competition in Germany in 2016, and a special prize for the
出，他亦與多個歐洲管弦樂團合作，其中包括德國、法國、
best performance of Schumann at the Geza and Competition
意大利、奧地利、西班牙和瑞士，亞洲演出包括中國、日本、 in Switzerland in 2018.
新加坡和香港；南美洲演出包括巴西。以勝出者身份，為中 He has performed numerous concerts as a soloist in recitals,
國國際鋼琴比賽完成了中國巡演、日內瓦國際音樂比賽的 chamber music, and with orchestras in Europe, including
亞洲巡演、哈恩比賽於西班牙安達盧西亞地區巡演等。在 Germany, France, Italy, Austria, Spain, and Switzerland;
韓國，他曾與 K B S 交響樂團和國家交響樂團合作，在首爾 Asia, including China, Japan, Singapore, and Hong Kong;
and South America, including Brazil. He has also completed
藝術中心演出；與迪託管弦樂團合作，於仁川藝術中心的
a tour of China as a winner of the China International
貝多芬誕辰 2 5 0 週年音樂會演出；以及與原州、昌原、木 Piano Competition, a tour of Asia as a winner of the Geneva
浦和群山等地的交響樂團合作。 International Music Competition, and a tour of Spain’s
Andalusia region as a winner of the Jaen Competition. In
他曾於歐洲的舞台進行獨奏演出，包括意大利的第 5 4 屆
Korea, he performed with the KBS Symphony Orchestra
the National Symphony Orchestra at the Seoul Arts Center,
切爾沃音樂節、意大利萊萬托的第 2 6 屆露天劇場音樂節、 the Dito Orchestra at the 250th anniversary concert of
奧地利艾森斯塔特美樂聚音樂節、伯布林根鋼琴節、腓特 Beethoven’s birth at the Incheon Arts Center, and the Wonju,
烈港地震音樂節、德累斯頓的邁森鋼琴節。他還曾在韓國 Changwon, Mokpo, and Gunsan symphony orchestras.
錦湖藝術廳《美麗星期四系列》、首爾藝術中心夏季音樂 He has performed on the solo stage in Europe at the 54th
節和平昌音樂節等舞台上作獨奏演出。 Cervo music festival and 26th Amfiteatrof music festival in
Levanto in italy, Joy of music festival in Eisenstadt in Austria,
pianistenfestival Böblingen, earthquake-Konzertreihe in
2 0 2 1 年，他獲韓國鋼琴家白建宇選中，在法國歷史悠久的
Friedrichshafen, pianoforte-fest Maissen in Germany. He
巴黎香榭麗舍劇院合作演出。2 0 2 3 年，為紀念拉赫瑪尼諾 has also performed on the solo stage in South Korea at the
夫誕辰 1 5 0 週年，他演奏了拉赫瑪尼諾夫為鋼琴而作的《 2 4 Kumho Art Hall Beautiful Thursday Series, the Seoul Arts
首前奏曲》。2 0 2 4 年為紀念俄羅斯作曲家「謝爾蓋利亞普 Center Summer Music Festival, and the Pyeongchang Music
諾夫」逝世 10 0 週年，他演奏的樂章包括獻給給李斯特費
Festival.
倫茨的「1 2 首超驗練習曲 op.11」。 Recently, in 2021, he was selected by Korean pianist Kun-
woo Paik and played together at the historic Champs-Elysees
Theater in Paris, France, and in 2023, in commemoration of
在藝園學校就讀期間，洪基在韓國藝術綜合大學（現為韓 the 150th anniversary of Rachmaninoff ’s birth, he performed
國國立藝術天才學院）預科學習作曲三年，後畢業於首爾 all of Rachmaninoff ’s ‘24 Preludes for Piano on one stage.
藝術高中和韓國藝術綜合大學。隨後，他移居德國，在慕 In 2024 for the 100th anniversary of the Russian composer
尼黑音樂戲劇學院和明斯特音樂學院深造。 ‘Sergei Lyapunov’s death, he is presenting the program
including his ‘12 transcendental Etudes op.11’ which is
dedicated to Franz Liszt.
While attending Yewon School, Honggi studied composition
for three years at the Preparatory School Program of the
Korea National University of Arts (now the Korea National
Institute for Gifted in Arts) and later graduated from Seoul
Arts High School and Korea National University of Arts.
He then moved to Germany to study at the Hochschule für
Musik und Theater München and the Musikhochschule
Münster.
49
Technical Engineers 技術工程師
沃爾克 • 維爾納（音訊、視訊和串流媒體工程師） Volker Werner (Audio, Sound & Streaming engineer)
沃爾克・維爾納在維也納音樂與表演藝術大學、 Volker Werner studied “Tonmeister” at University of
Music and Performing Arts Vienna, at University of
佛羅里達州的邁阿密大學和加拿大的班夫中心
Miami, Florida and Banff Centre in Canada. In 2007
接受專業聲音藝術製作訓練。他於 2 0 0 7 年創立
he founded his company PDV Records, specializing
了自己的公司 P D V R e c o r d s，專注於音樂會和 in sound design for concerts and shows, audio and
表演的聲音設計、音頻、視頻製作以及電影音樂 video production as well as film music. As sound
等工作。作為音效設計師，他參與了維也納音樂 designer he worked on projects like the opening of
節的開幕禮、迪士尼音樂會和採石場歌劇等項 the Vienna Festival, Disney in Concert or Opera in
the Quarry. He produced musical TV events such as
目。他也參與電視音樂節目製作，如梅爾克修道
the national Whitsunday concert from Stift Melk or
院的全國五旬節音樂會和維也納聖斯德望主教
the Easter Concert from St Stephen’s Cathedral in
座堂的復活節音樂會。 Vienna.
沃爾克・維爾納亦曾與多位知名古典音樂藝術家合作，包 Volker Werner has worked with renowned classical music
括尼古勞斯・哈農庫特、戴安娜・達姆勞、埃迪塔・格魯貝 artists such as Nikolaus Harnoncourt, Diana Damrau, Edita
羅娃和邁克爾・沙德，世界著名的樂團包括柏林愛樂樂團、 Gruberová and Michael Schade as well as world famous
orchestras including the Berlin Philharmonic, the Vienna
維也納交響樂團和馬勒室樂團。沃爾克・維爾納目前在維
Symphonic or the Mahler Chamber Orchestra. Volker
也納音樂與表演藝術大學任教，並參與了各種沉浸式音頻
Werner is teaching at University of Music and Performing
格式的開發工作。他是艾瑪迪斯聲學公司的首席技術官， Arts Vienna and has been involved in the development
他們開發的主動式聲學系統與倫敦交響樂團合作進行首次 of various immersive audio formats. He is the CTO of
「公演」，並在柏林愛樂樂團的演出使用，為安德瑪特音樂 Amadeus Acoustics, an active acoustics system debuting
廳揭幕。他還負責占士邦博物館「0 0 7 元素」的 3D 音響裝 with the London Symphony Orchestra and inaugurating
the Andermatt Concert Hall with the Berlin Philharmonic.
置以及維也納的《神話莫扎特》體驗。
He is also responsible for the 3D sound installation at the
James Bond Museum ”007 Elements” or the Mythos Mozart
experience in Vienna.
Jiri Melnikov (Streaming Engineer)
Jiri Melnikov is the manager of SAGElab, a joint workplace

of the CESNET association and the Faculty of Information
Technology of the Czech Technical University in Prague
focused on network technologies, multimedia and virtual
reality. For many years he has been working on high-
resolution and low-latency transmission research. He is the
lead software developer of the MVTP platform used for real-
time delay-critical applications.
伊里•梅爾尼科夫（串流媒體工程師）
伊里・梅爾尼科夫於協會和布拉格捷克理工大學資訊科
技學院的聯合實驗室擔任負責人，專注於網路技術、多媒
體和虛擬現實等領域，多年來，他一直致力研究高解析度
和低延遲傳輸。他亦是平台的首席軟體開發人員，用於實
時時間關鍵型的應用程式。
50
技術工程師 Technical Engineerss
Dr. Sven Ubik (Senior Researcher)
Dr. Sven Ubik is a senior researcher Other professional experience:

in CESNET. He is the head of the • Research interests: advanced network applications,
research group Technologies for performing arts over network, digital cultural heritage,
network applications. He has been Internet of Things, computer network monitoring,
a researcher and a coordinator in programmable hardware, optical networks.
several national and international
projects. He is a co-author of several • Pr i nc ip a l i nve st i g ator i n mu lt ipl e n at i on a l and
patents and he is a Cisco CCIE#14053 international projects
professional. He is a PhD advisor at • PhD advisor at the Czech Technical University
the Czech Technical University. He
• Professional-Level Cisco Certification CCIE #14053
has built a Network Visualization
Lab as a joint research facility of CESNET and the Czech • Design and implementation of computer network systems
Technical University. He is a Senior Member of the IEEE, (architecture, hardware, software)
a member of ACM and SMPTE. He has been a reviewer of
• Real-time programmable hardware (FPGA) systems
multiple international conferences and of research project
proposals. His research group has developed the MVTP • Distance collaboration audiovisual systems
(Modular Video Transmission Platform) technology based
on FPGA for ultra-low-latency audiovisual transmissions Membership:
for distance collaboration. In 2020 he received the Europa ACM, SIGCOMM, IEEE (M’00, SM’07), COMSOC, SMPTE
Nostra / Creative Europe Award for the contribution to
Selected relevant publications:
collaboration in classical music in an European scale. In
• T. Dvorak, J. Kubista, O. Linhart, I. Maly, D. Sedlacek, S.
2022 he received the Czech Head Award in the industry
Ubik, “Presentation of Historical Clothing Digital Replicas
category for the most innovative product (MVTP) developed
in Motion”, IEEE Access, Volume 12, 2024, DOI10.1109/
in Czech Republic. He acquired his MSc. and Dr. degrees at
ACCESS.2024.3355049.
the Department of Computer Science at the Czech Technical
University. He has over 30 years of experience in computing • S. Ubik., J. Kubista, T. Dvorak, “Interactive 3D models:
systems and electronics. He was a visiting researcher at the Documenting and presenting restoration and use of
Internet Real-Time Laboratory of the Columbia University heritage objects”, Digital Applications in Archaeology
in New York (1999-2000). After joining CESNET, he has and Cultural Heritage, Volume 27, December 2022, DOI
been leading a research group that has developed multiple 10.1016/j.daach.2022.e00246.
hardware (FPGA-based) and software systems for high-speed • S. Ubik, J. Halák, M. Kolbe, J. Melnikov, M. Frič, “Lessons
passive network monitoring, ultra-high-definition video learned from distance collaboration in live culture”,
transmissions, ultra-low-latency transmissions for real- International Conference on Human Interaction and
time collaboration, 3D model navigation, electro-photonic Emerging Technologies: Future Applications (IHIET -
devices, medical transmissions and cyber-performances AI 2021), April 28-30, 2021, Strasbourg, France, DOI:
across continents. 10.1007/978-3-030-74009-2_77.
Education: • S. Ubik, J. Halák, J. Melnikov, M. Kolbe, “Ultra-Low-
1998 Dr. Czech Technical University in Prague Latenc y Video Transmissions for Delay Sensitive
1990 MSc. Czech Technical University in Prague Collaboration”, The 9th Mediterranean Conference on
Current position: Embedded Computing (MECO’2020).
• 2000-now: CESNET, Senior Researcher, Head of the • S. Ubik, J. Pospíšilík, “Video Camera Latency Analysis and
research group Technologies for network applications Measurement”, IEEE Transactions on Circuits and Systems
Previous positions: for Video Technology, March 2020, Vol. 30, No. 3, DOI:
• 12/99-05/00 Postdoc Research Scientist, Internet 10.1109/TCSVT.2020.2978057.
Real-Time L aborator y, Department of Computer • S. Ubik, K. Hynek, J. Melnikov, “FPGA Packet Reflector
Science, Columbia University, New York, NY, USA. for Network Path Testing”, PROCEEDINGS OF 2019
• 2/99-11/99 Research Scientist (part-time), Department INTERNATIONAL CONFERENCE ON SYSTEMS,
of research and development, CESNET, Prague, Czech SIGNALS AND IMAGE PROCESSING (IWSSIP 2019),
Republic. Page 39-42, DOI10.1109/iwssip.2019.8787248.
• 7/91-11/99 Computer Network, UNIX and Oracle • S. Ubik. J. Navratil, J. Melnikov, B. Goo, F.Noor, A.
Administrator, Application Developer, Head of the Baumann, J. Hrb, C. Allocchio, G. Castillo: Cyber
server administration group, Chief faculty network performances, technical and artistic collaboration across
administrator, Computer Center, Faculty of Mechanical continents, Future Generation Computer Systems, Elsevier,
Engineering, Czech Technical University in Prague. ISSN: 0167-739X, Vol. 54, January 2016, pp. 306–312.
51
Technical Engineers 技術工程師
斯文•烏比克博士（高級研究員）
斯文·烏比克博士是 C E S N E T 的高級研究員，亦是網路應
用技術研究組的組長。他參與並統籌了多個國家級和國
際項目，合著多項專利，並獲得了思科認證網際網路專家
# 14 0 5 3 認證。他於布拉格捷克理工大學擔任博士生導師，
並為 C E S N E T 與捷克理工大學設立了聯合網絡可視化實
驗室。他亦是電機電子工程師學會（I E E E）的高級會員、電
腦協會（ACM）和電影電視工程師協會（SMPTE）的成員，
曾為多個國際會議和研究計劃擔任審核人。
其研究組開發的 M V T P（模塊化視頻傳輸平台）技術基於
現場可程式化邏輯閘陣列（F P G A），旨在實現超低延遲
的音視頻傳輸，以支援遙距協作。2 0 2 0 年，為表彰其在歐
洲古典音樂合作舞台上所作的卓越貢獻，他獲頒 E u r o p a
N o s t r a ／ C r e a t i v e E u r o p e 獎項；2 0 2 2 年，在 C z e c h
H e a d 獎項的工業類別中，榮獲捷克最創新產品開發獎
（M V T P）。他在捷克理工大學獲得計算機科學學系的碩
士和博士學位，擁有超過 3 0 年的計算系統及電腦技術的
豐富經驗。19 9 9 至 2 0 0 0 年，他在紐約哥倫比亞大學的互
聯網實時實驗室擔任訪問研究員。
加入 C E S N E T 後，由他領導的研究組開發了多個硬體（基

於 F P G A 技術）和軟體系統，涵蓋不同領域，包括高速被
動網路監測、超高清晰度視頻傳輸、實時協作的超低延遲
傳輸、3D 模型導航、電光設備、醫療傳輸及跨大陸的網路
表演等。
52
樂曲介紹撰寫者 Author of programme notes
Chang Tou Liang 張道亮

The Writer of the Programme Notes
Singapore native Chang Tou Liang is a family In 2011, he was conferred a Special Recognition
physician in private practice. He also aspires to Award by the Singapore government’s Ministry
classical music-related endeavours, including being of Communication, Information and the Arts
a music reviewer for The Straits Times (over 2600 for contributions to music and the arts. In
publications to date), former Artistic Director of 2016, he was the unanimous winner of the 4th
the Singapore International Piano Festival (2004- Husum Piano Quiz, an honour previously held
2008), amateur pianist, amateur singer (10 years by Marc-André Hamelin. He also made a cameo
as a tenor in the Singapore Symphony Chorus), appearance in the Jan Ö. Meier directed docu-
co-founder of the Singapore Symphony Orchestra movie PianoCrazy, released on DVD (Danacord
Piano Marathon, co-host in the Symphony 92.4 label) in 2017. His work as a music reviewer
FM syndicated musical talk-show Bluff Your Way Through has been documented in the Cambridge History of Music
Classical Music, annotator of the Hong Kong International Criticism (2019 Edition). In 2020, he was invited to judge
Piano Competition and The Joy of Music Festival (Hong at the Thailand Steinway Youth Piano Competition, and
Kong), and seat-warmer in innumerable committees of later served as its special consultant. His blog Pianomania
numerous Singapore arts organisations. (pianofortephilia.blogspot.sg) has an international following
with over 2 million reads. He is married to Janet, and they
have a son Shan Ming, and maintain a household of 7 rescued
cats.
53
Participants in the 19th OCT. event
THE DISCUSSANTS
Johannes Meissl
Johannes Meissl, born in Ried/Austria, studied at mdw since October 2019. Prior to this, he headed mdw’s Joseph
– University of Music and Performing Arts Vienna with Haydn Department of Chamber Music and served as
Wolfgang Schneiderhan, Gerhart Hetzel, and Hatto Beyerle. president of the Senate at mdw.
He graduated with distinction and a special award from the
ministry. 1982 he joined the Artis Quartet. After further Meissl is artistic director of isa – International Summer
studies with the LaSalle Quartet in the US and several Academy of mdw and artistic co-director of ECMA
competition prizes the ensemble established a long-lasting (European Chamber Music Academy). He gives master
international career. Concerts at prestigious series and classes worldwide and he is very active within the Musethica
festivals worldwide, awards for over 40 recordings (Grand project, combining intensive performance training with
Prix du Disque, Diapason d’Or, Echo, Midem Classics, social outreach and community engagement. For more than
etc.) and the still running “Artis Series” at the Musikverein 30 years, he has been teacher and mentor for generations
in Vienna (since 1988) bear witness to the international of young chamber musicians. His students won first prizes
standing of the ensemble. at leading international competitions and succeeded in
establishing sustainable careers. For a number of his former
Meissl also performs in solo recitals and in open chamber student ensembles’ acclaimed recordings he also acted as
projects, and he has achieved success as a conductor. artistic producer.
Professor for chamber music at mdw, Johannes Meissl has

been serving as the Vice Rector of this top-ranking university
Dr Andrew F.Freris
Chairman of the Chopin Society of Hong Kong
Dr Freris has lived in Hong Kong with his wife Dr Anabella

Levin-Freris, the Executive Secretary of the Chopin Society,
for nearly 40 years. He taught at the London Metropolitan
University and at the City University of Hong Kong
where he was its first Head of the Finance and Economics
Department. He also worked as an economist in senior
positions for major Investment Banks such as Salomon
Brothers, Bank of America and BNP Paribas. Since 2014 he
has been running his own consultancy- Ecognosis Advisory
Ltd.
He is, of course, a keen music lover from classics to heavy

metal pop. During 2004-7 he presented regularly in RTHK
the classical music programme: “Works For Me”.
54
THE MUSICIANS
Jana Krejčí (clarinet) Milan Al-Ashhab (violin)
Jana Krejčí was born in Brno. She studied clarinet at the Milan Al-Ashhab was born 11.12.1992. He began to study
Jaroslava Kvapil Academy of Arts in Brno in the class of Mgr. violin when he was five years old. In 2000 he became a pupil
Břetislav Winkler and at the same time playing the piano of prof. Květoslava Hasilová at Music School in Most. In 2008
at the ZUŠ PhDr. Zbyňka Mrkose in Brno in the class of he started to study at Conservatory in Teplice, still under
Mgr. Ilona Prchalová. In 2013, she was awarded the absolute the leadership of prof. Hasilová. Since 2012 he is student of
winner in the chamber game with a predominance of wind Academy of Performing Arts in Prague in class of Prof. Ivan
instruments in the national round at the ZUŠ competition, Štraus.
and in 2014 she completed a solo performance with the Brno
Philharmonic as part of the Mozart’s Children project. From Milan has been succesfull in several competitions, including
2014 to 2020, she studied clarinet at the Brno Conservatory 1st prize in international Kocian Violin Competition ( in
in the class of Mgr. Břetislav Winkler. Now she is a student Ústí nad Orlicí, Czech republic, 2006), 1st prize in Georg
of the 1st year of a master’s degree at the Music Academy of Philipp Telemann Competition (Poznan, Poland, 2007), 2nd
Performing Arts in Prague in the class of doc. Irvin Venyš and prize in Luis Spohr Competition (Weimar, Germany, 2010),
prof. Vlastimila Mareš. 1st prize in Violin Competition of Conservatories in Czech
republic (Prague, 2014). He performed recitals and concertos
Since 2016, he has been participating annually in international with orchestra both in the Czech republic and abroad
master clarinet courses in Prague under the name Prague (Czech Philharmonic, Janáček Philharmonic Ostrava, Hofer
Clarinet Days and international clarinet courses in Ostrava. Symphoniker, Europera Jugendorchestra, L’armonia terrena
etc.).
During her studies at the Conservatory, she participated in
several competitions, where she received various awards. He took part in many violin courses and masterclasses with
She won the third prize in her category at the Pardubice famous violinists llike for example Shlomo Mintz or Ida
Breaths Competition in 2015 and the first prize in 2017. Haendel.
At the ProBohemia Ostrava competition, she placed third
in her category in 2016. In 2017, with the Trio of the Brno
Conservatory, she participated in the competition “Karel
Ditters from Dittersdorf and musical classicism”, where the
ensemble won the first prize and at the same time the title of
Laureate of the competition.
In 2020, she was awarded the Leoš Janáček prize for artistic
activity and musical achievements during her studies at the
Brno Conservatory.
She worked in student orchestras such as the Chamber

Symphony Orchestra in Brno or the Young Brno Symphony
Orchestra, and at the end of 2020 she was admitted to the
Orchestral Academy of the Brno Philharmonic. She worked
in the orchestra of the Goja musical theater in Prague for two
years. In the spring of 2023, she took part in a European tour
with the Czech Philharmonic as a support act.
He is actively involved in musical events at the Academy of

Performing Arts in Prague. He works in chamber ensembles,
namely in the Cinque Ance Wind Trio and in the AMU
Student Trio composed of violin, clarinet, piano.
55
THE MUSICIANS
Petr Holman (viola) Petr Nouzovský (violoncello)
In 1998, Petr Holman successfully completed his studies at the studied at the Prague Conservatory, the Academy of
department of mathematics in the Charles University. In 2000 Performing Arts in Prague, the Hochschule für Musik Carl
he became the winner of the Beethoven’s Hradec International Maria von Weber in Dresden, and the Real Conservatorio
Viola Competition, and a year later he graduated from the Superior de Música de Madrid.
Prague Conservatory in the class of Prof. K. Doležal. In
1997-2004 he was a member of the Czech Radio Symphony Petr Nouzovský cooperates with prominent conductors,
Orchestra, with which he also appeared as a soloist in 2001. such as Charles Olivieri-Munroe, Tomáš Brauner, Jakub
At present, Petr Holman is a professor of viola and chamber Hrůša, Gábor Takács-Nag y, Petr Altrichter, Caspar
music at the Prague Conservatory. Richter, Jan Schultsz, Petr Popelka, Andrew Parrott, Case
Scaglione, or James Judd. He performs the standard cello
Nevertheless, his most important musical activity is located concert repertoire (Martinů, Dvořák, Brahms, Beethoven,
in the field of chamber music. Petr Holman is a founding Tchaikovsky, Haydn, Schumann, Shostakovich, Penderecki,
member of the Zemlinsky Quartet, which has been active Bloch), as well as compositions less frequently heard owing
on the Czech and international music scene since 1994. Its to their extraordinary degree of difficulty (such as Prokofiev’s
main focus are performing, recording and teaching activities. Symphony-Concerto, or Offenbach’s Concerto Militaire,
Among the ensemble’s important achievements, we can Kraft Cello Concerto).
mention numerous awards in the international competitions
(Banff, Prague Spring, London and especially the victory in The cellist has made recordings for Dabringhaus und Grimm,
Bordeaux, France), more than 30 CDs containig works by Brilliant Classics, CUBE, Albany, Supraphon, and ArcoDiva.
Czech and international composers and numerous recordings His CD ‘Vivat tango’, recorded with the accordionist Ladislav
for Czech Radio. The Zemlinsky Quartet is only the fourth Horák for the Supraphon, has been declared the 2014
ensemble in history to record the complete works for string CD of the Year by the New York Violoncello Foundation.
quartet by A. Dvořák. The recording of his early quartets won The recently published double-CD recording of Bohuslav
the prestigious French award “Diapason d’Or”. Martinů’s complete works for cello and orchestra (with the
Pilsen Philharmonic under the baton of Tomáš Brauner),
issued by the prestigious German Dabringhaus und Grimm
label, has won the 2017 Classic Prague Award and the 2017
Preis der Deutschen Schallplattenkritik Longlist; glowing
reviews have appeared in the Pizzicato Luxembourg and the
Frankfurter Allgemeine. His most recent CD featuring works
by Antonín Dvořák (with the Czech Chamber Philharmonic
Orchestra Pardubice under the baton of Stanislav Vavřínek),
issued by the Brilliant Classics, has been named the Album
of the Weekend by the British Classic FM radio and garnered
distinctions, such as the highest mark from the Pizzicato
Luxembourg, five stars from the prestigious French Classica
Magazine, or a unreservedly frenetic review in the Belgian
Crescendo Magazine. According to the U. S. Fanfare
Magazine, Nouzovský’s recording of Antonín Dvořák’s
Concerto in B minor ranks as the best in history (Jerry
Dubins, Fanfare Magazine, July/August 2022).
In 2020, Petr Nouzovský finished the first-ever complete

recording of the cello compositions of Bohuslav Martinů,
on five CDs. In this project, he was partnered by the Pilsen
Philharmonic, the conductor Tomáš Brauner, and the
pianists Gérard Wyss and Miroslav Sekera.
56
THE MUSICIANS
Pavla Tesařová (violin) Matouš Hasoň (viola)
Violinist Pavla Tesařová, a student of the Faculty of Music and a student of the Faculty of Music and Dance at the Prague
Dance at the Prague Academy of Music, became the Grand Academy of Music. He is a member of Czech Radio
Prix holder and absolute winner of the online Beethoven Symphony Orchestra Prague and a member of The Ševčík
International Music Competition in 2023. The competition Quartet. Quartet was founded in June 2020 in Prague.
organized by the World Online Music Competition
Organization (WOMCO), based in Britain, is intended for The founding members of the quartet are talented and
musicians of all of all ages, for instrumentalists and vocalists, gifted performers of the young musical scene, in June 2021
soloists, chamber ensembles, composers and conductors. they won first prize at the Talents for Europe competition,
Twenty-four-year-old Pavla Tesařová has been playing the reached the semifinals of the Prague Spring competition
violin since the age of seven. At nine she played with Josef and also reached the finals of the Italian Societa Umanitaria
Suk and the PKF orchestra in the Spanish Hall of Prague competition. The Ševčík Quartet also took part in several
Castle, at eleven with Václav Hudeček in a live TV broadcast master classes, in France at the Musique ala Flaine with Maria
from the Zlatá Praha festival. She is the absolute winner of Chilemme (Quatuor Ebene), in Germany at the Jenuesses
the Josef Micka International Violin Competition in 2015, a Musicales Deutschalnd (Cuarteto Casals), at the Academy of
year later she was among the laureates of the Kocian Violin Performing Arts in Prague with the Rainer Schmidt (Hagen
Competition and the Concertino Praga competition. In Quartet) . The ensemble also took part in a project organized
2020, she won the France Music Competition in Paris and by Musethica in Barcelona, where they performed repeatedly
Manhattan, New York. She also performs in a duo with Brahms sextet together with Jonathan Brown and Eric Wise.
accordionist Markéta Laštovičková and together with her Ševčík Quartet is developed under the supervision of players
sister, oboist Bohdana Tesařová. He plays the violinist Jaroslav from the best Czech and foreign chamber ensembles, among
Kohout’s instrument from 2016, which he won together them, in addition to Štěpán Ježek, Petr Holman (Zemlinsky
with the victory at the twentieth year of the Václav Hudeček Quartet), Günter Pichler (Alban Berg Quartet, Jonathan
Academy in Luhačovice. Brown (Cuarteto Casals) and Yovan Markovitch (Quatuor
Danel) and others.
57
THE MUSICIANS
Alessandro Mastracci (violoncello)
He started playing the cello at the age of seven. He previously
studied at the Conservatory in L’Aquila, Italy, and continued
his studies at the Music Academy in Cremona. He is
currently a student at Prague’s HAMU in the class of prof.
Michal Kanka. He became a laureate of many international
competitions and participated in master classes under the
guidance of, for example, David Geringas, Steven Isserlis or
Mischa Maiský.
58
59
The “YOUNG TALENTS” Series
The Chopin Society of Hong Kong, during its twenty four years
history, has supported local artists through scholarships, the funding
LIN YenKei Jasper (piano)
of their studies in Hong Kong and overseas and by presenting them 8 years old Jasper is currently a Primary
in public recitals in Hong Kong and in other countries as well as 3 student at St. Paul’s College Primary
recording them for the Society’s recording label: The Alpha Omega School. He began his piano journey at
Sound. the age of 4 under the tutelage of Pianist
Ms. Chau Lok Ping. By age 7, Jasper
Starting in 2015, the Society has been implementing in Its Joy of
was admitted to the Pre-Junior Music
Music Festival, the “Young Talent” Series, an innovative programme
Programme at the Hong Kong Academy
for our young artists.
for Performing Arts (HKAPA).
Audiences in general are always eager to attend presentations of
artists who have already carved a place in their performing careers, Jasper’s recent awards include Second
and the Society’s presentations are no exception in acknowledging Runner-up in the Elementary Group
and trying to fulfill these expectations. The Society is, of course, of the Final Round at the “2024 Hong Kong Children and Youth
very proud to present to the public in Hong Kong great artists Piano Contest”, First Place in the Children A Group at the “28th
who have gone through that long and arduous path until they are Japan PIARA Hamamatsu Competition”, First Place in the Open
acknowledged and their presentations are eagerly awaited by the Piano Solo Class Grade 5 Group at the “87th Steinway & Sons
audiences. International Youth Piano Competition”, and First Place in the Piano
Age Group Pre Junior Class at the “10th Hong Kong International
Undoubtedly, a very special talent and a very strong self-discipline
Youth Performance Arts Festival”.
are essential ingredients in managing to go through this path. But
there are many factors that contribute positively or negatively to In addition to his piano achievements, Jasper began learning the
the building of the career of a performing artist. Some artists will violin at the age of 5 and has demonstrated great passion in violin
manage to overcome all obstacles and continue all through their performance as well. Music is part of his life. He always enjoys
lives in this voyage of discovery. Others will be forced to choose expressing himself and bringing joy to others through music
alternative paths in their lives. Who knows? Only time can tell! performance.
The Chopin Society would like to offer our audiences the
opportunity to listen to some of those promising, budding young
artists by presenting them in brief recitals at the start of each
night’s main performance. Their appearance is not there to offer
opportunity for comparison or criticism, nor in any way, is their
Lam Ting Hei Brandon (piano)
presence to detract from what follows after their brief appearance, Born in 2013, Brandon Lam is currently
that is the performances of seasoned and mature artists. But attending Ye ar 6 at t he Aust ra li an
their presence on stage is a salute to these young talents and it is International School Hong Kong. He
the Society’s way of giving them the chance to share, briefly, the commenced his music learning journey
limelight with the older and more experienced colleagues. It also since the age of 3 and enrolled into the
gives the Hong Kong audience a sample of the artists whom they will Junior Music Programme at The Hong
be enjoying in the near future. Kong Academy for Performing Arts at
(Incidentally - people are usually familiar with opening, warm-up or the age of 7 under the tutelage of music
supporting acts that perform at a concert before the main or featured educator Professor Eleanor Wong and
act is presented. The use of warm-up acts is a general practice in “pop concert pianist Ms. Rachel Cheung
concerts” but it is not something that has been practiced in the more successively.
conventional format of classical music presentations.)
As a recipient of multiple awards locally and regionally, Brandon
possesses a great passion in sharing his music and keeps thriving
ZHU Yiwei (guitar) through performances and competitions. At the age of 5 to 7, he
was awarded the Gold Prize in the Preparatory Open Class at the
8th Grade, Shanghai Conservatory of
Asia Music Competition for Young Artists Busan in Korea, the
Music Affiliated Middle School 1st prize
championship at the Budapest Liszt Ferenc Piano Competition
of the Children’s Group Gold Award
together with the Grand Slam Prize across the children categories
in “Donggong Cup” Shanghai Guitar
for age 10 and under, the championship in Children Junior Class in
C omp etition 2019 1st prize of the
the Hong Kong Music Talent Music Competition 2020 and also the
children’s preliminary round Shanghai
championship in the Elementary Category in the 83rd Steinway and
Division in the Martini Classical Guitar
Sons International Youth Piano Competition Final.
Competition 2020 1st prize of Division
Classical Guitar in China Youth Music Most recently, Brandon has been recognized as one of the Hong
C omp etition Hummingbird Music Kong Outstanding Young Musicians in the Hong Kong International
Award Shanghai (Provincial) 2021 2nd Music and Arts Festival 2024 with double championships in
Prize in National Classical Guitar Competition 2021 1st prize Children Piano Open Class and Junior Piano Own Choice Class
of the Youth Group Gold Award in “Donggong Cup”Shanghai Global Final. Brandon has also won numerous prizes in other piano
Guitar Competition and Natasha Zheng’an Guitar National Guitar competitions including the third prize in the 11th Steinway and
Invitation Competition 2021 1st prize of the Professional Group Sons International Youth Piano Competition China Final and the
Gold Award in “Donggong Cup” Shanghai Guitar Competition and Champions in Hong Kong School Music Festivals.
Natasha Guitar National Guitar Invitation Competition 2023.
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The “YOUNG TALENTS” Series
Brandon regards all his performances as enchanted moments on NG Yau (cello)

stage and enjoys his life filled with music. He was selected by the
City Chamber Orchestra of Hong Kong to debut at the “Magnificent Ng Yau (Yau Yau) is an eleven-year-old
Mozart” concerts at the Hong Kong City Hall in 2021. He is an ardent cellist who appears actively as
active member of the school orchestra and ensemble teams playing soloist and orchestral player. Born and
piano and percussion instruments and contributing to diverse raised in Hong Kong, China, Yau Yau
school concerts, music showcases and piano recitals. Brandon is also embarked on his musical journey at
a recent member of the Hong Kong Academy for Gifted Education, the age of five, learning classical music
supported by the Education Bureau of the HKSAR government. He on the piano with his amateur pianist
has a keen interest in acoustics, exploring different sound sources parents. He started learning the cello
and harmonies, reading, swimming and playing tennis. with Ms Beatrice Lee Ha-yan when he
was seven and is currently under the
tutelage of the Hong Kong Philharmonic
ZENG Hanxuan (violin) Orchestra (HK Phil) cellist Ms Anna Kwan Ton-an. At the age of
7th Grade, Shenzhen Art School under eight, Yau Yau achieved Distinctions for both cello and piano in
Professor Gleb Dontsov. She started ABRSM Grade 8 and was awarded two musical scholarships from
learning violin at the age of 4 and 8 the Diocesan Boys’ School Primary Division (DBSPD). He attained
months. In 2018, She won the first place Trinity ATCL Cello diploma with distinction and attended the
in Children’s Violin Solo Group A of Hong Kong Joy of Music Festival 2023 when he just turned ten,
the 4th Shenzhen String Competition; playing in the masterclass of Cellist Prof. Jian Wang, Prof. Pierre
In July 2019, She won the gold medal Doumenge, Ms Yeonjin Kim, Violist Prof
in C hi ldren’s Group A of t he 17t h Wing Ho, Mr. Joel Hunter and Violinist Mr. Michael Brooks Reid &
Guangdong Province Children’s Violin Mr. Ciaran McCabe.
and String Competition; In August 2019,
She won the “Golden Beijing” Gold Star Award for the 7-year- Yau Yau has been actively participating in various music festivals
old group; In December 2020, Envoys from 22 countries stationed and competitions. He was rewarded a long thread of noteworthy
in China visited Shenzhen, listened to Zeng Hanxuan’s solo piece awards, including 2nd Place in the Cello Concerto Class and 3rd
(Sarasate Introduction And Tarantella Op.43) and gave high praise. Place in the Cello Sonata Class as the youngest participant and
In 2021, She won the first place in Children’s Group A of the “11th winner in due class at the Hong Kong School Music Festival, First
Hong Kong International Violin Competition Finals”; In 2024, he Place Awards in both Cello Diploma Class and Children Class at
won the first place in the children’s professional group of the 14th the international round of the Hong Kong International Youth
Hong Kong International Violin Competition Finals. Performance Arts Festival, First Place in the Scholarship Class
of the Hong Kong Promotion of Performing Arts Association
competition, Gold Award in the Cello Diploma Class at the Joint
CHENG Hanfei (guitar) School Music Competition, amongst many other.
3rd Grade, Shanghai Xuhui Guangqi Yau Yau is an avid orchestral player committed to collaborate with
Primary School The Silver Award of local renowned conductors–Dr Joseph Kam Ho-pang, Mr Homer
the 17th Chinese Youth Art Festival, Lee Siu-lam, Mr Andrew Ling Hin-yau, Ms Sophie Mok Sze-ki,
Guitar Pre-Sch Group in 2021 The and Mr Chu Siuwai, to name but a few. He is privileged to perform
Si lve r Aw ard of Sh ang h ai Yout h with the acclaimed Maestro Christoph Eschenbach in “Share the
Training Competition, Children’s Stage with the HK Phil” in November 2024. Since the age of nine,
Solo Singing Public Toddler Group Yau Yau has been the Principal Cellist of DBSPD Senior Symphony
in 2021 The Silver Award of Shanghai Orchestra, String Orchestra and Chinese Orchestra. In the same
Youth Training Competition, Classical year,
Guitar Solo Public Toddler Group
in 2021 The Second Prize of Xuhui Yau Yau also served as the Associate Principal Cellist in the Music
Student Art Individual Competition, Office Junior Symphony Orchestra. From Season 2023/24 onward,
Vocal Music Special Toddler Group in 2021 and 2022 The Gold he became the youngest cellist in the Hong Kong Youth Symphony
Medal of Shanghai Youth Training Competition, Children’s Solo Orchestra and played as the Associate Principal Cellist in the Hong
Singing Public Toddler Group in 2022 The First Prize of Xuhui Kong Youth Symphony Orchestra Annual Concert-A Journey
Student Art Individual Competition, Vocal Music Special Primary through Orchestral Music and Music Office 45+ Anniversary Gala,
School Group A in 2023 The Champion of Shanghai Children’s Asian Youth Orchestra Hong Kong Music Summer Orchestra,
Sports League Kendo Competition Finals, Second Grade Regulation Hong Kong Youth Music Camp serving as the Principal Cellist.
Movement Group in 2023 The Champion of Jiaxing National Guitar
Invitational Competition, Classical Guitar Solo Children Group
C in 2023 The Gold Medal of the 5th National Youth Art Creation
Theme Competition, Primary School Junior Instrumental Group in
2023 The Second Place of Symphony International Guitar Festival
and the 3rd Guitar Invitational Competition, Classical Guitar Solo
Children Group B Gold Medal Ranking Finals in 2024.
61
過去二十四年，香港蕭邦社銳意透過各種活動和計劃，如

獎學金 ﹑本港和海外學習基金 ﹑海內外公開演出機會及
林彥奇 LIN YenKei (鋼琴)
蕭邦社旗下 T he A lpha Omega Sound 唱片公司錄製發
8 歲的林彥奇目前就讀於聖保羅
行唱片等，支持和提拔本地青少年藝術家。
書院小學三年級。他在 4 歲時開
由 2 0 1 5 年開始，蕭邦社舉辦創新項目，為具備天賦的青少始在鋼琴家周樂娉女士的指導下
年提供表演機會。學習鋼琴。7 歲時，林彥奇被香港

演藝學院的 Pre-Junior Music
長期為本社貢獻良多的藝術顧問，黃懿倫音樂教授，香港 Prog ramme 課程錄取。
著名藝術家和音樂教育家，將甄選七位樂壇新秀，於音樂
節正式演出前，表演長約五至十分鐘的曲目。林彥奇最近的獲獎包括：在「2 0 2 4
香港青少年鋼琴大賽」決賽中獲得
普遍而言，觀眾總是渴望欣賞成就非凡的藝術家的演出。幼童組金獎季軍，在「第 2 8 日本 PI A R A 浜松鋼琴大賽」
蕭邦社深明此意，長期以來，非常自豪為香港觀眾呈獻，在兒童 A 組中獲得冠軍，在「第 8 7 屆施坦威國際青少年鋼琴
求藝之旅經過千錘百鍊，深受觀眾愛戴的偉大藝術家們的比賽」公開鋼琴獨奏五級組中獲得冠軍，以及在「第 10 屆
精彩演出。香港國際青少年表演藝術節」鋼琴公開分齡組幼兒組中獲
得冠軍。
與此同時，蕭邦社亦理解，通往藝術之旅艱辛難言，毋容置
疑，天賦異禀和高度自律是其中必不可少的基本要素之一，除了鋼琴成就之外，林彥奇在 5 歲時開始學習小提琴，並在
但除此之外，影響藝術家表演的職業生涯正面和負面因素小提琴演奏方面展現出極大的熱情。音樂是林彥奇生活中
眾多，有些藝術家可克服困難沙石，扺達成功彼岸。有一些，重要的一部分，是他表達自我和帶給他人快樂的主要方式。
郤被迫選擇其他道路。我們無從預見未來，只有時間可見
證這一切。
林庭熙 Lam Ting Hei Brandon (鋼琴)
鑒於此，蕭邦社特別為觀眾獻上青少年藝術家的演出。這
些年幼又天資聰慧的青少年，因為年輕，鮮有機會在大音林庭熙生於 2 0 1 3 年 , 現就讀於香
樂廳裡面對眾多陌生觀眾表演，今年，蕭邦社非常高興為港澳洲國際學校就讀六年級。因為
這些青少年提供一個機會 ﹑一個舞台 ﹑一種鼓舞性的「致對聲音特別敏感，他於三歲開始接
意」，作為音樂節的「暖場節目」。( 順帶一提，公眾較熟悉觸音樂 , 並於七歲考入香港演藝學
正式演出外的節目包括有開幕 ﹑暖場和加料節目。暖場節院青少年音樂課程先後跟隨音樂教
目通常用於「流行音樂會」，在相對傳統的古典音樂會中並育家黃懿倫教授以及鋼琴演奏家張
不常見。) 緯晴老師學習鋼琴。
歡迎與我們共同欣賞樂藝承傳 ﹑青少年之樂！庭熙熱愛分享他的音樂 , 亦曾參與

不同演出和比賽獲得加許及肯定 , 在音樂學習路上努力扎
根成長。他於五至七歲時先後獲得韓國釜山亞洲音樂藝
曾瀚萱 ZENG Hanxuan (小提琴) 術家大賽 2 0 18 金獎，匈牙利布達佩斯李斯特國際鋼琴比
賽 2 0 19 兒童組冠軍與十歲以下各組別最高成績 Grand
曾瀚萱出生于 2 0 1 2 年 7 月，4 歲 8 个
Slam Pr i ze 大滿貫獎項 , 第 5 屆香港演藝精英杯音樂大
月开始学習小提琴，目前就读于深圳艺
賽初級組冠軍 , 以及第 8 3 屆施坦威國際青少年鋼琴比賽
术学校，師从 G l e b D o n t s o v 教授。
2 0 18 年获深圳市第四届弦樂大賽小提少兒組決賽冠軍。
琴独奏儿童 A 組第一名 ; 2 0 19 年 7 月
本年庭熙更於香港國際音樂藝術節 2 0 2 4 獲頒發香港傑出
获广东省第十七届少儿小提琴弦樂大
青少年音樂家獎項 , 並於鋼琴公開演奏兒童組別和少年
賽小童 A 組金獎 ; 2 0 19 年 8 月荣获“金
色北京 ”7 歲組金星獎 ; 2 0 2 0 年 1 2 A 組自選曲組組別全球總決賽獲得兩項冠軍。過去他亦曾
月 , 2 2 国驻华使节访深，聆听了曾瀚萱独奏曲目（Sarasate 經參與其他不同的比賽並獲得獎項 , 包括第 11 屆施坦威
Int roduct ion A nd Tarantella Op. 4 3 ）并给予了高度赞國際青少年鋼琴比賽中國區決賽季軍及香港校際音樂節
誉。2 0 2 1 年荣获“ 第十一届香港国际小提琴大賽总决賽儿比賽冠軍。庭熙亦是校內管弦樂團的活躍成員，負責鋼琴
童 A 組第一名 2 0 2 4 年荣获“ 第十四届香港国际小提琴大
和敲擊樂演出部分並恆常協助學校完成不同的音樂演出。
賽总决賽少儿專业組第一名。
他同時也是由政府教育局資助的香港資優教育學苑成員之
62
一。除鋼琴外 , 他的興趣是探索和研究聲音的來源、閱讀、香港國際青少年表演藝術節國際總決賽大提琴演奏級組第

游泳和打網球。一名及兒童組第一名，聯校音樂大賽大提琴演奏級組金獎
等。
於鋼琴演奏上，庭熙期望將好的音樂體驗分享與觀眾。他
曾獲香港城市室樂團選拔 , 邀請於 2 0 2 1 年在香港大會堂幽幽不但活躍於獨奏演出，亦熱衷於與一眾青年樂手合作
「莫札特的魔法」三場音樂會中演奏莫札特最早期作品。樂團演奏，在過去曾多次與
他十分期待能在是次美樂聚演出分享更多莫扎特的作品。眾傑出本地指揮家演出交響樂及弦樂音樂會，包括甘浩鵬

博士、李少霖先生、凌顯祐
先生、莫思奇小姐、朱紹威先生等。幽幽有幸與傳奇指揮
朱一瑋 ZHU Yiwei (結他) 家艾遜巴赫於 2 0 2 4 年 11 月在《與港樂同台演奏》演出。
幽幽自九歲開始一直擔任拔萃男書院附屬小學高級交響樂
2 0 10 年 3 月 2 8 日出生于上海，就读團、弦樂團以及中樂團大提琴首席。同年，幽幽亦曾擔任音
于上海市音樂学院附中。7 歲起跟随樂事務處少年交響樂團大提琴副首席，於 2 0 2 3/2 4 年度成
林幻奇老師学習古典吉他，2 0 2 1 年為香港青年交響樂團成員，現為該樂團最年青大提琴手，
起師从上海音樂学院刘宪績副教授並作為大提琴副首席參加了「香港青年交響樂團周年音樂
會 - 交響之旅」，以及「音樂事務處 4 5 + 周年大匯演」，亦
（泰雷加国际吉他大賽金獎获得者）
，
參與亞洲青年管弦樂團香港暑期音樂營及於香港青年音樂
并于 2 0 2 3 年以專业分数第一的成
營擔任首席大提琴。
績考入上海音樂学院附中古典吉他
專业，一玮在过去的学習阶段也曾赢
得过多个獎项。
2019 年：“东宮杯”上海吉他大賽儿童組金獎第一名
2020 年：玛丁尼古典吉他大賽上海賽區儿童組初賽第一名 2 0 16 年 6 月 7 日出生于上海，3 歲
2021 年：中国青少年音樂比賽蜂鸟音樂獎上海（省级）賽區半随父开始接触古典吉他，5 歲半正
古典吉他一等獎 , 全国级比賽古典吉他二等獎式拜上海音樂学院古典吉他專业副
2021 年：“东宮杯”上海吉他大賽暨“娜塔莎正安吉他”全国吉教授、演奏家刘宪績為師，学習至今。
他邀請賽少年組金獎第一名自幼随上海歌剧院花腔女高音季韵
2023 年：“东宮杯”上海吉他大賽暨“娜塔莎吉他”全国吉他邀翬学習声樂至今，2 0 2 3 年考入上海
請賽專业組金獎第一名 “春天合唱团”随团学習、演出至今；
樂理、视唱练耳、剑道等艺体项目学
習至今。
吳幽 NG Yau (大提琴) 演出经历 :
中國香港少年大提琴手吳幽 ( 幽上海音樂廳、捷豹交响音樂廳、上海东方艺术中心、九棵树未来

幽 ) 現年十一歲，自五歲開始他的艺术中心、上海兰心大剧院、上海宛平剧院等。
音樂之旅，在鋼琴上與父母研習古
比賽获獎经历 :
典音樂。七歲時跟隨啓蒙老師李夏
茵女士學習大提琴，目前，幽幽正 2021 年：第十七届世界华人青少年艺术节吉他学前組银獎
追隨香港管弦樂團 ( 港樂 ) 大提琴 2021 年：上海市青培賽童声独唱公开幼儿組银獎
家關統安女士習琴，他亦於大師班 2021 年：上海市青培賽古典吉他独奏公开幼儿組银獎
接受著名大提琴家王健、佩爾．多 2021、2022 年：徐汇區学生艺术单项比賽幼儿声樂組二等獎
明戈、金兗珍，小提琴家米高．布
2022 年：上海青培賽童声独唱公开幼儿組金獎
魯克斯里，中提琴家何榮、喬爾．亨
2023 年：徐汇區学生艺术单项比賽声樂專场小学 A 組一等獎
特及小提琴家西倫．麥卡比及的指導。幽幽於八歲時以優
2023 年：上海市少儿体育联賽剑道比賽总决賽二年级规定动作組
異成績取得英國皇家音樂學院大提琴及鋼琴八級，亦曾獲
拔萃男書院附屬小學頒發兩個音樂獎學金，隨後以優異成冠军
績取得聖三一大提琴 ATCL 演奏文憑。 2023 年：嘉兴全国吉他邀請賽古典吉他独奏儿童 C 組亚军
2023 年：第五届全国青少年艺术创作主题竞賽小学低龄器樂組金獎
幽幽經常以獨奏者身份參加音樂節與音樂比賽並獲得多個 2024 年：辛弗尼国际吉他艺术节第三届吉他邀請賽古典吉他
獎項殊榮，包括香港學校音樂節大提琴協奏曲組第二名和
独奏儿童 B 組金獎排位总决賽第二名
大提琴奏鳴曲組第三名，成為年級最小的參賽及獲獎者；
63
Ticketing Information 票務資訊
TICKETS are on sale at all URBTIX outlets, self- 門票在各城市售票網售票處、自助售票機、網上、
service ticketing kiosks, on internet, by mobile app
and telephone. 流動購票應用程式及電話購票熱線發售。
Numbered tickets for the recitals at the Hong Kong 於香港大會堂音樂廳的演奏會，劃位門票每張港
City Hall Concert Hall, priced at HKD 100 each. Half- 幣 100 元。年滿 60 歲的長者、殘疾人士及看
price tickets available for senior citizens aged 60
or above, people with disabilities and the minder, 護人、全日制學生、綜合社會保障援助受惠人士
full-time students, Comprehensive Social Security 可享半價優惠。
Assistance (CSSA) recipients.
亦可現在直接向蕭邦社購買門票，發送電子郵件
Tickets can also be bought from NOW, directly
from the Society by sending us an e-mail to: 至：[email protected]，致電或 WhatsApp
[email protected], or by calling Anabella 聯絡 Anabella：(+852) 9027 1429。
at the following Mobile/WhatsApp number:
(+852) 9027 1429.
Venue addresses: 表演場地：

Hong Kong City Hall Concert Hall 香港大會堂音樂廳
& 及
Recital Hall (High Block 8/F) 高座 8 樓演奏廳
5 Edinburgh Place, Central, Hong Kong Tel : 2921 2840 香港中環愛丁堡廣場五號電話 : 2921 2840
Counter booking will commence on the 美樂聚2024 門票於2024年9月27日開始在

27th September, 2024 at all URBTIX outlets, 各城市售票網售票處、自助售票機、網上、
self-service ticketing kiosks, on internet, 流動購票應用程式及電話購票熱線發售。
by mobile app and telephone.
- 票務查詢及客戶服務:
- Ticketing Enquiries and Customer Service: 3166 1100 (每日10am-8pm)
3166 1100 (10am - 8pm daily) - 電話購票 : 3166 1288 (每日10am-8pm)
- Telephone Booking: 3166 1288 (10am - 8pm daily)
- 網上購票: www.urbtix.hk
- Internet Booking: www.urbtix.hk - 流動購票應用程式: URBTIX
- Mobile App: URBTIX (Android及iPhone/iPad版)
(Android, HarmonyOS & iPhone/iPad versions) - 節目查詢：(852) 2868 3325
- Programme Enquiries: (852) 2868 3325
The Chopin Society of Hong Kong Ltd.

Room 1909, 19/F., St. George’s Building, No.2 Ice House Street, Central, Hong Kong
Tel: (852) 2868 3325, (852) 2868 3387 Mobile: (852) 9027 1429 (Anabella)
Fax: (852) 2868 1994 Website: www.chopinsocietyhk.org
Email: [email protected] (General) / [email protected] (Anabella)
Also find us at: www.instagram.com/afreris/ @HKIntPianoCompJofMFest

金弘基 lyapunov JOMF2024 - House - Programme - full17

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Wed 16th - Tue 22nd October 2024

Major Sponsors 主要贊助

communities around the world.

among a wide audience.

lovers in Hong Kong.

it has encouraged our community to appreciate music even more.

a very pleasant musical journey.

The Honourable Sir Michael Kadoorie

林彥奇 LIN YenKei (piano) DMITRI SHOSTAKOVICH (1906-1975)

• Humoresque Op.101 No.7 in G flat major EDVARD GRIEG (1843-1907)

• Sonata in B flat Hob XVI: 2, I. Moderato

FRÉDÉRCK CHOPIN (1810-1849)

Jonas Stark &

the Logos String Quartet

First Part INTERMISSION

LEOŠ JANÁČEK (1854 – 1928) Second Part

The “Young Talents” Series

林彥奇 LIN YenKei (piano) DMITRI SHOSTAKOVICH (1906-1975)

• Humoresque Op.101 No.7 in G flat major EDVARD GRIEG (1843-1907)

• Sonata in B flat Hob XVI: 2, I. Moderato

FRÉDÉRCK CHOPIN (1810-1849)

The final trilogy of piano sonatas (D.958 to 960) by Franz

All three sonatas were in four movements, conceived on an

& the Logos String Quartet

KING CRIMSON The “Young Talents” Series

• “Frame by Frame” from the

EMERSON, LAKE & PALMER - Allegro

喬爾•亨特 ( 中提琴 ), 佩爾•多明戈 ( 大提琴 )

第一部份 浦 契 尼 (1858 -1924)

布拉姆斯 (1833 – 1897)

樂 隊 KING CRIMSON 青少年音樂英才系列

JOAQUIN RODRIGO (1901-1999)

朱一瑋 ZHU Yiwei (結他)

FERNANDO SOR (1778-1839) CARLOS ALTIER ESCOBAR

JOAQUIN RODRIGO (1901-1999)

The “Young Talents” Series

朱一瑋 ZHU Yiwei (結他)

the Logos String Quartet

JOSEPH HAYDN (1732 – 1809)

布 拉 姆 斯 (1833 – 1897) 香 港中樂團胡 琴重奏 小組

第一 部 分 : 在音樂 會 的 首 2 5 分 鐘，來自香 港、維 也 納 和 布 當 然，要 以 這 種 創 新 方 式 呈 現 音 樂 節，需 要 歸 功 於以下 機

第二部分 : 三名音樂 家在 布 拉 格，另外三名在 維 也 納，他 們 * CESNET：這項技 術的開發 者將會部分 贊助此 次 活動，

這 場 獨 特 和 同 步 的 實 時 表 演，將 布 拉 格、維 也 納 和 香 港 三 * mdw，維 也 納 音樂 與 表 演藝 術 大學：他們 除了參加 今次

Czech composer Bohuslav Martinu’s String Sextet was

His Divertimento in E flat major (Hob.II:39) was unusually

Haydn’s first string quartets (catalogued by the publisher

The string sextet, formed by pairs of violins, violas and

First Part INTERMISSION

FRÉDÉRIC CHOPIN (1810-1849) Second Part

The “Young Talents” Series

程函霏 CHENG Hanfei (結他)

喬爾•亨特 ( 中提琴 ), 佩爾•多明戈 ( 大提琴 )

程函霏 CHENG Hanfei (結他)

利亞普諾夫 (1859 - 1924) I X - D 大調〈風琴〉

曾瀚萱 ZENG Hanxuan (小提琴)

HENRYK WIENIAWSKI (1835-1880)

First Part INTERMISSION

FRANZ LISZT (1811 - 1886) Second Part

The “Young Talents” Series

第一部份浦契尼 (1858 -1924)

樂隊 KING CRIMSON 青少年音樂英才系列

布拉姆斯 (1833 – 1897) 香港中樂團胡琴重奏小組

第一部分 : 在音樂會的首 2 5 分鐘，來自香港、維也納和布當然，要以這種創新方式呈現音樂節，需要歸功於以下機

第二部分 : 三名音樂家在布拉格，另外三名在維也納，他們 * CESNET：這項技術的開發者將會部分贊助此次活動，

這場獨特和同步的實時表演，將布拉格、維也納和香港三 * mdw，維也納音樂與表演藝術大學：他們除了參加今次

Charlotte Scott (violin) 吳幽 NG Yau (大提琴)

A 眾能更深入了解結他及結他曲目，阿爾瓦羅．皮耶里還教

S 藝術並引領他們了解音樂的精髓。他從結他的角度出發，

E 阿爾瓦羅．皮耶里以其無可挑剔的技術和詮釋，已成為課程和講座將以英語進行，但將提供中文即時傳譯。

大為了體現他的教學成果，蕭邦社決定提供中間平台，讓阿

Oculi 合奏的創辦人和第一小提琴手，夏洛

阿爾瓦羅•皮耶里為全球公認的大師級結他音些音樂作品屢獲殊榮，至今他已兩次獲得加拿

他的不少主要作品皆出自當代作曲家手筆，例如萊奧• 布勞 2 0 0 8 年，其家鄉蒙特維多向他頒發「榮譽市民」稱號，以

加入 C E S N E T 後，由他領導的研究組開發了多個硬體（基

過去二十四年，香港蕭邦社銳意透過各種活動和計劃，如

由 2 0 1 5 年開始，蕭邦社舉辦創新項目，為具備天賦的青少始在鋼琴家周樂娉女士的指導下

年提供表演機會。學習鋼琴。7 歲時，林彥奇被香港

歡迎與我們共同欣賞樂藝承傳 ﹑青少年之樂！庭熙熱愛分享他的音樂 , 亦曾參與

一。除鋼琴外 , 他的興趣是探索和研究聲音的來源、閱讀、香港國際青少年表演藝術節國際總決賽大提琴演奏級組第

他十分期待能在是次美樂聚演出分享更多莫扎特的作品。眾傑出本地指揮家演出交響樂及弦樂音樂會，包括甘浩鵬

中國香港少年大提琴手吳幽 ( 幽上海音樂廳、捷豹交响音樂廳、上海东方艺术中心、九棵树未来