400l Chapter One Correction
400l Chapter One Correction
400l Chapter One Correction
In the midst of these cultural heritages are those considered as major and
those seen as minor cultural festivals. Iwa-akwa being one of the major cultural
festivals of Umunomo has been a cherished institution from the earliest time. But
as time pass by, some changes that resulted in some levels of decline occurred.
Some of these changes may be seen from the spectacles of modernization.
Notwithstanding, the culture has persisted till date because of its meaning and
significance to the people of Umunomo.
From the existing literature, many works have been done on Umunomo.
Some have also been devoted to the cultural lives of the people. An example of
Umunomo’s culture that has received much attention is Iri-ji festival. But
unfortunately, little have been done on Iwa-akwa, which is one of the most
pronounced cultural activities of the people.
Finally, the work will enumerate some causes of changes, in the activities
of the institution in Umunomo. This will in return vindicate and promote this rich
cultural heritage.
One of the many benefits that this work will provide is adding to existing
literature. This will thus provide fertile ground for researcher in such fields as
Sociology, Anthropology and so on who may want to find out some aspects of
Igbo cultures.
The territorial scope of this work is Agbaghara Nsu and Umuakagu Nsu.
The choice of these two communities is because: Agbaghara is a well known
community in the region and was among the first to experience European
occupation and embrace Christianity in the region. These to a great extent shaped
the ceremony in the community within the time covered in this research.
Umuakagu Nsu similarly is geographically located at a strategic part of Umunomo.
It also has the largest market in the local government, and these greatly affect the
ceremony in the area.
The time scope of this work is 1996-2022. This time is very important in
the growing trend of misconceptions in Iwa-akwa. This recorded the time where
two sets were being initiated at the same time after the Nigeria civil war. This trend
has been in ascending order till 2022 which was the last time Iwa-akwa festival
was held in these two communities before this work commenced.
LITERATURE REVIEW
The need to find out the history of the people of Umunomo and their
neighbors have posed a great challenge to historiography. 12 This also include the
areas of the cultures such as Iwa-akwa . As a matter of fact, scholars especially of
Umunomo origin have made frantic efforts to unravel and document the history
and culture of the area. Therefore, in reviewing the literature consulted in the
course of this research, my emphasis will be on the history of Umunomo and any
other work done on Iwa-akwa, including Age Grade System, irrespective of the
locality.
Similarly, M.O. Ijere in his book Nsu Past and Present: An Account of its
Economic, Social, Educational and Political Development summarizes almost
everything about the Iwa-akwa ceremony ranging from selection of Age Grades to
the initiation ceremony. But the work focused on Nsu, which is a clan in Ehime
Mbano; thus, it failed to capture an overall picture of the ceremony in Umunomo
as a whole. More so, his work was published in 1965 which largely fall behind the
period covered by my work.14
Under the title- Economic and Social Changes in Ehime Mbano Since
1970: Historical AssessmentChidimma Ugo stated that Iwa-akwa is a pronounced
ceremony in Ehime Mbano. She also noted that neighboring villages such as in
Obowo, Ihitte Uboma also copied from Ehime. Beyond this, she did not go further
to show how the ceremony goes and its impacts on the people.17
Like other researchers cited above, Chioma Onuoha wrote on the title An
Economic History of Ehime Mbano. In the work, she devoted some pages
explaining the concept of Iwa-akwa and the mode of celebration. But she did not
go deep to dig out the impacts on the people.18
All these and many more works on Ehime Mbano not umunomo and its
social and economic impacts within the time frame of this research. Even when
some attempts were made, they were not on historical perspective. All these have
created a gap in the history of Umunomo and her cultural heritage. Thus the need
to fill this gap has necessitated this work.
METHODOLOGY
In order to drive home the aims of this research, the method employed is
findings, I used thematic and chronological fashion. More so, I used descriptive