World Orca Mini 25

Worlde Orca mini 25

MIDI Controller User’s Manual

HANGZHOU BLUE WHALE MUSIC TECHNOLOGY CO.,LTD HANGZHOU WORLDE MUSIC ELECTRONIC CO., LTD
WEBSITE: WWW.WORLDE.COM.CN EMAIL:[email protected] TEL:86 571 88730848

Contents
1. Introduction ............................................................................................................................................................................................ 2
2. Features ................................................................................................................................................................................................ 2
3. Getting Started ...................................................................................................................................................................................... 3
3.1 WORLDE Orca mini 25 Keyboard Overview ................................................................................................................................... 3
3.2 Setup ............................................................................................................................................................................................... 4
3.3 Connecting to a Computer .............................................................................................................................................................. 4
3.4 Connecting to Mobile Devices ......................................................................................................................................................... 4
3.5 Using as a Standalone MIDI Controller ........................................................................................................................................... 5
4. Parts and Their Functions ..................................................................................................................................................................... 5
4.1 Keyboard ......................................................................................................................................................................................... 5
4.2 Trigger pads .................................................................................................................................................................................... 5
4.3 Knobs .............................................................................................................................................................................................. 5
4.4 Pitch and Modulation touch strips.................................................................................................................................................... 5
4.5 OLED Display .................................................................................................................................................................................. 5
4.6 +/-button .......................................................................................................................................................................................... 5
4.7 MENU button ................................................................................................................................................................................... 5
4.8 SHIFT button ................................................................................................................................................................................... 5
4.9 Arp button ........................................................................................................................................................................................ 6
4.10 Fixed Chord button ........................................................................................................................................................................ 6
4.11 ▶ Playback button .......................................................................................................................................................................... 6
4.12 ● Record button............................................................................................................................................................................. 6
4.13 > Scene Launch button ................................................................................................................................................................. 6
4.14 Stop/solo/mute/Enter button .......................................................................................................................................................... 6
4.15 Full sized USB connector .............................................................................................................................................................. 6
4.16 Sustain Pedal Jack ........................................................................................................................................................................ 6
4.17 3.5mm TRS MIDI Out port ............................................................................................................................................................. 6
5. Basic MIDI Control From Your Orca mini 25 ......................................................................................................................................... 6
5.1 MIDI Control Messages ................................................................................................................................................................... 6
5.2 Programming the Controls on Your Orca mini 25 ............................................................................................................................ 7
5.3 Control assignment ......................................................................................................................................................................... 7
5.4 Assignable Knobs ............................................................................................................................................................................ 7
5.5 Assignable Pads .............................................................................................................................................................................. 8
5.6 Advanced Settings........................................................................................................................................................................... 8
5.7 Other controls .................................................................................................................................................................................11
6. Using The Orca mini 25 With Your DAW ............................................................................................................................................. 12
6.1 Using your Orca mini 25 with Ableton Live .................................................................................................................................... 12
6.2 Orca mini 25 Working with other Sequencer ................................................................................................................................. 20
7. Appendices .......................................................................................................................................................................................... 21
Appendix A-ASSIGNABLE CONTROLLER PARAMETER LIST ......................................................................................................... 21
Appendix B- Toxic or Hazardous Substances and Elements ............................................................................................................... 23
Appendix C-Note Value and The Corresponding Numerical Number .................................................................................................. 24
Appendix D- General MIDI Instruments-Program Change Numbers ................................................................................................... 24
Appendix E - General MIDI Drums-Note assignments ........................................................................................................................ 25
8. Specifications ...................................................................................................................................................................................... 25
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Packing list：Orca mini 25*1

USB cable*1
User manuals*1
3.5mm TRS MIDI Out to MIDI DIN adaptor *1
Note: If it’s multilanguage OLED display for your Orcamini 25, language selection could be accessed by holding one of the 5 PADS(from
Pad1 to Pad5) when power on the Orca mini 25. 5 different languages for options:Pad1 for English, Pad2 for Chinese, Pad3 for German,
Pad4 for French and Pad5 for Spanish.
1. Introduction
Thank you for purchasing the WORLDE Orca mini 25 USB MIDI controller. Orca mini 25 is a high quality, feature-packed controller which
includes all the essentials to start making music.To help you get the most out of your new instrument, please read this manual carefully.
Your Orca mini 25 midi controller will not make any sound unless it is connected to a computer or other external MIDI gear. This is
because the Orca mini 25 sends MIDI data when you play it and does not produce sound on its own. Instead, it is used to control a
virtual instrument on your computer or a MIDI sound module to generate sounds.
In order to use the functions of this product, you’ll need to make settings in the application you’re using. Make settings as described in
the owner’s manual for your application.
Orca mini 25 integrates perfectly with DAWs (such as Ableton Live, Bitwig and so on) for both production and performance. You can
navigate and control Live’s Session View, play and record clips, adjust effects and much more without ever looking at your computer.
Orca mini 25’s pads bring your Ableton Session to your fingertips in full RGB colour, so you know exactly which clips you’re launching.
Also, you can make Orca mini 25 the perfect controller for your studio under common mode, where you can customise knobs and pads
using the MENU button.
Orca mini 25 also has a standard 3.5mm TRS MIDI Out jack for connecting to your hardware synths and drum machines. This means you
can use many of the Orca mini 25’s functions without a computer.
2. Features
 16 high quality velocity & pressure sensitive performance pads with RGB backlit, can be assigned easily as pads, MIDI notes.
 25 velocity sensitive mini-keys, with 3 velocity curve and one constant velocity.
 8 Assignable rotary knobs, each can be edited by user.
 Brilliant OLED display for immediate parameter setting.
 2 touch sensors of dynamic pitch bend and modulation touch strips.
 Standard sustain pedal jack, compatible with switch pedal.
 Fixed Chord mode.
 Play and record transport control buttons.
 Powerful and creative Arpeggiator for generating ideas quickly.
 Custom modes for user-defined mappings of knobs and pads.
 USB interface, adaptable to USB 2.0(FULL SPEED).
 Connect to your hardware with a standard 3.5mm TRS MIDI Out jack.
 Power supplied by USB.
 Compatible with Win XP/7/8/10/Vista and Mac OSX.
 Compatible with iOS by using the Apple iPad Camera Connection Kit(sold separately).
 Drive free and hot-plug supported.
 Ableton Live integration – Launch clips and scenes, control Live’s mixer, play instruments and Drum Racks, capture MIDI, and more.
 Integration with other DAWs (Apple Logic Pro X, Propellerhead’s Reason, etc.).
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3. Getting Started
3.1 WORLDE Orca mini 25 Keyboard Overview
3.1.1 Top Panel Overview
3.1.2 Rear Panel Overview
Control Definitions：
1. Keyboard 10. Fixed Chord button
2. Trigger Pads(with RGB backlit) 11. ▶Playback button
3. Knobs 12. ● Record button
4. Pitch/Mod Touch strips 13. > Scene Launch button
5. OLED DISPLAY 14. Stop/solo/mute/Enter button
6. +/- button 15. USB 2.0 port
7. MENU button 16. Sustain pedal
8. SHIFT button 17. Standard 3.5mm TRS MIDI Out jack
9. Arp button 18. Kensington Security Slot
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3.2 Setup
If you intend to connect your Orca mini 25 keyboard to a computer or mobile devices , please read sections 3.2 to 3.4 first. If you only
intend to use your Orca mini 25 keyboard to control a sound module or synthesizer using the external MIDI OUT you should skip to section
3.5.
3.2.1 Minimum System Requirements

If you are using your Orca mini 25 with a computer, the following minimum system requirements apply:
Windows Mac OS
i3 1.2GHz or higher Macintosh i3*1.2GHz/P4*1.2GHz or higher
(CPU requirement may be higher for laptops) (CPU requirement may be higher for laptops)
1G RAM OS X 10.3.9 with 1G RAM,
Direct X 9.0b or higher OS X 10.4.2 or greater with 1G RAM
Windows XP (SP2) or higher *G3/G4 accelerator cards are not supported.
(Windows 98, Me, NT or 2000 not supported)
WORLDE suggests you also check the minimum system requirements for your software, as they may be greater than the above.
USB hubs are not supported. WORLDE suggests that you connect directly to one of your computer’s built in USB ports.
3.2.2 Using The Orca mini 25 With Your Software

When installed, the Orca mini 25 appears as a simple MIDI device with one input port and one output port. You should select the listed
USB MIDI Controller input port as the MIDI input device in your software. Once this is set, your software should be able to receive notes
and controller data from the Orca mini 25.
The port name is deﬁned as WORLDE when connecting to USB port.
It will appear as WORLDE in the Device Manager.
3.3 Connecting to a Computer

Orca mini 25 is bus-powered, so it turns on as soon as you connect it to your computer with a USB cable.
3.4 Connecting to Mobile Devices

3.4.1 iOS
To operate your Orca mini 25 with an iOS device, use Apple’s Lightning to USB 3 Camera Adapter with a separate 2.4A Lightning charger.
3.4.2 Android
To operate the Orca mini 25 with an Android device we’d like to recommend a USB OTG to USB adapter.
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3.5 Using as a Standalone MIDI Controller

The 3.5mm TRS MIDI Out port can be used to connect the Orca mini 25 to a hardware sequencer, an external synthesizer or sound
module. 3.5mm TRS MIDI Out to MIDI DIN adaptor is included.
If you want to use the 3.5mm TRS MIDI output on the Orca mini 25 without a computer, you can power the unit with a standard USB power
supply (5V DC, minimum 500mA).
4. Parts and Their Functions

4.1 Keyboard
When you play the keyboard, MIDI note messages are sent. These messages are read by your computer software or external MIDI gear
and used to generate sound accordingly. The sound played by the keyboard is from your computer software or external MIDI gear. With
the MENU and +/- button it’s possible to adjust the keyboard velocity curve, octave, transpose, channel, program change etc. More details
can be found in section 5.
4.2 Trigger pads

The 16 RGB Pads can transmit MIDI note messages. With the MENU and +/- button it’s possible to adjust the pad velocity curve, midi note
number, RGB color of the pad backlight etc. More details can be found in section 5.
4.3 Knobs
The 8 knobs can transmit control change messages. It can be assigned to control any editable parameter on the selected device. More
details can be found in section 5.
4.4 Pitch and Modulation touch strips

Pitch bend and modulation are activated by pressing the touch strips. If you touch the Pitch bend strip at its center and move your finger
forward or backward it will alter the pitch of the played sound.
Similarly, moving your finger along the Modulation strip alters the modulation amount of the played sound.
4.5 OLED Display

OLED display is for immediate parameter setting.
4.6 +/-button
Press +/- buttons to input the value for the selected controller, it’s used with the MENU button.Holding either of these two buttons will
access the immediate parameter selection. Initial setting is for Octave adjustment.
4.7 MENU button

Press MENU button to select the following functions of Orca mini 25:Octave, Velocity curve, Pad velocity, Store all parameters, Recall all
parameters, MIDI channel, Program change, Control assign, Transpose, Pad color R, Pad color G, Pad color B, Reset all, CC NUM/Pad
note Controller value.
4.8 SHIFT button
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Press Shift and other buttons at the same time to access secondary functions.
Shift is used to select the pads which are great for triggering clips in Ableton Live’s Session View and playing drums. Holding Shift button
lights up the top row of pads. You can then switch between the 2 pad modes:
Session: For triggering clips and navigating Live’s Session View.
Drum: For playing drums with the velocity-sensitive pads.
4.9 Arp button

Press the Arp button to activate the Arpeggiator of the Orca mini 25.
4.10 Fixed Chord button

While holding the Fixed Chord button, press and release the keys that you wish to be part of the stored ‘fixed’ chord. It only works when
connected with Ableton Live.
4.11 ▶ Playback button

This button controls your DAW’s playback.
4.12 ● Record button

The Record button starts the recording process in your DAW.
4.13 > Scene Launch button

Pressing the Scene Launch button (>) launches scenes in Ableton Live. This means that all of the clips in a row can start together. It only
works when connected with Ableton Live.
4.14 Stop/solo/mute/Enter button

Stop/solo/mute: Press this button to switch the functionality of the bottom 8 pads. It only works when connected with Ableton Live.
Enter: Use ENTER button to confirm the data in general MIDI control mode. Holding the “Enter” button for 2 seconds to exit the edit mode
and return to parameter display mode.Then if you rotate the knobs or trigger the pads the OLED will display the current parameters of
these pads or knobs.
4.15 Full sized USB connector

Connect the WORLDE Orca mini 25 to your computer with a USB cable via this port.
4.16 Sustain Pedal Jack

The footswitch jack functions as sustain pedal interface.
Note: the default setting for footswitch jack is open meaning that pressing the pedal will function as sustain. If it’s without sustain function
when pressed, it means that the pedal polarity is opposite, so it needs to adjust the polarity by moving the pedal polarity switch to the other
end.
4.17 3.5mm TRS MIDI Out port

The 3.5mm TRS MIDI Out port can be used to connect the Orca mini 25 to a hardware sequencer, an external synthesizer or sound
module. 3.5mm TRS MIDI Out to MIDI DIN adaptor is included.
5. Basic MIDI Control From Your Orca mini 25

5.1 MIDI Control Messages
There are 135 MIDI controller messages that are used for controlling the MIDI-adjustable parameters in your software or on your external
MIDI gear (0 to127 is the standard MIDI control parameter, 128 to 134 is the special MIDI control parameter). Examples of these
controllable parameters include volume, pan, expression, reverb, chorus and portamento.
The 8 assignable knobs and 16 assignable pads on your Orca mini 25 keyboard is able to send any of the 128 standard MIDI controller
messages to control such parameters. Please note that in order for these effects to work, the MIDI device you are sending to must be able
to receive these messages. A full list of these control messages is given in Appendix A.
For example, you may want to set the Knob1 to control the channel volume. This is done by assigning controller 7 to the Knob1 (first on
the left). Examples of other popular effects are listed in the table below. (Please consult Appendix A for the full list.)
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Effect Control
Modulation 1
Volume 7
Pan 10
Expression 11
Reverb depth 91
Chorus depth 93
There are many different types of virtual instruments available and most of these respond to MIDI controller messages, allowing you to
control a variety of parameters from your Orca mini 25 keyboard. Please review the manual that came with your software or external gear
to see what these controller numbers are.
5.2 Programming the Controls on Your Orca mini 25

When programming a physical controller on your Orca mini 25, the controller that was last used will be the first one selected for
programming. To select a different physical controller for programming, the method is: Press the MENU button repeatedly until the OLED
dispays “Control assign CC NUMB/Pad note”, then move the physical controller you wish to program. When control assignment mode
works, the OLED displays the following:
5.3 Control assignment

In control assignment mode the 8 assignable knobs and 16 assignable pads can be programmed to any MIDI controller messages that are
used for controlling the MIDI-adjustable parameters in your software or on your external MIDI gear.
To select a different physical controller for programming, the method is: Press the MENU button repeatedly until the OLED dispays
“Control assign CC NUMB/Pad note”, then move the physical controller you wish to program. Input the desired controller value with +/-
button and confirm the value with “Enter” button. Holding the “Enter” button for 2 seconds to exit the edit mode.The OLED displays the
following for control assignment:
5.4 Assignable Knobs

There’re 8 sliders that can be assigned as controller No. independently. Press the MENU button repeatedly until the OLED dispays “CC
NUMB/Pad note”, then rotate the knobs you wish to program. Input the desired controller value with +/- button and confirm the value with
“Enter” button. For example, you may want to set the Knob1 to control the channel volume. This is done by assigning controller 7 to the
Knob1 (first on the left). The operation steps is shown as below and the OLED displays the following:
(1) Press the MENU button repeatedly until the OLED dispays “Control assign CC NUMB/Pad note”.
(2) Rotate R1 knob (first on the left).
(3) Press “+” or “-” button until the OLED displays “007”. The numbers are the controllers.
(4) Press the “Enter” button to confirm and the OLED will display “Done”. Holding the “Enter” button for 2 seconds to exit the edit mode and
return to parameter display mode.Then if you rotate the knobs or trigger the pads the OLED will display the current parameters of these
pads or knobs.
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5.5 Assignable Pads

5.5.1 Pad Note Setting
There’re 16 pads that can be assigned to transmit MIDI note messages (drums, stabs, bass notes, whatever). Press the MENU button
repeatedly until the OLED dispays “CC NUMB/Pad note”, then trigger the pads you wish to program. Input the desired MIDI note
messages with +/- button and confirm the value with “Enter” button. Holding the “Enter” button for 2 seconds to exit the edit mode and
pads or knobs.For example, you may want to set the Pad1 to transmit note message 34. This is done by assigning controller 34 to the
Pad1. The operation steps is shown as below and the OLED displays the following:
(1) Press the MENU button repeatedly until the OLED dispays “Control assign CC NUMB/Pad note”.
(2) Trigger the Pad1.
(3) Press “+” or “-” button until the OLED displays “34”.
pads or knobs.
5.6 Advanced Settings

5.6.1 Keyboard Velocity Curve
Every time you press a key, a MIDI note message is sent with a velocity value between 0 and the maximum; this value specifies how hard
you pressed the key. Since different people have different playing styles, your Orca mini 25 offers 3 different velocity curves and 1 one
constant velocity as shown below. The default is the first one. You should experiment with the different velocity curves to seek the curve
that best suits your playing style.
Keyboard Velocity Curves
To change the keyboard velocity curve:

Press the MENU button repeatedly until the OLED dispays “Velocity curve” to start the function of selecting keyboard velocity curve. When
this function is valid, the OLED displays the “Velocity curve” and the Number of current velocity curve. It can be adjusted by +/- button and
confirmed by Enter button. The initial value is 1, adjusting scale is 1～4. The operation steps is shown as below and the OLED displays the
following:
(1) Press the MENU button repeatedly until the OLED dispays “Velocity curve”.
(2) Press “+” or “-” button to adjust the keyboard velocity curve, the OLED will display the current selected velocity curve.
pads or knobs.
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5.6.2 Pad Velocity

The Pad Curve setting is used to set the response curve of all 16 pads. It is not possible to set the response curve of the pads
independently.
rd
Your Orca mini 25 offers 3 different pad velocity curves and 1 one constant velocity as shown below. The 3 one is the constant velocity
with the value 127.
Pad Velocity Curves
To change the pad velocity curve:

Press the MENU button repeatedly until the OLED dispays “Pad curve” to start the function of selecting pad velocity curve. When this
function is valid, the OLED displays the “Pad velocity” and the Number of current pad velocity curve. It can be adjusted by +/- button and
following:
(1) Press the MENU button repeatedly until the OLED dispays “Pad Velocity”.
(2) Press “+” or “-” button to adjust the pad velocity curve, the OLED will display the current selected velocity curve.
pads or knobs.
5.6.3 OCTAVE+/ OCTAVE-

Press the MENU button repeatedly until the OLED dispays “Octave” to start the function of Octave. This function allows the keyboard to
change the Pitch up/down by octave. When this function is valid, the OLED displays the “Octave” and the value of current transposition. It
can be adjusted by +/- button. The initial value is 0, adjusting scale is -4～4. The operation steps is shown as below and the OLED
displays the following:
(1) Press the MENU button repeatedly until the OLED dispays “Octave”.
(2) Press “+” or “- ” button to adjust the keyboard octave, the OLED will display the current octave. Holding the “Enter” button for 2 seconds
to exit the edit mode and return to parameter display mode.Then if you rotate the knobs or trigger the pads the OLED will display the
current parameters of these pads or knobs.
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5.6.4 Transpose
Press the MENU button repeatedly until the OLED dispays “Transpose” to start the function of Transpose. This function allows the
keyboard to change the Pitch up/down by semi-tone. When this function is valid, the OLED displays the “Transpose” and the value of
current transpose. It can be adjusted by +/- button. The initial value is 0, adjusting scale is -12～12. The operation steps is shown as below
and the OLED displays the following:
(1) Press the MENU button repeatedly until the OLED dispays “Transpose”.
(2) Press “+” or “-” button to adjust the keyboard transpose, the OLED will display the current transpose. Holding the “Enter” button for 2
seconds to exit the edit mode and return to parameter display mode.Then if you rotate the knobs or trigger the pads the OLED will display
the current parameters of these pads or knobs.
5.6.5 Program change

Press the MENU button repeatedly until the OLED dispays “Program change” to start the function of Program change. Program change is
for adjusting the voice of current channel. When this function is valid, the OLED displays the “Program change” and the current voice
number. It can be adjusted by +/- button and confirmed by Enter button. The initial value is 1, adjusting scale is 1～128. The operation
steps is shown as below and the OLED displays the following:
(1) Press the MENU button repeatedly until the OLED dispays “Program change”.
(2) Press “+” or “-” button to adjust the keyboard program, the OLED will display the current keyboard program.
(3) Press the “Enter” button to confirm and the OLED will display “Done”. Holding the “Enter” button for 2 seconds to exit the edit mode
5.6.6 MIDI channel

Press the MENU button repeatedly until the OLED dispays “MIDI channel” to start the function of Channel selection. Channel selection is
for adjusting the Current MIDI channel. When this function is valid, the OLED displays the “MIDI channel” and the current channel number.
It can be adjusted by +/- button and confirmed by Enter button. The initial value is 1, adjusting scale is 1～16. The operation steps is
shown as below and the OLED displays the following:
(1) Press the MENU button repeatedly until the OLED dispays “MIDI channel”.
(2) Press “+” or “-” button to adjust the keyboard MIDI channel, the OLED will display the current MIDI channel.
5.6.7 Select the Backlit RGB Color of 16 Pads

Press the MENU button repeatedly until the OLED dispays “Pad color R/G/B” to start the function of selecting the Backlit RGB Color of 16
Pads. When this function is valid, the OLED displays the “Pad color R/G/B” and the current RGB color number. R is for red, G is for green
and B is for blue. It can be adjusted by +/- button and confirmed by Enter button. The initial value is 127, adjusting scale is 0～255. For
example, you may want to set the Pad1 with RED color for the RGB backlight. This is done by setting the Pad color R to 127, Pad color G
to 0 and Pad color B to 0 to the Pad1. The operation steps is shown as below and the OLED displays the following:
(1) Trigger the Pad1.
(2) Press the MENU button repeatedly until the OLED dispays “Pad color R”.
(3) Press “+” or “-” button until the OLED displays 127.
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(4) Press the “Enter” button to confirm and the OLED will display “Done”.
(5) Press the MENU button repeatedly until the OLED dispays “Pad color G”.
(7) Press the “Enter” button to confirm and the OLED will display “Done”.
(8) Press the MENU button repeatedly until the OLED dispays “Pad color B”.
Reference RGB No. for some colors:

COLOR R. G. B
WHITE 127 127 127
BLACK 0 0 0
RED 127 0 0
GREEN 0 127 0
BLUE 0 0 127
CYAN 0 127 127
MAGENTA 127 0 127
YELLOW 127 127 0
ORANGE 127 82 0
5.7 Other controls

5.7.1 Store all parameters
Press the MENU button repeatedly until the OLED dispays “Store all parameters” to start the function of storing parameters. It stores 3
groups setup value. When this function is valid, the OLED displays the “Store all parameter” and the current strorage group number. It
can be adjusted by +/- button and confirmed by Enter button. The initial value is 1, adjusting scale is 1～3. The operation steps is shown
as below and the OLED displays the following:
(1) Press the MENU button repeatedly until the OLED dispays “Store all parameter”.
(2) Press “+” or “-” button to adjust the memory area and the OLED will display the current memory area.
pads or knobs.
5.7.2 Recall all parameters

Press the MENU button repeatedly until the OLED dispays “Recall all parameter” to start the function of recalling all parameters. When this
function is valid, the OLED displays the “Recall all parameter” and the current strorage group number. It can be adjusted by +/- button and
following:
(1) Press the MENU button repeatedly until the OLED dispays “Recall all parameter”.
(2) Press “+” or “-” button to select the memory area and the OLED will display the current memory area.
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pads or knobs.
5.7.3 RESET
Press the MENU button repeatedly until the OLED dispays “Reset all” to reset the system restoring to factory setting, sending system
initial setting info at the same time. When this function is valid, the OLED displays the “Reset all”. It can be confirmed by Enter button. The
OLED displays the following:
5.7.4 MMC（MIDI MACHINE CONTROL）

There are 2 buttons used for MMC- [>>], [O]. It is common to set the 2 buttons as Sequencer remote control buttons, it needs to be
working with sequencer software.
6. Using The Orca mini 25 With Your DAW

6.1 Using your Orca mini 25 with Ableton Live
With Ableton Live installed, get your Orca mini 25 connected to Mac or PC ‘s USB port with USB cable and it will be automatically detected
and enter Session mode. If you press the Shift button on your Orca mini 25 the pads will be lighting as shown in the picture below. The first
2 pads of the top row are used to select pad behavior and the next 4 labled pads to the right are for selecting knob behaviour.
If your Orca mini 25 is not automatically detected in Ableton Live, you’ll need to configure Live’s Control Surface Preferences. This could
be done in the ‘Link/MIDI’ Preferences menu in Ableton Live:
‘Link/MIDI' Preferences：
Windows：Options>Preferences>Link/MIDI
Mac：Live>Preferences>Link/MIDI
You need to make settings in the Link/MIDI tab as steps shown below. First, select the Orca mini 25(Launchkey Mini [MK3]) from the
Control Surface menu. Second, select WORLDE or WORLDE2(Windows) for Input and Output settings. Finally, match the Track, Sync
and Remote settings.
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6.1.1 Session Mode

Hold the Shift button and press the Session pad(the top left pad) to enter session mode on your Orca mini 25.
Session mode is used to control Ableton Live’s Session view. Session View is a grid that consists of clips, tracks and scenes.
Orca mini 25’s Session mode provides an 8x2 view of the clips in your Session View.
Example of Orca mini 25’s pads in Session mode:
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Clips are typically loops that contain MIDI notes or audio.
Tracks represent virtual instruments or audio tracks. MIDI clips placed on instrument tracks will play back on the instrument that is
assigned to that track.
Scenes are rows of clips. Launching a scene will launch all clips in that row. This means that you can arrange clips into horizontal
groups (across tracks) to form a song structure, launching scene after scene to progress through a song.
In Session mode, the pads represent the grid of clips found inside the coloured rectangle in Ableton Live’s Session View. The image
below shows such a rectangle (red) extending from the left-most track to the Master track:
Any changes you make to clip position or colour within Ableton Live will be represented in the Session mode of Orca mini 25. Unlit (dark)
pads indicate empty clip slots.
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You can navigate around Session View by holding Shift and pressing the 4 buttons with arrows as their secondary functions: >, Stop
Solo Mute, Arp, and Fixed Chord.
More specifically, you can move the currently selected grid of clips (inside Ableton Live’s coloured rectangle) up or down by holding Shift
and pressing the following buttons:
Shift + Scene Launch (>) – This moves the grid of clips up one row.
Shift + Stop, Solo, Mute – This moves the grid of clips down one row.
Holding Shift and pressing Arp (left) or Fixed Chord (right) will select the adjacent left or right track. This will automatically arm the track
so it is ready to receive MIDI. Release Arp or Fixed Chord button first before SHIFT button released.
6.1.2 Launching Clips

Pressing pads will launch clips in the corresponding location in your Session View. Pads will pulse white to indicate that a clip is playing.
Pressing the pad again will relaunch the clip, and pressing an empty pad will stop playback on that track.
How fast clips stop or relaunch is set by Ableton Live’s Global Quantisation chooser, located at the top of the Live screen. By default, this
is set to 1 bar, but can go as fast as 1/32 notes, or as slow as 8 bars. It can also be set to ‘None’ so clips react immediately.
6.1.3 Launching Scenes

Pressing the Scene Launch button (>) launches scenes in Ableton Live. This means that all of the clips in a row can start together.
6.1.4 Stop， Solo， Mute
While in Session mode, it is possible to switch the functionality of the bottom 8 pads so that they no longer launch clips. This is done with
the Stop, Solo, Mute button.
The Stop, Solo, Mute button toggles between four different states which affect tracks in the following ways:
- 15 -

Stop (Purple) – In this state, pressing pads will stop any clip on the corresponding track. The purple pads will be in blue if tracks are not
playing.
Solo (Yellow green) - In this state, pressing the pads will solo the corresponding tracks, meaning only tracks with Solo on will be heard.
The pads will be in yellow green if tracks are not soloed (ie they are silent) and if soloed they will be in purple.
Mute (Light pink) –In this state, pressing pads will mute the corresponding tracks.
The pads will be in yellow green for muted tracks, leaving pads for unmuted tracks at their original light pink colour.
Clips (White) – the fourth press (after toggling through Stop, Solo and Mute) changes the function of bottom pads back to the default
Session mode, where the bottom row of pads will represent clips again . The clips that are playing will be in white color and flickering.
6.1.5 Record / Capture MIDI
Pressing this button triggers Session Record. This will allow you to record what you’re playing to new clips as well as overdub existing
ones.
Holding Shift and pressing Record triggers the Capture MIDI function. This allows you to retrospectively capture any recently played
MIDI notes in the record-armed track. This means that if you are not recording, but you play something that sounds great, you can use
Capture MIDI to send it straight into a clip.
6.1.6 Playing and Recording Drums
Drum mode transforms the Orca mini 25’s pads into velocity-sensitive drum pads.
Hold Shift and press the Drum pad (2nd from the top left) to enter this mode.
- 16 -

If a Drum Rack (an Ableton MIDI instrument) is loaded onto the selected Live track, and the Orca mini 25 is in Drum mode, the pads light
up the colour of the track.
Hold Shift and press either the > or Stop, Solo, Mute buttons to scroll up/down a Drum Rack’s bank of 128 pads.
When using Ableton’s Drum Racks, Drum mode will – apart from triggering sounds – select the associated Drum Rack pad within a
Drum Rack. This means that on release, the last played Drum Rack pad becomes grey and Ableton Live shows the selected Drum Rack
pad on the screen.
6.1.7 Using Ableton Live Devices

Device mode allows you to control the selected ‘device’ (Ableton or 3rd-party Instruments and Effects) on a Live track. Hold the Shift
button and press the Device pad (4th from top left) to use this mode.
In this mode, knobs control the first 8 parameters of the selected device. This is especially useful for controlling Live’s 8 ‘macro’ knobs,
available on Instrument and Effect Racks.
The above picture shows an Impulse preset called ‘Percussion 1’. Here, the Orca mini 25 knobs control sample volumes, sample start
and ‘stretch’, as well as delay and reverb amounts.
- 17 -

6.1.8 Using Ableton Live’s Mixer
The Orca mini 25 8 knobs give you hands-on control of Live’s mixer. Hold Shift, then press either the Volume, Pan or Sends pads to
control those respective parameters with the knobs.
Volume - This mode allows for volume control over the 8 selected tracks currently inside Live’s coloured rectangle. Holding the Shift
button and pressing the Volume pad (the 4th from the top right) selects this mode.
Pan - This mode allows you to pan the 8 selected tracks currently inside Live’s coloured rectangle. Holding the Shift button and
pressing the Pan pad (the 3rd from the top right) selects this mode.
Sends - This mode allows you to control the send levels of tracks in Ableton Live. Hold Shift and press the Sends pad (2nd from the top
right) to enter this mode.
When in Sends mode two blue pads on the bottom row will switch between Send A or Send B. The left blue pad chooses Send A, and
the right blue pad selects Send B.
Sending audio to return tracks is a great way to use fewer audio effects. For example, instead of putting the same reverb on many
tracks, you can put one reverb on a return track and send multiple tracks to it.
6.1.9 Arp
Pressing the Arp button on Orca mini 25 enables the Arpeggiator. After engaging Arp the Orca mini 25 takes your chords and creates an
arpeggio – ie it plays each note of the chord one after another. The Arpeggiator will run as long as keys are held, at the rhythmic value
specified by the Arp Rate.
Orca mini 25’s Arp is a great way to come up with interesting melodies and progressions with ease.
Arpeggiator Rotary Knobs
When you hold the Arp button the rotary knobs can transform your arpeggios.
Tempo – This knob speeds up or slows down your arpeggio relative to the Arp Rate.
Swing – This knob sets the amount that every other note is delayed, resulting in a swung rhythm. To change the Arpeggiator’s Swing,
press and hold the Arp button, and then turn the knob labelled Swing. By default (centre position), swing will be set to 50% (meaning no
swing), with extremes of 80% (very swung) and 20% (negative swing). Negative swing means every other note is rushed, instead of
delayed.
Gate – Adjusting this knob will create longer or shorter MIDI notes, resulting in either a more ‘staccato’ arpeggio, or a more fluid, ‘legato’
one. This knob goes from 1% to 200% of the space between notes. For notes that have swing applied, both notes retain the same gate
length.
- 18 -

Arp Modes
After turning on Arp you’ll be in 1 of 5 Arpeggiator Modes, each resulting in arpeggios of different note orders. To change the Arp Mode,
press and hold the Arp button, and then press the key corresponding to your desired mode. After pressing a key, you can see the pad
above reflect your changes (as per the previous section).
Up – Here notes are played in ascending order (ie rising in pitch). If notes are added, the number of notes in the sequence will grow but
remain in ascending order. For example, you may start by holding down a first note - E3 - then quickly add two more notes - C3 and G3.
The resulting arpeggio will be C3, E3 and G3.
Down – This Mode is similar to Up Mode, but notes play in descending order (eg G3, E3, C3).
Up/Down – This arpeggio Mode starts by playing notes in ascending order. Then, after reaching the highest note, the notes descend
towards the lowest note, which plays once before the arpeggio rises again and stop before reaching the lowest note. This means that
when the pattern repeats, the lowest note only plays once.
Played – Here notes are kept repeated in whatever order they were played.
Chord – All notes are played back on every rhythmic step (see Arp Rate). This makes playing fast chords very easy.
Arp Rates
These options specify the speed of the arpeggiated notes. Since each note is played immediately after the end of the previous one, a
shorter rate (eg 1/32) will play an arpeggio faster than longer one (eg 1/4).
Rate options are common musical note values: quarter (¼), eighth (1/8), sixteenth (1/16) and thirty-second (1/32) notes. To change the
Arp Rate, press and hold the Arp button, and then press the key below 1/4, 1/8, 1/16, or 1/32.
Arp Octaves
These 4 keys specify across how many octaves your arpeggio will repeat. To change, press and hold the Arp button, and then press the
key below 1, 2, 3 or 4. Choosing an octave higher than 1 will repeat the arpeggio at higher octaves. For example, an arpeggio that was
C3, E3, and G3 at 1 octave will become C3, E3, G3, C4, E4, and G4 when set to 2 octaves.
Arp Rhythms
Arp Rhythms add musical rests (silent steps) to your arpeggio’s pattern, allowing for greater variations in your arpeggios.
Hold Arp then press one of the following, which will turn the pads blue.
Dots - These three options are rhythmic patterns.
O – The normal Arpeggiator setting, this places a note on every division of the selected Arp rate.
OXO (note - rest - note) – This rhythm adds a rest between every pair of notes.
OXXO (note - rest - rest - note) – This pattern adds two rests between every pair of notes.
Latch
- 19 -
Latch lets you use the Arpeggiator without holding down keys. Any notes you press and release concurrently will form a new arpeggio
pattern which the arpeggiator ‘latches’ onto. The arpeggiator then continues to play as if you never released the keys. When you press a
new key, the previous arpeggio erases and a new one forms.
To turn on Latch, press and hold the Arp button, and then press the key below ‘Latch’. The pad below Volume will change from light pink
to pink when you enable Latch.
Arp Pads
The pads of the Orca mini 25 help to visually confirm the current Arp state. When the Arp button is held the pads will light up in different
colours, indicating these Arp settings: red (Arp Modes), green (Arp Rates), blue (Arp Octaves), light blue (Arp Rhythms), and light
pink/pink (Latch).
The top row of pads indicate the Arp groups: Arp Modes, Arp Rates, Arp Octaves, Arp Rhythms, and Latch (On/Off). The bottom row of
pads indicate the different options within the selected group(from the top row).
6.1.10 Fixed Chord
Fixed Chord lets you play a chord shape and then transpose it by pressing other keys.
Press and hold the Fixed Chord button to set a chord. Then, while still holding the button, press and release the keys that you wish to be
part of your chord. The chord is now stored.
Keep in mind that the first note that you input into the chord is considered the ‘root note’ of the chord, even if you then add notes lower
than the first one, like in the example below.
These steps illustrate how to use Fixed Chord:
Press and hold the Fixed Chord button.
Press and release C, then E, and finally G (a C Major chord). Orca mini 25 stores this as the ‘fixed chord’.
Release the Fixed Chord button.
Major chords will now sound on whatever key you press. For example, you can now press F to hear an F Major chord (shown below), or
Ab to hear an Ab Major chord, etc. Whenever you enter the Fixed Chord settings, the stored chord is erased and a new chord must be
entered for Fixed Chord to work again.
6.2 Orca mini 25 Working with other Sequencer

A MIDI sequencer will allow you to record, play back, store and edit MIDI data. Although hardware sequencers exist, we will focus on the
more commonly used software sequencers in this manual. Examples of popular DAW are CubaseTM, LogicTM, Ableton Live TM and so
on, although there are many different sequencing applications available for your computer. In order to use your Orca mini 25 with your
sequencer, you need to set up the sequencer software so that your Orca mini 25 can be recognized as your DAW’s MIDI input device. You
need to choose a MIDI output device that is capable of making sound when MIDI data is sent to it. This may be a soundcard on your
computer, a VST instrument or a sound module connected to a MIDI port which is in turn connected to your computer. Please consult your
sequencer’s user manual for more information on how this is done. In this manual, section 3.2.2 “Using The Orca mini 25 With Your
software” details how your Orca mini 25 will appear in the device listing of your sequencer.
With your Orca mini 25 set up to communicate with the sequencer, data will go into the sequencer and will be routed to a virtual
synthesizer within the sequencer software or sent to an external sound module via a MIDI output port. The virtual synthesizer or external
sound module will turn the MIDI data into audible sounds. You can then record the incoming MIDI data and edit your performance using
your sequencer. We will have some more detailed MIDI mapping operations for different DAWs provided separately.
- 20 -
7. Appendices
Appendix A-ASSIGNABLE CONTROLLER PARAMETER LIST
CONTROLLER NO. DEFINITION INITIAL VALUE VALUE RANGE
0 Bank Select MSB 0 0-127
1 Modulation MSB 0 0-127
2 Breath MSB 127 0-127
3 Controller 0 0-127
4 Foot Controller MSB 127 0-127
5 Portamento time MSB 0 0-127
6 Data Entry MSB 2 0-127
7 Channel Volume MSB 100 0-127
8 Balance MSB 64 0-127
10 Panpot MSB 64 0-127
11 Expression MSB 127 0-127
12 Effect Control 1 MSB 0 0-127
13 Effect Control 2 MSB 0 0-127
14-31 Controller 0 0-127
32 Bank Select LSB 0 0-127
33 Modulation LSB 0 0-127
34 Breath LSB 127 0-127
36 Foot Controller LSB 127 0-127
37 Portamento time LSB 0 0-127
38 Data Entry LSB 0 0-127
39 Channel Volume LSB 127 0-127
40 Balance LSB 64 0-127
42 Panpot LSB 64 0-127
43 Expression LSB 127 0-127
64 Sustain 0 0-127
65 Portamento 0 0-127
66 Sostenuto 0 0-127
67 Soft Pedal 0 0-127
68 Legato FootSwitch 0 0-127
69 Hold 2 0 0-127
70 Sound Controller 64 0-127
71 Resonance 64 0-127
72 Release Time 64 0-127
73 Attack Time 64 0-127
74 Cutoff 64 0-127
75 Decay Time 0 0-127
76 Vibrato Depth 64 0-127
- 21 -

79 Sound Controller 64 0-127
84 Portamento Control 0 0-127
91 Reverb 40 0-127
92 Effects 0 0-127
93 Chorus 0 0-127
94 Effects 0 0-127
95 Effects 0 0-127
96 RPN Increment 0 0-127
97 RPN Decrement 0 0-127
98 NRPN LSB 0 0-127
99 NRPN MSB 0 0-127
100 RPN LSB 0 0-127
101 RPN MSB 0 0-127
102-119 Controller 0 0-127
120 All Sound Off 0 0-127
121 Reset All Controllers 0 0-127
122 Local Control 0 0-127
123 All Notes Off 0 0-127
124 OMNI Off 0 0-127
125 OMNI On 0 0-127
126 Mono 0 0-127
127 Poly 0 0-127
128 Pitch Bend Sensitivity（RPN） 2 0-127
129 Channel Fine Tuning（RPN） 64 0-127
130 Channel Coarse Tuning（RPN） 64 0-127
131 Modulation Depth Range（RPN） 64 0-127
132 Vibrato Rate（NRPN） 64 0-127
133 Vibrato Depth（NRPN） 64 0-127
134 Vibrato Delay（NRPN） 64 0-127
135 Filter Cutoff Frequency（NRPN） 64 0-127
136 Filter Resonance（NRPN） 64 0-127
137 EQ Low Gain（NRPN） 64 0-127
138 EQ High Gain（NRPN） 64 0-127
139 EQ Low Frequency（NRPN） 64 0-127
140 EQ High Frequency（NRPN） 64 0-127
141 EG Attack Time（NRPN） 64 0-127
142 EG Decay Time（NRPN） 64 0-127
143 EG Release Time（NRPN） 64 0-127
144 Polyphonic key pressure 100 0-127
- 22 -
145 After touch 100 0-127

146 Pitch Bend 64 0-127
147 Master Volume 100 0-127
148 Start（MTC） - -
149 Continue（MTC） - -
150 Stop（MTC） - -
151 Reset（MTC） - -
152 Program 0 0-127
153 Global Channel 0 0-15
154 Octave 0 -3~3
155 Transpose 0 -12~12
156 Tempo 100 20-250
157 Keyboard Curve 0 0-4
158 Pedal A Curve 64 1-127
Appendix B- Toxic or Hazardous Substances and Elements

Part Number, Toxic or Hazardous Substances and Elements
Name and Description Pb Hg Cd Cr(VI)) (PBB) (PBDE)
PCB ○ ○ ○ ○ ○ ○
PCBA Welding Spot ○ ○ ○ ○ ○ ○
Components ○ ○ ○ ○ ○ ○
Metal Parts ○ ○ ○ ○ ○ ○
Plastic and Polymeric parts ○ ○ ○ ○ ○ ○
Paper Accessory ○ ○ ○ ○ ○ ○
Power Cord ○ ○ ○ ○ ○ ○
○：Indicates that this toxic or hazardous substance contained in all the homogeneous materials for this part,
according to EIP-A, EIP-B, EIP-C is below the limit requirement in SJ/T 11364.
×：Indicates that this toxic or hazardous substance contained in all the homogeneous materials for this part,
according to EIP-A, EIP-B, EIP-C is above the limit requirement in SJ/T 11364.
(Enterprises may further provide in this box technical explanation for marking”X”based on their actual
conditions.)
- 23 -
Appendix C-Note Value and The Corresponding Numerical Number

Note NO. Note NO. Note NO. Note NO. Note NO. Note NO. Note NO. Note NO.
C-1 0 F0 17 Bb 1 34 Eb 3 51 G#4 68 C#6 85 F#7 102 B8 119
C#-1 1 F#0 18 B1 35 E3 52 A4 69 D6 86 G7 103 C9 120
D-1 2 G0 19 C2 36 F3 53 Bb 4 70 Eb 6 87 G#7 104 C#9 121
Eb-1 3 G#0 20 C#2 37 F#3 54 B4 71 Eb 6 88 A7 105 D9 122
E-1 4 A0 21 D2 38 G3 55 C5 72 F6 89 Bb 7 106 Eb 9 123
F-1 5 Bb 0 22 Eb 2 39 G#3 56 C#5 73 F#6 90 B7 107 E9 124
F#-1 6 B0 23 E2 40 A3 57 D5 74 G6 91 C8 108 F9 125
G-1 7 C1 24 F2 41 Bb 3 58 Eb 5 75 G#6 92 C#8 109 F#9 126
G#-1 8 C#1 25 F#2 42 B3 59 E5 76 A6 93 D8 110 G9 127
A-1 9 D1 26 G2 43 C4 60 F5 77 Bb 6 94 Eb 8 111
Bb-1 10 Eb 1 27 G#2 44 C#4 61 F#5 78 B6 95 E8 112
B-1 11 E1 28 A2 45 D4 62 G5 79 C7 96 F8 113
C0 12 F1 29 Bb 2 46 Eb 4 63 G#5 80 C#7 97 F#8 114
C#0 13 F#1 30 B2 47 E4 64 A5 81 D7 98 G8 115
D0 14 G1 31 C3 48 F4 65 Bb 5 82 Eb 7 99 G#8 116
Eb 0 15 G#1 32 C#3 49 F#4 66 B5 83 E7 100 A8 117
E0 16 A1 33 D3 50 G4 67 C6 84 F7 101 Bb 8 118
Appendix D- General MIDI Instruments-Program Change Numbers

Piano Bass Reed Synth Effects
0 Acoustic Grand Piano 32 Acoustic Bass 64 Soprano Sax 96 SFX Rain
1 Bright Acoustic Piano 33 Fingered Bass 65 Alto Sax 97 SFX Soundtrack
2 Electric grand Piano 34 Electric Picked Bass 66 Tenor Sax 98 SFX Crystal
3 Honky Tonk Piano 35 Fretless Bass 67 Baritone Sax 99 SFX Atmosphere
4 Electric Piano 1 36 Slap Bass 1 68 Oboe 100 SFX Brightness
5 Electric Piano 2 37 Slap Bass 2 69 English Horn 101 SFX Goblins
6 Harpsichord 38 Syn Bass 1 70 Bassoon 102 SFX Echoes
7 Clavinet 39 Syn Bass 2 71 Clarinet 103 SFX Sci-Fi
Chromatic Percussion Strings/Orchestra Pipe Ethnic
8 Celesta 40 Violin 72 Piccolo 104 Sitar
9 Glockenspiel 41 Viola 73 Flute 105 Banjo
10 Music Box 42 Cello 74 Recorder 106 Shamisen
11 Vibraphone 43 Contrabass 75 Pan Flute 107 Koto
12 Marimba 44 Tremolo Strings 76 Bottle Blow 108 Kalimba
13 Xylophone 45 Pizzicato Strings 77 Shakuhachi 109 Bag Pipe
14 Tubular bells 46 Orchestral Harp 78 Whistle 110 Fiddle
15 Dulcimer 47 Timpani 79 Ocarina 111 Shanai
- 24 -
Organ Ensemble Synth Lead Percussive

16 Drawbar Organ 48 String Ensemble 1 80 Syn Square Wave 112 Tinkle Bell
17 Percussive Organ 49 String Ensemble 2 81 Syn Sawtooth Wave 113 Agogo
18 Rock Organ 50 Syn Strings 1 82 Syn Calliope 114 Steel Drums
19 Church Organ 51 Syn Strings 2 83 Syn Chiff 115 Woodblock
20 Reed Organ 52 Choir Aahs 84 Syn Charang 116 Taiko Drum
21 Accordion 53 Voice Oohs 85 Syn Voice 117 Melodic Tom
22 Harmonica 54 Syn Choir 86 Syn Sawtooth Wave 118 Syn Drum
23 Tango Accordion 55 Orchestral Hit 87 Syn Brass & Lead 119 Reverse Cymbal
Guitar Brass Synth Pad Sound Effects
24 Nylon Acoustic 56 Trumpet 88 New Age Syn Pad 120 Guitar Fret Noise
25 Steel Acoustic 57 Trombone 89 Warm Syn Pad 121 Breath Noise
26 Jazz Electric 58 Tuba 90 Polysynth Syn Pad 122 Seashore
27 Clean Electric 59 Muted Trumpet 91 Choir Syn Pad 123 Bird Tweet
28 Muted Electric 60 French Horn 92 Bowed Syn Pad 124 Telephone Ring
29 Overdrive 61 Brass Section 93 Metal Syn Pad 125 Helicopter
30 Distorted 61 Syn Brass 1 94 Halo Syn Pad 126 Applause
31 Harmonics 62 Syn Brass 2 95 Sweep Syn Pad 127 Gun Shot
Appendix E - General MIDI Drums-Note assignments

MIDI Note Drum Sound MIDI Note Drum Sound MIDI Note Drum Sound
35 Acoustic Bass Drum 52 Chinese Cymbal 69 Cabasa
36 Bass Drum 1 53 Ride Bell 70 Maracas
37 Side Stick 54 Tambourine 71 Short Whistle

38 Acoustic Snare 55 Splash Cymbal 72 Long Whistle
39 Hand Clap 56 Cowbell 73 Short Guiro
40 Electric Snare 57 Crash Cymbal 2 74 Long Guiro
41 Low Floor Tom 58 Vibraslap 75 Claves
42 Closed Hi-Hat 59 Ride Cymbal 2 76 Hi Wood Block
43 High Floor Tom 60 Hi Bongo 77 LowWood Block
44 Pedal Hi-Hat 61 Low Bongo 78 Mute Cuica
45 Low Tom 62 Mute Hi Conga 79 Open Cuica
46 Open Hi-Hat 63 Open Hi Conga 80 Mute Triangle
47 Low-Mid Tom 64 Low Conga 81 Open Triangle
48 Hi-Mid Tom 65 High Timbale
49 Crash Cymbal 1 66 Low Timbale
50 High Tom 67 High Agogo
51 Ride Cymbal 1 68 Low Agogo
8. Specifications
Connectors: USB connector
Power supply: USB bus power mode
Current consumption: 100 mA or less
Dimensions (W x D x H): 12.6 x 7.6 x 2 inches / 319x193x50mm
Weight: 38.8 oz /1100 g
Included items: USB cable, Owner’s manual, 3.5mm TRS MIDI Out to MIDI DIN adaptor
*Specifications and appearance are subject to change without notice.
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MIDI Controller User’s Manual

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Packing list：Orca mini 25*1

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3.1.2 Rear Panel Overview

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3.2.1 Minimum System Requirements

3.2.2 Using The Orca mini 25 With Your Software

3.3 Connecting to a Computer

3.4 Connecting to Mobile Devices

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3.5 Using as a Standalone MIDI Controller

4. Parts and Their Functions

4.2 Trigger pads

4.4 Pitch and Modulation touch strips

4.5 OLED Display

4.7 MENU button

4.8 SHIFT button

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4.9 Arp button

4.10 Fixed Chord button

4.11 ▶ Playback button

4.12 ● Record button

4.13 > Scene Launch button

4.14 Stop/solo/mute/Enter button

4.15 Full sized USB connector

4.16 Sustain Pedal Jack

4.17 3.5mm TRS MIDI Out port

5. Basic MIDI Control From Your Orca mini 25

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5.2 Programming the Controls on Your Orca mini 25

5.3 Control assignment

5.4 Assignable Knobs

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5.5 Assignable Pads

5.6 Advanced Settings

Keyboard Velocity Curves

To change the keyboard velocity curve:

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5.6.2 Pad Velocity

Pad Velocity Curves

To change the pad velocity curve:

5.6.3 OCTAVE+/ OCTAVE-

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5.6.5 Program change

5.6.6 MIDI channel

5.6.7 Select the Backlit RGB Color of 16 Pads

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Reference RGB No. for some colors:

5.7 Other controls

5.7.2 Recall all parameters

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5.7.4 MMC（MIDI MACHINE CONTROL）

6. Using The Orca mini 25 With Your DAW

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6.1.1 Session Mode

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