The Waste Land Burial of the Dead
Pound had a profound influence on Eliot's work, both as a friend and as a literary mentor. He
encouraged Eliot to experiment with language and form, pushing the boundaries of
traditional poetry. Pound's emphasis on concise and precise language helped shape Eliot's
poetic style, as seen in "The Waste Land" and other works. "The Burial of the Dead" sets the
stage for the exploration of themes such as disillusionment, cultural identity, and the cyclical
nature of life. It invites readers to reflect on the complexities of human experiences and the
search for meaning in a fragmented and uncertain world.
Line 1: "April is the cruellest month" - This line challenges the conventional association of
April with rebirth and new beginnings. Instead, it presents April as a cruel and harsh month,
suggesting a sense of disillusionment and despair.
Line 2: "Breeding lilacs out of the dead land" - This line introduces the idea of life emerging
from a barren and lifeless landscape. It symbolizes the potential for renewal and growth even
in the midst of decay.
Line 3: "Mixing memory and desire" - This line suggests the blending of past experiences and
future aspirations, highlighting the complexity of human emotions and motivations.
Line 4: "Stirring dull roots with spring rain" - Here, the speaker describes the awakening of
dormant emotions and desires through the rejuvenating power of spring rain. It signifies the
potential for transformation and renewal.
Line 5: "Winter kept us warm, covering" - This line juxtaposes the coldness of winter with the
sense of comfort and security it provides. It captures the paradoxical nature of human
experiences and emotions.
Line 6: "Earth in forgetful snow, feeding" - This line portrays the earth covered in snow, which
acts as a source of nourishment and sustenance for life. It reflects the cyclical nature of
existence and the interconnectedness of all living beings.
Line 7: "A little life with dried tubers" - This line suggests the presence of a limited and
diminished form of life, represented by dried tubers. It conveys a sense of stagnation and
decay.
Line 8: "Summer surprised us, coming over the Starnbergersee" - Here, the speaker describes
the sudden arrival of summer, evoking a sense of surprise and unexpected change. The
mention of the Starnbergersee, a lake in Germany, adds a touch of specificity and vividness
to the imagery.
Line 9: "With a shower of rain; we stopped in the colonnade" - This line depicts the pause
and momentary respite from the heat and rain, as the speaker and others seek shelter in the
colonnade. It captures a fleeting moment of relief and reflection.
Line 10: "And went on in sunlight, into the Hofgarten" - This line conveys the continuation of
the journey under the sunlight, And went on in sunlight, into the Hofgarten. The Hofgarten
refers to a garden in Munich, Germany. This line suggests a shift in setting and a transition
into a more serene and peaceful environment. It represents a moment of escape and respite
from the chaos and uncertainty of the world.
Line 11: "And drank coffee, and talked for an hour" -. It highlights the importance of human
connection and the value of shared experiences.
Line 12: "Bin gar keine Russin, stamm' aus Litauen, echt deutsch" - This line, spoken in
German, translates to "I am not Russian at all, I come from Lithuania, truly German." It
introduces the theme of cultural identity and the complexities of belonging. It suggests a
fragmented sense of self and the struggle to reconcile multiple cultural influences.
Line 13: "And when we were children, staying at the archduke's" - This line reminisces about
childhood memories and the experience of staying at the archduke's place. It evokes a sense
of nostalgia and longing for a simpler time.
Line 14: "My cousin's, he took me out on a sled" - Here, the speaker recalls a memory of
being taken out on a sled by their cousin. It symbolizes a moment of joy and freedom,
contrasting with the present state of disillusionment and despair.
Madame Sosostris serves as a symbol of the uncertainty and desperation that permeate the
modern world. Through her portrayal as a fortune-teller, Eliot highlights the human desire for
guidance and meaning in a fragmented and chaotic society. The mention of her "wicked pack
of cards" and the images of death and destruction in her reading suggest a bleak future for
humanity. This section underscores the themes of disillusionment, the loss of traditional
values, and the search for spiritual guidance that are prevalent throughout the poem. It's a
haunting portrayal that adds depth to the overall narrative.
Eliot describes London as an "Unreal City." This phrase suggests a sense of disillusionment
and detachment from reality. It reflects the disconnection and alienation experienced by
individuals in the modern urban environment. It also alludes to Dante’s Inferno specifically
the description of the city Dis. This reference adds a layer of depth to Eliot’s portrayal of
London, suggesting that the city is a metaphorical hell or purgatory.
Eliot employs vivid and contrasting imagery to depict the cityscape. He describes the Thames
River as a "brown fog" and the streets as "a crowd, flowed over London Bridge, so many, / I
had not thought death had undone so many." These descriptions create a haunting and
surreal atmosphere, emphasizing the decay and spiritual emptiness of the city.