Final Coaching Philippine Folk Dances Feb 25
Final Coaching Philippine Folk Dances Feb 25
Final Coaching Philippine Folk Dances Feb 25
1. Mr. Rioflorido instructed his students to do the kumintang. What will be the
correct movements execution of his students in doing the kumintang?
A. The students will move their hand from the wrist in a clockwise or
counterclockwise direction.
B. The students will move their hand from the elbow in clockwise or
counterclockwise direction.
C. The students will move their hand from the shoulder in a clockwise or
counterclockwise direction.
D. The students will move their hand from the upper extremities in a clockwise
or counterclockwise direction.
2. The class of Mr. Cruz is dancing the Polkabal. One of the basic steps in the
dance is the contraganza. If Mr. Cruz will demonstrate the step pattern of the
dance step, which of the following will show the correct movement pattern?
A. step, close, step
B. cross-step, close, step
C. slide, cut, cut
D. leap, cross-step, step
9. Which of the following dance steps has an incorrect time signature in 2/4 time
music?
A. haplik
B. contraganza
C. polka
D. sagamantica
10. All are four measures of music and beyond except ______?
A. double sway balance
B. mudansa
C. haplik
D. mazurka
11. Common among rural or countryside dances are the use of implements in
their dance. They offer the glass of wine, a hanky, a hat or even their own hands
to somebody as a sign of invitation or love. This characterizes to a dance terms
means _______.
A. salok
B. sarok
C. hapay
D. bilao
15. Romeo is instructed by his PE teacher to do the habanera step. The step
aptern that he will use is step, close, step, step and the counting to follow is
_______.
A. 1 and 2
B. 1 2
C. 1 2 and
D. 1 2 3
16. Gelo is performing a sway balance with a waltz in his dance class. The
counting that he will use when doing the sway balance with a waltz is
A. 1,2 3/1 2 3
B. 1,2 3/1 2,3
C. 1,2 3/1,2 3
D. 1,2 3/1,2,3
17. Mr. Perez asked his students to do a combination of the following dance steps:
change, step, heel and toe change step, polka, heel and toe polka. He advises his
students to get a folk dance music to accompany the combinations. What time
signature the students will look for?
A. 2/4 time music
B. ¾ time music
C. 4/4 time music
D. 6/8 time music
21. Which of the following folk dances can be performed in ¾ time music?
A. Cariñosa
B. Tiklos
C. Polka sa Nayon
D. Polka Antigo
24. You are instructing your class to do one sway balance with waltz right and
left alternately, two waltz step right and left, and one waltz turn. How many
measure are there in the combination?
A. 6 measures
B. 8 measures
C. 12 measures
D. 16 measures
25. This dance is very popular in the Bicol Region commonly performed during
wedding celebrations.
A. Kuratsa
B. Pandango
C. Sinakiki
D. Pantomina
26. The waltz is done in what tempo?
A. slow
B. marching
C. moderate
D. fast
27. This is a kind of movement wherein the dancer glides one foot forcibly on the
floor with or without transfer of weight.
A. step
B. tap
C. pivot
D. slide
28. The type of dance which is performed in social gathering to honor the guest.
A. Pantomina
B. Pandanggo
C. Papuri
D. Putritos
29. It is a Samal dance class of noble women which shows off women’s dexterity
and flexibility of the shoulders, elbows, and wrist joints.
A. Sua-ko-Sua
B. Maglanka
C. Janngay
D. Kancingan
34. This is done by bending halfway the knees and body slightly with a bow of the
head.
A. curtsy
B. do-si-do
C. dip
D. draw
35. This dance term is executed by swinging the arm downward passing in front
of the body as if scooping with trunk bending forward following the movement of
the arm is __________
A. slide
B. swing
C. salok
D. sarok
36. Two people walk toward each other, pass by right shoulder
, step sideward to the right and return to position, walking backward, passing
left shoulder is called
A. cross-over
B. do-si-do
C. counterclockwise
D. clockwise
37. The toe or ball or free foot is placed momentarily on floor and lifted again
immediately again is called
A. touch
B. step
C. pivot
D. tap
38. The free foot is drawn toward the foot which supports the body weight by
pressing the toes against the floor as the close is made is called
A. bow
B. draw
C. brush
D. Cut
39. Subli is a dance honoring the wooden cross. It originates from
A. Bohol
B. Batangas
C. Cavite
D. Mindoro
40. It is a dance among the Apayaos imitating the high – flying bird.
A. Bendian
B. Pattong
C. Say-yam
D. Turayen
41. They are called “Peacocks of the Mountain”
A. Bontocs
B. Benguets
C. Kalingas
D. Apayaos
42. This is a dance among the Maranaos which displays the women’s simplicity
and elegant walk with the use of beautifully decorated umbrellas.
A. Sagayan
B. Kapamalong
C. Pag-aper
D. Kakulangan
43. This is Palawan’s ceremonial rite of healing the sick, imploring and
thanksgiving for a good and bountiful harvest.
A. Pagdidiwata
B. Blit-Blaan
C. Binaylan
D. Sohten
44. Which of the following folk dances are classified as ceremonial dances?
1. Dugso
2. Putong
3. Pandang-Pandang
4. Daling-Daling
A. 1 and 2
B. 3 and 4
C. 3 only
D. 4 only
45. The National Artist in dance who is also known as the Mother of Folk Dance is
A. Lucrecia Urtula
B. Corazon Iñigo
C. Leonor Orosa Goquingco
D. Francisca Reyes Aquino
Read the paragraph below and answer the questions that follow.
You are teaching your class to dance the Subli. Which of the following
preparations in your teaching will you consider to make the class understand
thoroughly the nature and characteristics of the dance?
48. What is the correct time signature of the music used in the dance?
A. 2/2 time signature
B. 2/4 time signature
C. ¾ time signature
D. 4/4 time signature
50. What are the basic arm movements used in the dance?
A. Bilao and Hayon-hayon
B. Sarok and Kewet
C. Hapay and Salok
D. Masiwak and Forearm Turn