Contemporary Phil- FOURTH QUARTER LEARNER NUMBER SCORE

Arts from the Region

G-5
Summative Test

1 1
Name: CUEPO, MARIELA JAYRA B. Grade & Section: XII - ABM

DIRECTION: Read and understand each question. Choose the letter of the correct answer then write it
in the box provided below.
1. B 6. C 11. A 16. D 21. A
2. C 7. C 12. B 17. B 22. B
3. C 8. B 13. D 18. D 23. B
4. B 9. D 14. A 19. D 24. B
5. C 10. C 15. D 20. A 25. A/B
1. What do you call the art made and produced by artists in the present time?
A. Classical B. Contemporary C. Current D. Modern
2. What is the cut-off date of our present time art classification?
A. 1950s B. 1960s C. 1970s D. 1980s
3. What is the trend or focus of Contemporary arts?
A. Artistry B. Finished product C. Manner of creation D. Popularity
4. Who is a famous Renaissance Artist?
A. Hokusai B. Leonardo da Vinci C. Malang D. Salvador Dali
5. What is the crime committed copying and reproducing artworks without permission?
A. Duplicating B. Falsification C. Plagiarism D. Xerox
6. What art classification become the basis of western art after the medieval era?
A. Contemporary B. Modern C. Neo-classical D. Renaissance
7. What contemporary art movement focus only on what is essential and necessary?
A. AbstractB. Expressionism C. Minimalism D. Surrealism
8. Who is the Filipino contemporary artist known for his expressive, cubist-like work?
A. Amorsolo B. Ang Kiukok C. Malang D. Oscar Villamiel
9. How would you classify artworks that mirror political issues?
A. Classical B. Contemporary C. Modern D. Popular art
10. What genre would you select if digital technology is applied to an artwork?
A. Classical B. Contemporary C. Modern D. Popular art
11. What is the common factor that connects the relationship between the genre of different arts?
A. Artistic value B. Concept C. Culture D. Ideology
12. Which tradition where location and experiences of Filipinos were the major factors in art production?
A. American colonial B. Ethnic tradition
C. Contemporary traditions D. Spanish colonial
13. Which art forms where religion and secularization are the most dominant theme?
A. American colonial B. Ethnic tradition
C. Contemporary traditions D. Spanish colonial
14. How is art experienced and consumed?
A Through perception B. Through indirect experience
C. Through direct experience D. Through direct and indirect experience
15. How would you apply the rules of creating a visual artwork to be classify as contemporary?
A Copying the works of Others B. Learning the Basics
C. Discarding the rules D. Relying on Technology
16. What approach would you use if you find yourself stuck in a style that stagnates your growth as
an artist?
A. Abandon your passion for arts. B. Focus on easy part of the artwork.
C. Erase all artworks you create. D. Leave the comfort zone and discover new styles.
17. Your inner voice is telling you something about your artwork in progress, what would you do?
A. Ignore the inner voice B. Listen to the inner voice
C. Rest for a while D. Wait for some inspiration
18. What information would you use to support the Contemporary art movements focused on “how”
art was created and disseminated, rather than “what” was produced?”
A. Aesthetic appeal is crucial in all masterpieces.
B. Ideas and concepts are essential in the production of Contemporary Art.
C. Materials that can sustain the value of the artwork.
D. Skills and technique are important to Contemporary Art.
19. Which technique would you apply to ignite your passion in art particularly creating your
own painting?
A. Emotional Sensitivity. B. Logical Thinking.
C. Personal Style D. Psychological State of Mind
20. Which of these is NOT a function of the arts from a Societal Perspective?
A. Add vibrancy to the city B. Help to project an image of cultured people
C. Help a nation to evolve its identity D. The arts help to protect the nation.
21. Which of these statement does NOT describe the power of art?
A. As a form of protest B. As a tool for activism
C. As a platform for nations to meet D. As a weapon to attack
22. Why are the arts important to a society from the economic perspective?
A. It brings in the tourist dollar.
B. It can attract overseas talents to work and contribute to the economy.
C. The arts need funds to thrive.
D. The spirit of creativity in the arts helps to boost innovation necessary for the knowledge-based
economy.
23. How could you prove that an artwork is an imitation in process?
A. Conscious use of skill is implemented all throughout.
B. Produces aesthetic objects that express important ideas or feelings.
C. Production of aesthetic objects that are beautiful.
D. Use of unconscious creative imagination.
24. If you are going to employ an art for company graphic infomercial, what way would you design to
focus on branding and pattern?
A. Create a huge masterpiece to express diverse perspectives.
B. Includes the environment alongside company structures
C. Repetition of simple geometric forms, like lines and squares to look regular and recognizable.
D. Scrap materials are more valuable to create the finish product.
25. If you want to design a public art that foster community pride and a sense of belonging, what way
would you design to command a space and overwhelm what comes near it?
A. Create a huge masterpiece to express diverse perspectives by utilizing the environment around it.
B. Install barely recognizable artwork on the center of an existing structures.
C. Repetition of simple geometric forms, like lines and squares to look regular and recognizable.
D. Scrap materials are more valuable to create the finish product.

Prepared: RAY L. MANGAOANG JOSEPH CORPUZ

CHARMAINE P. BULLANDAY AMPARO CARBONEL

Subject Teachers
Checked: EDITHA D. HERRERA, SP-II
OIC, Office of the Assistant Principal II

Noted: ROSS U. RIVERA