This document provides an overview of a lesson on meter in two-time signature. It defines key terms like meter, measures, bar lines, double bar lines, time signature, accented and unaccented beats. It discusses identifying the two-time meter and using different note and rest values to organize rhythmic patterns within measures. The objectives are to be able to identify two-time meter, accented and unaccented pulses, and create their own rhythmic patterns in two-time meter.
This document provides an overview of a lesson on meter in two-time signature. It defines key terms like meter, measures, bar lines, double bar lines, time signature, accented and unaccented beats. It discusses identifying the two-time meter and using different note and rest values to organize rhythmic patterns within measures. The objectives are to be able to identify two-time meter, accented and unaccented pulses, and create their own rhythmic patterns in two-time meter.
This document provides an overview of a lesson on meter in two-time signature. It defines key terms like meter, measures, bar lines, double bar lines, time signature, accented and unaccented beats. It discusses identifying the two-time meter and using different note and rest values to organize rhythmic patterns within measures. The objectives are to be able to identify two-time meter, accented and unaccented pulses, and create their own rhythmic patterns in two-time meter.
This document provides an overview of a lesson on meter in two-time signature. It defines key terms like meter, measures, bar lines, double bar lines, time signature, accented and unaccented beats. It discusses identifying the two-time meter and using different note and rest values to organize rhythmic patterns within measures. The objectives are to be able to identify two-time meter, accented and unaccented pulses, and create their own rhythmic patterns in two-time meter.
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NAME: JOSEPH SAAVEDRA FUNO-AN d.
Measures – are spaces between bar lines that
YEAR LEVEL: 2nd Year contain divisions of strong beats and weak REPORTER: #24 beats. SECTION/SUBJECT: GED120 Bb
Topic: UNIT 1: Rhythm – Lesson 1: Meter in Two
Objectives: At the end of the lesson, the students should be able to; 1. Identify the two-time meter and use the different kinds 3. The time signature, a symbol found at the of notes and rest. beginning of a musical piece, tell us the numbers 2. Identify accented and unaccented pulses. of beats in each measure and the note that receives one beat. 3. Organize notes and rest into two-time meter. 4. Perform his/her own created rhythmic pattern. Discussion: A. Sing “Shake Them Simmon Down” again. Feel the strong and weak beats while singing. Do the following movements. C. You - Clap on strong beats can also show the meter of the song by moving your - Snap on weak beats hands to the beat of the song. We call this hand gesture as conducting. B. This time, write the steady beats through stick D. Look at the table of some of the notes and rests. notation under the beats keeper. Use thicker lines on strong beats and thinner lines on weak beats.
I – Strong beats l – Weak beats
1. Mark the strong beats with > on top of the steady
beats. The symbol > is an accent mark placed above or below a note head to give emphasis on that beat. We call the beat as accented beat.
Let’s Practice: Complete the missing part. Locate the
Bar lines, Double Bar lines, Measures and the Time Signature. Used varied note and rest that you learn.
2. To clearly see the meter of the song, put bar lines
before the accented beats. a. Meter – measures how many beats there are in a set b. Bar lines – are vertical lines that group the beats into measures c. Double bar lines – at the end of a musical piece to mark the end