Musica Bach

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Johann Sebastian Bach[n 2] (31 March [O.S.

21 March] 1685 – 28 July 1750) was a


German composer and musician of the late Baroque period. He is known for his
orchestral music such as the Brandenburg Concertos; instrumental compositions such
as the Cello Suites; keyboard works such as the Goldberg Variations and The Well-
Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and
Fugue in D minor; and vocal music such as the St Matthew Passion and the Mass in B
minor. Since the 19th-century Bach revival he has been generally regarded as one of
the greatest composers in the history of Western music.[2][3]

The Bach family already counted several composers when Johann Sebastian was born as
the last child of a city musician in Eisenach. After being orphaned at the age of
10, he lived for five years with his eldest brother Johann Christoph, after which
he continued his musical education in Lüneburg. From 1703 he was back in Thuringia,
working as a musician for Protestant churches in Arnstadt and Mühlhausen and, for
longer stretches of time, at courts in Weimar, where he expanded his organ
repertory, and Köthen, where he was mostly engaged with chamber music. From 1723,
he was employed as Thomaskantor (cantor at St Thomas's) in Leipzig. There he
composed music for the principal Lutheran churches of the city, and for its
university's student ensemble Collegium Musicum. From 1726, he published some of
his keyboard and organ music. In Leipzig, as had happened during some of his
earlier positions, he had difficult relations with his employer, a situation that
was little remedied when he was granted the title of court composer by his
sovereign, Augustus III of Poland, in 1736. In the last decades of his life, he
reworked and extended many of his earlier compositions. He died of complications
after eye surgery in 1750 at the age of 65.

Bach enriched established German styles through his mastery of counterpoint,


harmonic, and motivic organisation,[4] and his adaptation of rhythms, forms, and
textures from abroad, particularly from Italy and France. Bach's compositions
include hundreds of cantatas, both sacred and secular. He composed Latin church
music, Passions, oratorios, and motets. He often adopted Lutheran hymns, not only
in his larger vocal works, but for instance also in his four-part chorales and his
sacred songs. He wrote extensively for organ and for other keyboard instruments. He
composed concertos, for instance for violin and for harpsichord, and suites, as
chamber music as well as for orchestra. Many of his works employ the genres of
canon and fugue.

Throughout the 18th century, Bach was primarily valued as an organist, while his
keyboard music, such as The Well-Tempered Clavier, was appreciated for its didactic
qualities. The 19th century saw the publication of some major Bach biographies, and
by the end of that century all of his known music had been printed. Dissemination
of scholarship on the composer continued through periodicals (and later also
websites) exclusively devoted to him, and other publications such as the Bach-
Werke-Verzeichnis (BWV, a numbered catalogue of his works) and new critical
editions of his compositions. His music was further popularised through a multitude
of arrangements, including the Air on the G String and "Jesu, Joy of Man's
Desiring", and of recordings, such as three different box sets with complete
performances of the composer's oeuvre marking the 250th anniversary of his death.

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