Hindustan Melodic SrSec 2022-23

HINDUSTANI MUSIC MELODIC INSTRUMENTS (Code – 035)

Examination Structure for Assessment (2022-23)

Class – XI
Total : 100 Marks
Theory 30 Marks
Time: 02 hours
Practical(External Assessment) 70 Marks
Time: 20-25 Minutes for each candidate
1. Examiners are requested to ask the questions directly related to the syllabus.
2. Marks should be awarded in accordance with the marking scheme.
Distribution of Marks
Sr. No. Value Points Marks

1. Parts and tuning of Instrument and questions regarding 05

Instrument
2. Alap, Jor, jhala with meend in any one choice Raga from the 10
prescribed Ragas:
 Bihag
 Bhim
 Palasi
 Bhairavi
3. Choice Raga (MasitKhani Gat and Razakhani Gat 18
4. Razakhani Gats with Todas and Jhala of Examiner’s choice 12
5. Identifying the Ragas 05+05=10
6. Reciting the Thekas of Prescribed Talas with hand beats in 05+05=10

Thah, digun,Chaugun, Teental, Chautala,Ektala
7. Practical file 05
 Teachers will refer to the distribution of Marks while examining the candidate for Practical
Examination.
Examination Structure for Assessment (2022-23)
Class – XII
Total : 100 Marks
Theory 30Marks
Time: 02 hours
Practical (External Assessment) 70 Marks

Time: 20-25 Minutes for eachcandidate
1. Examiners are requested to ask the questions directly related to the syllabus.
2. Marks should be awarded in accordance with the marking scheme.
Distribution of Marks
Sr. Value Points Marks
1. Tuning of Instrument and questions regarding 05

instrument
2. Aalap, Jor, Jhala with Meend in one choice Raga from 10+05=15
prescribed Ragas:
 Bhairav
 Bageshri
 Malkauns
3. One Choice Raga (Masitkhani Gat and Razakhani) from 15
prescribed Ragas
4. Razakhani Gat with Toda and Jhala of Examiner’s choice 05
5. One composition in Ektala or in Jhaptala. 05
6. Identifying the prescribed Ragas. 05+05=10

7. Reciting the Thekas of prescribed Talas with hand beats in 05+05=10
Thah, Dugun and Chaugun:
 Jhaptala
 Rupak
8. Practical File 05
 External Examiner will refer to the distribution of Marks while examining the candidate for
Practical Examination.
Course Structure (2022-23) Class – XI
Theory 30 Marks
Periods - 60
Time :02hours 70 Marks

1. Questions to be set with internal choice covering the entire syllabus
No. Units No.of Marks (30)

Periods (40)
Units 1 08 06
1.1 Brief study of the following 03

Nada, Shruti, Swara, Saptak ,Thaat, jati, Laya, Tala.
Margi- Desi, Raga, Gat.
Unit 2 06 06
2.1 Brief History of the following 06

Dhrupad, Mastikhani and Razakhni Gat
Unit 3 08 06
3.1 Brief study of Musical Elements in Natya Shastra 04
3.2 Life sketch and Contibution of Tansen, V.N. 04

Bhatkhande and V.D Paluskar
Unit 4 08 06
4.1 Description of Prescribed Talas along with Tala 05

Notation- in Thah, Dugun and Chaugan prescribed
Talas:
 Teentala
 Ektala
 Chautala
4.2 Knowledge of the Structure of the Instrument opted 03
for.
Unit 5 10 06
5.1 Critical study of Prescribed Ragas along with 04

Recognizing Ragas from phrases of Swaras and
elaborating them. Excluding Rag Jaunpuri.
5.2 Writing in Notation the Compositions of Prescribed 06
Ragas:
 Bihag
 Bhim
 Palasi
 Bhairavi
Class XI
Practical-100periods 70 Marks
S.No Practical No. of periods (100)
1. One Razakhani Gat with Alap, tala- badha Tana 45

and Jhala in the following ragas
Bihag, Bhimpalasi, Bhairavi.
2. One Masit khani Gat with tanas in any one of 15
theprescribed ragas
3. Ability to do Aalap, Jod, Jhala in any one of the 08
prescribedraga.
4. Knowledge of structure of instrument opted for. 15
5. Ability to recognize prescribed ragas from the 8

passages of swaras sung or played by the
examiner
6. Recitation of Thekas of Teentala, Chautala and 09
Ektala with Dugun and Chaugun keeping tala with
and beats.
Course Structure (2022-23) Class – XII
Theory 30 Marks
Periods - 40
Time :02hours 70 Marks
1. Questions to be set with internal choice covering the entire syllabus .
No. Units No. of Periods Marks
Units 1 08 06

Gram, Murchhana,Alankar, Alap, Tana.

Gamak, Meend, Kan, krintan, Zamzama, Ghaseet, Sut.
Unit 2 05 06
2.1 Historical development of Time Theory of Ragas 05

Unit 3 08 06
3.1 Detail study of the following 04

Sangeet Ratnakar
Sangeet Parijat
3.2 Life sketch and Contribution of Inayat Khan, MushtaqAli 04

Khan, Alauddin Khan
Unit 4 09 06
4.1 Description of Prescribed Talas along with Tala Notation 04

with Thah, Dugun, Tigun and Chaugun prescribed
Talas:
Jhaptala
Rupak
4.2 Tuning of the Instrument opted for. 05
Unit 5 10 06
5.1 Critical study of Prescribed Ragas along with 04

Recognizing Ragas phrases of Swaras and elaborating
them (Excluding Raga Shuddha Sarang)
5.2 Writing in Notation the Compositions of Prescribed 06
Ragas : Bhairav, Bageshri, Malkauns
Class XII
Practical –100 Periods 70 Marks
S.No Topics No. of periods

100
1. 45
One Razakhani Gat in prescribed Ragas Bhairav Bageshri
Malkauns with simple elaborations, Todas and Jhala.
2. One Masitkhani Gat in prescribed Ragas with 14

simple elaborations and a few Todas.
3. Alaap, Jor, Jhala in any one of the prescribed ragas with ability 08
to produce meend of minimum two swaras
4. One composition in Ektala or in Jhaptala in any one of the 08

prescribed ragas
5. Ability to recite thekas of Jhaptal, Rupak with Dugun, keeping 08

tala with hand beats.
6. Ability to recognize the swaras of the prescribed Ragas sung or 10
played by the examiner
7. Tuning of instrument opted for. 07

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HINDUSTANI MUSIC MELODIC INSTRUMENTS (Code – 035)

Examination Structure for Assessment (2022-23)

1. Parts and tuning of Instrument and questions regarding 05

5. Identifying the Ragas 05+05=10

6. Reciting the Thekas of Prescribed Talas with hand beats in 05+05=10

Practical (External Assessment) 70 Marks

1. Tuning of Instrument and questions regarding 05

4. Razakhani Gat with Toda and Jhala of Examiner’s choice 05

5. One composition in Ektala or in Jhaptala. 05

6. Identifying the prescribed Ragas. 05+05=10

Time :02hours 70 Marks

No. Units No.of Marks (30)

1.1 Brief study of the following 03

2.1 Brief History of the following 06

3.1 Brief study of Musical Elements in Natya Shastra 04

3.2 Life sketch and Contibution of Tansen, V.N. 04

4.1 Description of Prescribed Talas along with Tala 05

5.1 Critical study of Prescribed Ragas along with 04

S.No Practical No. of periods (100)

1. One Razakhani Gat with Alap, tala- badha Tana 45

5. Ability to recognize prescribed ragas from the 8

1.1 Brief study of the following 03

1.2 Brief study of the following 05

2.1 Historical development of Time Theory of Ragas 05

3.1 Detail study of the following 04

3.2 Life sketch and Contribution of Inayat Khan, MushtaqAli 04

4.1 Description of Prescribed Talas along with Tala Notation 04

4.2 Tuning of the Instrument opted for. 05

5.1 Critical study of Prescribed Ragas along with 04

Practical –100 Periods 70 Marks

S.No Topics No. of periods

Malkauns with simple elaborations, Todas and Jhala.

2. One Masitkhani Gat in prescribed Ragas with 14

4. One composition in Ektala or in Jhaptala in any one of the 08

5. Ability to recite thekas of Jhaptal, Rupak with Dugun, keeping 08

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