Rizal PPT 6-The Works of Rizal
Rizal PPT 6-The Works of Rizal
Rizal PPT 6-The Works of Rizal
THE WRITINGS
OF RIZAL
GEED 10013: LIFE AND WORKS OF RIZAL
ALJON I. CONCILLADO | PUP DEPARTMENT OF
HISTORY
WORKS TO BE ANALYZED
ANNOTATION OF MORGA’S SUCCESSOS DE LAS ISLAS FILIPINAS
§ These works of Rizal are among the most studied and most explored Rizalian
writings.
§ These articles shows his progression towards becoming a Radical
§ These pieces show his political color boldly aside from the two novels
§ These pieces show Rizal’s versatility as an author. His political essays were realistic
and written in direct tone while his novels were carefully crafted under a
fictitious plot to mask its socio-political undertones.
All these works will be presented in a “succeeding” manner which helps in showing Rizal’s
transformation towards becoming a radical from being a propagandist.
RIZAL HAD BEEN A SUCCESSFUL WRITER OF
MANY FORMS OF PROSE AND POETRY
¡ Our late hero was able to show his mastery of writing as a skill even as a young
student. Not only did he write many poems in the Spanish Language, he also
authored many plays and essays when he was in Ateneo. Such love for writing have
further manifested when he first took Arts and Letters in UST and eventually in
Universidad de Central de Madrid.
¡ This very talent of his will also cause his death at the hands of the Spaniards as he
will venture on writing political matters on his last years of existence.
ANNOTATION OF ANTONIO
DE MORGA’S
SUCESOS DE LAS ISLAS FILIPINAS
¡ Published by Antonio De Morga in Mexico 1609, this is one of the most significant, earliest works about the
Philippines being Spain’s colony.
¡ Explains the political, social and economical aspects of a colonizer and the colonized country.
¡ The book is entirely based on the point of view of Antonio de Morga.
¡ It was later annotated by Jose Rizalwith a prologue by Dr. Ferdinand Blumentritt. Rizal wrote the annotation
while he was in London. He acquired a copy from the British Museum.
THE WORK CONSISTS OF 8 CHAPTERS
EL
MENTIONED IN THE NOLI
VALUE THE ROLE OF THE
YOUTH IN THE DEVELOPMENT
FILIBUSTERISMO
AND FUTURE OF SOCIETY
”ANG PAGDATING NG BAGYO ANG TANGI KONG
PAG-ASA SAPAGKAT’T ITO ANG
MAGDADALA NG MGA LINTIK NA
SIYANG PAPATAY SA MGA TAO AT
SUSUNOG SA MGA KABAHAYAN. SANA
MAGKAROON DIN NG DELUBYO SAPAGKAT
MAY SAMPUNG TAON NA NGAYON,
ISINUWESTIYON KO SA BAWAT KAPITAN ANG
PAGBILI NILA NG TAGAHULI NG KIDLAT O
PARARAYOS NGUNIT AKO’Y PINAGTAWANAN
LAMANG NG LAHAT.”
P I L O S O P O TA S YO
Noli Me Tangere
ABOUT NOLI ME TANGERE
¡ This is Rizal’s first novel, in which he likened the problems faced by the Philippines to a Cancer.
¡ Rizal had already been facing financial constraints during this time and thanks to Maximo Viola, he was able to
publish it.
¡ This is his major output after a few years of studying in Spain and being exposed to liberal ideas.
¡ He made characters that represent realities about social groups in the Philippines and placed them in context
similar to the social issues of that time.
¡ However, Fr. Schumacher’s explained that Rizal’s novel was a scathing, full scale attack on political and religious
regime of the Philippines, as well as of native Filipino society.
¡ He also discussed that Rizal entitled it Noli Me Tangere (or, Touch Me Not” – the technical name of a particularly
painful type of cancer.) He proposed to probe all the cancers of Filipino society that everyone else felt too painful
to touch.
READING NOLI
¡ Do not expect its story or plot to be a head-turner. If you do, you will be bound to be
disappointed.
¡ Do not look for psychologically developed characters.
¡ Be on alert for social criticism and social commentary. (Social criticism refers to the
explicit criticism of the society; while social commentary refers to the criticism of society
implicit in the way society is portrayed.
¡ Pay close attention to discussions of political or social topics. Such discussions occur
between Ibarra and schoolmaster, Ibarra and Filosofo Tasio, Filosofo Tasio and Don Filipo,
Ibarra and Elias.
¡ Be on alert for patterns – patterns of events and characters. The pattern reveals themes.
¡ Be on alert for passages of costumbrismo – a literary genre popular in Spain and its
colonies in the 19th century, depicting everyday life among ordinary people in ordinary
settings. Exile’s recollection of life in the Philippines and are suffused with nostalgic
affection.
¡ If you wish to know exactly what Rizal wanted his readers to take away from the Noli,
then you have to take the dedication and epigraph of the novel seriously.
QUIBUYEN’S LIST OF DICHOTOMIES BASED
ON INCORRECT INTERPRETATIONS
¡ Rizal faced a lot of problems concerning the finances involved in the production of El Fili due to the Calamba Case
¡ Several revisions were made and he had to delay the publication due to lack of funds, all thanks to Valentin Ventura, the first
copy was finally published in Belgium.
¡ El Filibusterismo’s plot (Schumacher, 1998) on the other hand is loose, sometimes serving more as a framework for
philosophical and political discussions on the future of the Philippines.
¡ The second novel of Rizal presented the readers the direction where Filipino should head to in claiming their freedom.
¡ shows the shift of Ibarra’s reformist character into Simoun’s radical measures in achieving his goals. It also highlighted the
many characters that represent the position of many individuals towards the liberation of the country.
¡ In the end, Simoun’s dialogue with Father Florentino shows Rizal’s true intention. The people must be ready in claiming their
independence; they should own and be responsible for it. Revolution should not only about preparedness and not because of
hatred but love the mother country.
READING EL FILI
¡ Pay close attention to the plot for it is fundamental Fili. This is because, while
the Noli presents us with the problems of Philippine society, the Fili proposes
solutions. It is, therefore, necessary to note the proposed solutions, how they
are pursued, and why they fail.
¡ Do not expect Rizal to transform the solutions into detailed narratives – Rizal
is not interested in the solutions as stories. What is more important for Rizal
is the theoretical outlines of the proposed solutions and the reasons they fail.
In other words, the solutions proposed are types of solutions, and the reasons
they fail are types of reasons for failure.
¡ Do immerse yourself, however, in the story of Cabesang Tales and the Story of
Simoun’s second attempt at revolution – While Simoun’s first attempt at
revolution and the student’s Spanish academy address the reader’s head, these
two stories address his heart and subsequently his head. They are directly
related to the last chapter of the novel, in which we have Rizal’s thoughts on
the redemption of the Philippine society and on freedom and independence.
READING EL FILI
¡ The Fili is a novel of debates and discussions, try your best to follow the
argumentative chapters closely – These are especially Chapters 7 (The debate
between Simoun and Basilio, 33 (Simoun’s long speeches to Basilio and the
narrator’s comment on them), and 39 (the discussion between Simoun and Padre
Florentino). Aside from these three, there are as well Chapters 15 (Isagani’s visit to
Señor. Pasta), 27 (the debate between Isagani and Padre Fernandez) and 31 (the
argument between the governor general and the high government official).
¡ Rizal was a poet before he became a novelist – in the Fili, Rizal writes as both
novelist and poet: the novelist for the most part writes literally; the poet,
figuratively. One must be aware that certain passages, characters, and events are
intended by Rizal to be understood not only literally but also figuratively. It is not
good to be hunting symbols in the Fili. Let the symbols detach themselves from their
contexts whenever the right moment comes in the reading experience of individual
readers. This right moment will differ from reader to reader, but when it comes, it
will come as a gift in burst of light and with a feeling of vertigo.
NOTABLE PARTS
¡ Transformation of Basilio out all of his experiences ¡ Critique of the practices of the elite, and even the
culture of many Filipinos
¡ Rich and Poor divide, the struggle of the poor in the
midst of oppression. ¡ Critiqued the unjust spending habits of Filipinos
despite not being able to sustain it
¡ Colonial mentality, inferior view of self.
THE INDOLENCE
OF THE
FILIPINOS
(SOBRE LA
INDOLENCIA DE
LOS FILIPINOS)
(1890)
Analyze Rizal’s claims and counter-claims on the prevailing
notion that the Filipinos were indolent.
JOSE RIZAL
The Indolence of the Filipinos (1890)
THE INDOLENCE OF
THE FILIPINOS
(SOBRE LA INDOLENCIA
DE LOS FILIPINOS) (1890)
¡ BASIC INFORMATION:
¡ socio-political essay published in La
solidaridad in Madrid in 1890.
¡ It has 5 installments (chapters)
¡ From July 15 to September 15 , 1890
¡ five consecutive issues on July (15 and
31), August (1 and 31) and September 1,
1890.
¡ Mainly contains the exploratory and
argumentative claims of Rizal against the
Spanish notion of the Indio “Indolence”
¡ Syed Hussein Alatas, to build on Rizal’s
essay and publish “The Myth of the
Lazy Native” (1977),
WHAT WERE THE MAIN POINTS?
JOSE RIZAL
PHILIPPINES A CENTURY HENCE
(1889)
PHILIPPINES, A CENTURY HENCE (FILIPINAS
DENTRO DE CIEN AÑOS)
(1889-1890)
¡ BASIC FACTS:
¡ Socio political essay written in four parts (1889-1890) in the
magazine La solidaridad by José Rizal
¡ Significant political work of the Propaganda Movement
WOMEN OF ¡
¡
- “moralidad”
- “pananampalataya at ang tunay na kabanalan”
MALOLOS ¡ - “Pagtataya ng sarili para sa bayan”
¡ - “pagkakamit ng katarungang –panlipunan”
¡ - “pag-ibig”
¡ - “katotohanan” atbp.
SIXTH. ALL MEN ARE BORN EQUAL, NAKED,
WITHOUT BONDS. GOD DID NOT
CREATE MAN TO BE A SLAVE; NOR DID HE
ENDOW HIM WITH INTELLIGENCE TO
HAVE HIM HOODWINKED, OR ADORN
HIM WITH REASON TO HAVE HIM
DECEIVED BY OTHERS. IT IS NOT
FATUOUS TO REFUSE TO WORSHIP ONE'S
EQUAL, TO CULTIVATE ONE'S INTELLECT,
AND TO MAKE USE OF REASON IN ALL
THINGS. FATUOUS IS HE WHO MAKES A
GOD OF HIM, WHO MAKES BRUTES OF
OTHERS, AND WHO STRIVES TO SUBMIT
TO HIS WHIMS ALL THAT IS REASONABLE JOSE RIZAL
AND JUST.
A LETTER TO THE WOMEN OF
MALOLOS (1889)
¡ BASIC FACTS:
¡ Was written in 1889 to specific group of 20
A LETTER TO THE women of Malolos, Bulacan who have asked
for permission to establish a local night
WOMEN OF school where they can study Spanish
https://businessmirror.com.ph/2016/12/29/rizals-felicitous-vision-of-our-future-as-
a-nation/