LUTIFY.
ME
WELCOME
Thank you for using Lutify.me It includes some very please forward any and all
3D LUTs pack for Luminar important information, so your questions to their
2018. In moments you will be please read it thoroughly. support team.
able to enjoy this library of
cinematic color grading Please understand we are Thank you,
LUTs. not able to offer any support Lutify.me Team
in connection to this 3D LUTs
To help you get started we pack.
have created this document
that will introduce you to As this pack is distributed
your color grading pack. and offered by SKYLUM,
LUTIFY.ME
COLOR CORRECTION
It is very important that white balance for the mood A warm LUT won’t work
you first color correct and you’re trying to convey. properly for an image shot
balance your image before under cloudy and cold
applying a 3D LUT. Always exercise a good conditions just as cold LUT
judgement in regards to will not work in sunny
All of our 3D LUTs are color correcting your image. conditions.
calibrated to work correctly
with properly exposed and You wouldn’t want to protect As a rule of thumb if a LUT
balanced images. your highlights at all cost if defies the laws of nature you
that would mean should use a different LUT as
This means you should underexposing your main the out coming grade will
balance and correct any subject for example. most likely feel unnatural.
exposure, white balance and
contrast issues prior to Alternatively, you wouldn’t
applying one of the LUTs. want to open up your
shadows at cost of
You should aim for neutral overexposing your subject.
white balance for the lighting
conditions under which your Remember, a neutral starting
image was shot and make point is one that is correct for
sure there’s plenty of the image you are editing
information in image’s and not an absolute starting
shadows and highlights. point.
If your image was shot under Also, you should make sure
mixed lighting conditions, you select a LUT that is
select the most appropriate appropriate for the lighting
conditions of your image.
LUTIFY.ME
LUTS SIZES
This 3D LUTs color grading
pack contains two LUTs
sizes: 33x33x33 and
65x65x65.
The difference between
these two sizes is in the
number of data points in
each LUT.
Generally, the more data
points a LUT has the more it’s
precise however it’s also
more processor intensive
because of the way data in
image has to be
manipulated.
For most parts, you could,
and should, use the
33x33x33 size LUTs, however
if you have some spare
computing power you may
opt to use the 65x65x65 size
LUTs.
LUTIFY.ME
LUTS INFORMATION
Following is a quick summary for dark and cloudy lighting skin tones and overall warm
of the LUTs characteristics in conditions. palette simulating a high
this pack. density print film.
BW-Max
2-Strip Process High contrast black and D-Min Teal and Orange
A LUT inspired by white LUT with smooth tones Neutral contrast teal and
Technicolor 2-Strip process gradation and rich palette. orange LUT with neutral and
from 1920s. The greens with soft skin tones and overall
this LUT are heavily tinted Chrono-Print Teal and warm palette simulating a
toward cyan-blue, while Orange low density print film.
magentas are red. Yellows Medium contrast teal and
are pale and skin tones are orange LUT inspired by print K-Chrome
saturated. on Fuji 3510 print film stock. A LUT inspired by Kodak
Skin tones are neutral. Kodachrome color reversal
Aged K-14 film introduced in the 1930s.
A LUT inspired by aged and Chrono-Steel Overall image appearance is
somewhat faded Kodak High contrast cold LUT. warm, skin tones are
Kodachrome color reversal Shadows and highlights are saturated and mid tones
film introduced in the 1930s. blue and cold while skin tone have a slight magenta tint.
Overall image appearance is remains fairly neutral.
darker, skin tone is very Pro-Blue
warm and brown and overall Cine-Print Teal and Orange High contrast cold LUT.
color palette is muted. Neutral contrast teal and Shadows and highlights are
orange LUT inspired by print blue and cold and skin tone
Blade Green
on Kodak 2393 print film is slightly desaturated and
Deep and murky green- stock. Skin tones are neutral. muted. Neutral axis is very
yellow LUT. Overall color blue.
palette is muted, mood is D-Max Teal and Orange
dark and skin tones are High contrast teal and
somewhat yellow. Best suited orange LUT with saturated
LUTIFY.ME
LUTS INFORMATION
Pro-Brown Skin tones are fairly neutral
Very warm and brown LUT. and yellow-ish. Best suited
Best suited for fashion color for mixed lighting conditions.
grades and people shots.
Suitable only for warm
lighting conditions. Overall
color palette has magenta
tint.
Pro-Crisp Teal and Orange
High contrast teal and
orange LUT with neutral mid
tones, yellow-ish skin tones
and overall warm palette.
Teal Duo-Tone
Cross-process inspired LUT
with very teal and dark blues,
raised magenta-blue
shadows and warm yellows.
Best suited for fashion color
grades. Preferably used on
16-bit images.
Warm and Cold
High contrast LUT with cold
and blue shadows and
somewhat warm highlights.
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LEARN MORE
If you wish to learn more
about LUTs and see
additional color grading
packs please visit lutify.me.
Have a question?
We welcome your queries.
Please contact us at:
[email protected] Please understand we are
not able to offer any support
in connection to this 3D LUTs
pack.
As this pack is distributed
and offered by SKYLUM,
please forward any and all
your questions to their
support team.
Thank you,
Lutify.me Team
